Kinetic Chinese Characters Basic Basa: Kinetic Typography naLi Xinlin

Dhizaini Kinetic Chinese Characters Basic Basa: Kinetic Typography naLi Xinlin ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2020 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheJeneretivu, Argorizimu, Parametriki neInobatsirwa neAI.

SimbiJeneretivu· 2020

Kinetic Chinese Characters Basic Basa: Kinetic Typography

na Li Xinlin

Mutengi: Li Xinlin

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheJeneretivu

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Dhizaini

Nezvekwa Kinetic Chinese Characters Basic Basa: Kinetic Typography

Rondedzero yeBhuku: Kinetic Chinese Characters ibumbiro remabasa gumi nematanhatu ekinetic typography anovakirwa pazvikamu zvemavara echiChinese. Basa rimwe nerimwe rine musoro wakasiyana uye rinogadzirwa nenzira yechokwadi kuburikidza nekunyorwa kwemakomputa uye ma-algorithm, achishandisa Processing. Kuwedzerwa kwehunyanzvi hwekugadzira (generative technology) kunoita kuti nguva yaimbenge yakasimba yemavara ive inoshanduka uye mhedzisiro isingafanotaurwiki. Rondedzero pfupi yekunzwisisa basa inoperekedza basa rimwe nerimwe, ichitevera tsika yekuAsia yekuratidza nhetembo nemifananidzo pamwe chete. Bumbiro iri rinoratidza kuti kinetic design inogona sei kushandiswa pamavara echiChinese.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Kinetic Chinese Characters Basic Basa: Kinetic Typography, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Kinetic Chinese Characters Basic Basa: Kinetic Typography inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Kinetic Chinese Characters Basic Basa: Kinetic Typography inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: In this project, integration of code to type and typography revealed that the originally fixed or invariable timeline has changed. Addition of the generative technology resulted in more rich work content and changed it to become unpredictable. With this, the creative technique of kinetic typography can be applied to Chinese characters and the kinetic design integrated with the characteristics of Chinese characters holds unlimited potential.
Kukura & Kupakiwa: Media & Print matter
Matagi: Kinetic , Typography , Generative , Chinese Characters
Tekinoroji Yekugadzira: Processing and based on openprocessing.org
Changamire yeDhizaini: All Asian designers face the common question of how such theories can take root and become fruitful in the East. As an Asian artist, the author of this study attempted a method of converging computer programming technology and traditional Chinese characters with a focus on the potential of Chinese characters.
Tsvakurudzo: Expression of Meaning of Kinetic Chinese Characters using Computer Programming Techniques.
16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms.
Chikurudziro: The field of kinetic Chinese character design is currently expanding steadily, but the field is yet vague and without a clear definition. However, the everlasting Eastern culture and abundant perspective in search of beauty can become the basis for converging new technologies and new design so that the kinetic Chinese character design can definitely become a new trend that leads the advancement of future design.
Nguva yePurojekiti: 2019, College of Fine Arts, Seoul National University.
Mafambiro eBasa: 16 works were created based on the components of Chinese characters. The subjects of these works were all different and were made purely through computer programming and algorithms. Additionally, work appreciation essays were added to each work and this was derived from the Western culture where work appreciation essays are occasionally used for interaction and communication with the audience and the concept of “poetry and paintings having the same source” in Asian traditional art that presents poetry and paintings together.
Mapetenzi: LI XINLIN
Nhengo dzeTimu: LI XINLIN
Zvikwereti zveMifananidzo: LI XINLIN