Weaving Dhizaini yeMukati meImba yekugara naChih Liang Hung

Dhizaini Weaving Dhizaini yeMukati meImba yekugara naChih Liang Hung ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weSimbi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

SimbiMukati· 2026

Weaving Dhizaini yeMukati meImba yekugara

na Chih Liang Hung

Mutengi: Xiang Dao Design

Mukundi weMubairo weSimbi we A' Design Award muChikwata cheMukati

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Dhizaini

Nezvekwa Weaving Dhizaini yeMukati meImba yekugara

Weaving idhizaini yemukati meimba yekugara yakapedzwa muTaiwan yemhuri yezvizvarwa zvitatu. Kusanganisira vharanda, nzvimbo yemukati inosvika mamita masikweya makumi masere nematatu. Kurongwa kwekutanga kwemakamuri mana ekurara kwakagadziridzwa zvakare kuita makamuri matatu ekurara nenzvimbo yakavhurika yekuverengera uye kamuri retatami. Madziro eterevhizheni anosanganisa dombo reblanc travertine neMoonlight Beige stone zvichitevedza mucheto wakakombama wakaenzaniswa nemiganhu yepasi. Kamuri retatami rakavakwa nematanda chaiwo eJapanese hinoki achibatanidzwa nemabatanidzirwo emortise-and-tenon uye denga rakarukwa nemapatani edhaimondi. Makabati akaderera anochengetedza nzvimbo yekutandarira yakavhurika uye ichisvikika nyore.

Kuzivikanwa

Nezve Mubairo weSimbi we A' Design Award

Mubairo weSimbi we A' Design Award wakahwinwa ne Weaving Dhizaini yeMukati meImba yekugara, rukudzo runokudzwa runopiwa kumadhizaini akanaka anozadzisa zvinodiwa zvehunyanzvi neyeindasitiri zvinotarisirwa kuzvigadzirwa zvakagadzirwa zvakanaka. Vakunda veSimbi vanoratidza unyanzvi hukuru, hunyanzvi hwakakwirira, kunzwisisa kwevakachenjera uye kugona kwekugadzira kwevagadziri vavo. Weaving Dhizaini yeMukati meImba yekugara inotarisirwa kuva chigadzirwa chinokudzwa zvakanyanya, chinoremekedzwa uye chinodiwa, chinoshanda uye chine zvitsva. Dhizaini iyi yakahwina Mubairo weSimbi we A' Design Award inosanganisa maitiro akanakisa eindasitiri uye ine hunhu hwetekinoroji hwakakwana hwakabatana neruzivo nehunyanzvi. Nekushanda kwayo zvakanaka, Weaving Dhizaini yeMukati meImba yekugara inoremekedzwa uye yakagadzirirwa kupa kuvandudzwa kwehupenyu kunobatsira kuita kuti nyika ive nzvimbo iri nani.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: The design unifies diverse 'weaving' of materials. On the TV wall, blanc travertine and Moonlight Beige stone meet along a curved edge extending to the entry, aligned with floor joints for visual rhythm. Metallic-sheen art paint behind the desk echoes stone fossils. Stone veining is intentionally unmatched. Social area storage is low for openness and elderly access. In the tatami room, diamond-pattern amijime ceilings, ranma lattice vents, and circular sliding doors follow the Fibonacci sequence, blending tradition, nature, and craft.
Kukura & Kupakiwa: Including the balcony, the interior area measures about 83 square meters. Originally four bedrooms, a living room, a dining room, and two bathrooms, the layout was reconfigured into three bedrooms plus an open study and tatami room. Bedroom privacy was preserved while enlarging the dining-and-gathering axis of the social area, allowing flexible conversion between daily two-person life and holiday gatherings of over ten people. The study wall was recessed to connect the dining-living lighting; the tatami room sits centrally as a flexible node for rest, movie-watching, or children's play.
Matagi: Tatami Room, Tenjo Ajiro Ceiling, Barrier-Free Space, Wood Tone, Open Plan, Solid Wood, Eco-Friendly Materials, Custom Wooden Flooring, Bamboo Pendant Lamp
Tekinoroji Yekugadzira: The tatami room is entirely constructed of solid Japanese first-grade hinoki sourced from managed artificial forests. 3D modeling, precise cutting, and mortise-and-tenon joints replace veneered plywood, preserving the natural scent and tactile warmth of wood. Wood flooring and stone surfaces correspond to each other in modular dimensions and division. The overall color temperature builds on warm gray and wood brown, blanc travertine and moonlight beige stones enhance brightness, and curved edges form a stable yet fluid sense of light layering.
Changamire yeDhizaini: The main challenge was coordinating materials and techniques. The tatami room used first-grade, knot-free hinoki cut to custom modules, with a diamond-weave ceiling built from prototypes and on-site craftsmanship for veneer overlap, tolerances, and hidden maintenance. Stonework required continuous curved spans aligned with floor joints. Non-book-matched veining balanced visual density, ensuring durability, easy cleaning, and refined elegance.
Tsvakurudzo: Designed for an elderly homeowner and three generations, the 'Weaving' theme transforms the parents' curtain-making craft into spatial rhythm. Wood joinery, stone divisions, and drapery interlace, symbolizing family bonds. The open social area features low cabinets and a TV wall of blanc travertine and Moonlight Beige stone curving to the entry. The tatami room's hinoki ceiling weaves tradition and hidden vents, blending material, light, and air into daily life.
Chikurudziro: The homeowners' children wished to preserve memories of the tatami room from their parents' previous home. Centered on the concept of 'Weaving,' the design interlaces bamboo blinds, wooden flooring, and stone surfaces into a harmonious dialogue of materials, balancing emotion and order. Three-sided daylight and natural ventilation enhance comfort, while the open social area supports daily life and family gatherings. Barrier-free design ensures accessibility, blending tradition with practicality.
Nguva yePurojekiti: The project finished in October 2024 in Taiwan.
Mafambiro eBasa: After moving in, the family often sits on the tatami by the sliding doors to watch TV, the sofa has become secondary. The desk area serves as a reading and interaction corner for the elders and grandchildren. Visiting friends and photographers have all commented on the space's 'unexpected quietness': though near a busy road, once windows close, only light and the scent of wood remain. The children appreciated the low-cabinet design and simplified storage, which keeps the view uncluttered and gently refines their parents' habit of keeping items-making life feel lighter.
Nhengo dzeTimu: Chih-Liang Hung
Zvikwereti zveMifananidzo: Xiang Dao Design