Ishidaya Primary Function: Resitorendi yeChijapani naAtsushi Kawaguchi

Dhizaini Ishidaya Primary Function: Resitorendi yeChijapani naAtsushi Kawaguchi ndiye mukundi anokudzwa zvikuru wemubairo unoremekedza we2026 Mubairo weBronzi we A' Design Award muChikwata cheKukwikwidza cheNzvimbo yeMukati neMusangano.

BronziMukati· 2026

Ishidaya Primary Function: Resitorendi yeChijapani

na Atsushi Kawaguchi

Mutengi: Ishidaya

Mukundi weMubairo weBronzi we A' Design Award muChikwata cheMukati

6,937

Mukundi weMubairo Akasimbiswa

Simbisa Mamiriro eMubairo we#180958

Shanyira Saiti Ona pa A' Design Award Mashoko Enhau Bheji reMubairo

Mavara

Dhizaini

Nezvekwa Ishidaya Primary Function: Resitorendi yeChijapani

Book Text: Ishidaya iresitorendi yeChijapani iri munzvimbo yepakati yeguta reHanoi. Chirongwa ichi chinoshandisa Taisho Roman, nguva iyo tsika dzeJapan nedzekuMadokero dzaisangana, semhando yacho, kubatanidza runako rweChijapani nehunhu hwekuMadokero hwechivakwa. Chimiro chematanda pamusoro pekhaunda chinobatanidza kuvaka kwechinyakare negeometry yeArt Deco uye chinoshanda sechinhu chikuru chinooneka nemaziso. Panzvimbo pekushongedza, chinoumba maonero kuburikidza nechiedza uye maonero anochinja. Mhedzisiro yacho inzvimbo yakadzikama inowedzera mareferensi etsika uye inopa dudziro yakajeka yekudya kwazvino muHanoi.

Kuzivikanwa

Nezve Mubairo weBronzi we A' Design Award

Mubairo weBronzi we A' Design Award wakahwinwa ne Ishidaya Primary Function: Resitorendi yeChijapani, rukudzo rwakakwirira kwazvo runopiwa kumadhizaini akasiyana anozivikanwa nekugadzira, njere nekungwara. Vakunda veBronzi mabasa ane unyanzvi hwakakwana uye kugadzira kunoshamisa kunosimbisa ruzivo rukuru, pfungwa nehunyanzvi hwevagadziri vawo. Ishidaya Primary Function: Resitorendi yeChijapani inotarisirwa kuva chinhu chinokudzwa kwazvo, chinoremekedzwa uye chinodiwa, chine hunyanzvi hunoonekwa uye zvitsva. Dhizaini iyi yakahwina Mubairo weBronzi we A' Design Award inosanganisa maitiro akanakisa muhunyanzvi, sayenzi, dhizaini netekinoroji uye yakasiyana nekutarisisa zvidiki. Ishidaya Primary Function: Resitorendi yeChijapani inogutsa zvinodiwa zvakanaka, inobata zvishuvo, inokwezva manzwiro uye inomutsa kuda kuziva.

Shure kweDhizaini

Bepa Renhau

Zvikwereti, nhengo dzetiimu nezvimwe zvakadzama zvakapihwa nemudhizaina.

Hunhu Hwakasiyana: This design is a spatial centerpiece that quietly responds to people rather than technology. Its form never moves, yet it feels different from every position, shaped by light, shadow, and human presence. Unlike decorative elements that are simply observed, this design creates a subtle dialogue with its surroundings, offering depth, calm, and a lasting sense of place through simplicity and restraint.
Kukura & Kupakiwa: Renovation of existing buildings
Matagi: Timeless atmosphere, Changing perception, Sense of depth, Quiet interaction
Tekinoroji Yekugadzira: The design process began not with form, but with experience. We first observed how people move, pause, and look within the space. Instead of adding complexity, simple elements were repeated and layered so perception changes as people move. The design does not rely on mechanisms or instructions; human presence itself creates variation. This approach results in a calm, durable, and lasting spatial experience.
Changamire yeDhizaini: In designing ISHIDAYA we faced challenges from both cultural context and practical limits. The building showed Western decorative traces while the space required a Japanese aesthetic. To connect these influences we adopted the idea of Taisho Roman, a period when East and West blended naturally. This concept guided choices in materials colors light and space. Through close work with craftsmen and repeated testing the design was refined into a space that respects cultural roots and feels natural to use.
Tsvakurudzo: For ISHIDAYA the research began by understanding the building and its use. The structure showed traces of Western decoration, while the design required a Japanese sensibility. To connect these elements we studied moments in history when East and West blended naturally. This led to Taisho Roman, which guided choices in materials colors and mood, creating a space that feels unified clear and suited to present day Hanoi.
Chikurudziro: ISHIDAYA is a Japanese restaurant located in the center of Hanoi. Inspired by Taisho Roman, a period when Japanese and Western cultures intersected, the design harmonizes Japanese aesthetics with the building’s original Western character. A sculptural wooden framework above the counter combines traditional Japanese construction with Art Deco geometry, creating a refined space where dining, drinking, and cultural storytelling come together in contemporary Hanoi.
Nguva yePurojekiti: The project started in August 2024 in Hanoi and finished in April 2025.
Mafambiro eBasa: Hanged wood frame is not something you press or control.
It responds simply to people being there. As you walk, sit, or look up, its shape feels different. From one angle it looks calm, from another it feels complex, and from below it seems to float.
Nothing actually moves, but your position changes how it appears. Light and shadow shift naturally, creating a quiet interaction. Because it relies on people, not machines, it stays simple, stable, and always engaging.
Zvikwereti zveMifananidzo: All photos / HIROYUKI OKI