Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba naYusuke Kamiyama

Dhizaini Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba naYusuke Kamiyama ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weSirivha we A' Design Award muChikwata cheKukwikwidza cheHunyanzvi Hwakaisvonaka neKuiswa kweHunyanzvi.

SirivhaHunyanzvi· 2026

Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba

na Yusuke Kamiyama

Mutengi: Spline Design Hub Inc.

Mukundi weMubairo weSirivha we A' Design Award muChikwata cheHunyanzvi

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Dhizaini

Nezvekwa Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba

Mashoko eBhuku: Cadence of the Spiral inotsvakurudza nguva sechinhu chinotambanuka, chine ukama, uye chinorarama. Bhandi resimbi yespringi isingaperi-perere rinoumbwa kuita chimiro chinogara chichishanduka nemaoko makumi matatu emuchina. Maoko aya anofamba muzvimiro zvinyoronyoro, zvine chinhambwe chakasiyana. Sezvo iyi spiral inofema, inomonyoroka, uye inozvironga zvakare, hapana nguva mbiri dzakangofanana. Basa iri rakafemerwa nespringi huru yewachi yemuchina. Rinodudzira zvakare simbi yakapeteka senzira yesimba rakachengetwa uye kuyerera kwenguva. Kufamba uku hakudzokororwi. Pane kudaro, shanduko inoratidzwa kuburikidza nemusiyano unodzorwa. Nguva haiyerwi, asi inonzwika.

Kuzivikanwa

Nezve Mubairo weSirivha we A' Design Award

Mubairo weSirivha we A' Design Award wakahwinwa ne Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba, rukudzo rwakakwirira zvikuru runopiwa kumadhizaini epamusoro, anonaka uye anofadza. Vakunda veSirivha mabasa anopenya kwazvo uye ane kugadzira kwakasiyana anoratidza unyanzvi, hunyanzvi hwekusikwa nekungwara kwevagadziri vawo. Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba inotarisirwa kuva basa rinoshamisa, rinotangira vamwe, rine hunyanzvi hunoonekwa uye zvitsva zvakadzika. Dhizaini iyi yakahwina Mubairo weSirivha we A' Design Award chigadzirwa chinoshamisa, chinokudzwa chinobatsira uye chinosundira mberi miganhu yehunyanzvi, sayenzi, dhizaini netekinoroji. Cadence of the Spiral Basa Rekutanga: Chivakwa Chinofamba chigadzirwa chinoshuvirwa nevazhinji, chinomutsa zvishuvo, chinouya nemanzwiro akanaka uye chinomutsa kushamisika.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: A long stainless-steel spiral is dynamically deformed by independently actuated arms, generating continuous reorganization through tension and release. Unlike static sculpture, the form never settles; it is constantly restructured into shifting orders. The spiral functions as a physical model of time—elastic, unstable, and relational. Controlled irregularity replaces mechanical uniformity, allowing viewers to perceive time not as measurement, but as a living and evolving order.
Kukura & Kupakiwa: Material: Blast-finished stainless spring steel (0.3 mm thickness, 80 mm width)
Spiral pitch: 100 mm
Number of turns: 10
Control: PC-based control system
Installation footprint: Approx. 2000 mm × 2000 mm × 2000 mm
Power: AC 100–240 V
Matagi: Kinetic art, Spiral structure, Time perception, Mechanical rhythm, Parametric design, Stainless steel sculpture, Dynamic installation, Temporal form
Tekinoroji Yekugadzira: A custom-fabricated stainless-steel spiral plate forms the core structure, paired with a bespoke linear actuation system developed for this work. Most mechanical components—including joints, mounts, and structural interfaces—were custom-designed to enable precise distributed deformation. Motion is coordinated through a PC-based control architecture enabling synchronized, phase-shifted oscillations. Parametric modeling and simulation optimized stress distribution and torsional balance.
Changamire yeDhizaini: The primary challenge was balancing structural stability with expressive flexibility. The spiral required sufficient rigidity to maintain form, yet enough elasticity to allow dynamic deformation. Managing distributed mechanical stress while achieving organic motion demanded extensive iteration. Technological constraints of synchronized actuation and material fatigue also required innovative solutions to preserve both safety and poetic integrity.
Tsvakurudzo: This practice-based design research explores time as a spatial and kinetic phenomenon. Through iterative prototyping combining mechanical engineering and artistic experimentation, parametric modeling, structural simulation, and motion analysis were employed. Audience observation during exhibitions informed the study. The research identified perceptual shifts generated by micro-irregular motion, demonstrating how controlled instability enhances emotional engagement and contributes to contemporary kinetic art and experiential design.
Chikurudziro: Inspired by the mainspring of a mechanical watch, Cadence of the Spiral reconsiders the spiral beyond its functional role. The tightly wound strip of metal appeared as a vessel containing latent energy and rhythm of time itself. When gently lifted, it responded with subtle motion, as if about to begin a heartbeat. The spiral thus emerged not as an object, but as a physical manifestation of invisible time—an embodiment of tension and release within temporal experience.
Nguva yePurojekiti: The project began in Tokyo in March 2025 and was completed in November 2025. Prototyping and structural validation were conducted in Tokyo. Developed in collaboration with Seiko Watch Corporation to explore the cultural and mechanical heritage of horology, the work was exhibited in Japan and is currently being prepared for international presentation.
Mafambiro eBasa: The spiral slowly shifts between tension and release. As the supporting arms extend and retract, the form breathes, twists, and reorganizes itself. There is no fixed choreography; instead, subtle variations create moments of alignment and misalignment. Viewers experience a continuous transformation—sometimes synchronized, sometimes slightly off—evoking the sensation of time that never fully repeats yet always returns.
Mapetenzi: Copyrights belong to Spline Design Hub Inc., 2025.
Nhengo dzeTimu: Yusuke Kamiyama
Shin Sakamoto
Kaku Murayama
Fumiya Nakano
Zvikwereti zveMifananidzo: IMAGE CREDITS: Daisuke Ohki