Serenity Mamanu Totonu o Fale Nofoia e Wei Cheng Chen

O le mamanu Serenity Mamanu Totonu o Fale Nofoia e Wei Cheng Chen o se manumalo maualuga tele o le fa'ailoga mamalu 2026 A' Design Award Apamemea i le Vaega Tauva Mamanu Totonu.

ApamemeaTotonu· 2026

Serenity Mamanu Totonu o Fale Nofoia

na mamanuina e Wei Cheng Chen

Tagata Fa'atau: Makoto Interior Decoration Co., Ltd.

Manumalo o le A' Design Award Apamemea i le Vaega Totonu

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Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #182342

Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Serenity Mamanu Totonu o Fale Nofoia

O le Serenity o se mamanu totonu mo se fale mautotogi e 107.7 sikuea mita i le Aai o Tainan, Taiuani. O foliga pi'o o le faalo e afifi ai se lā'au faavae ma masini faapitoa, ma liua ai tapulaa e avea ma taiala vaaia. O le nofoaga e nonofo ai, aiga ai, ma faitau tusi ai ua tuufaatasia i se fuafuaga tatala e tasi, ina ia oo atu le malamalama o le ao i totonu loloto o le fale. O le vali efuefu-paepae le iila e faaitiitia ai le ata'ata, a o se ufiufi sima faufale i luga o le faalo e faaopoopoina ai foliga eseese ma o elemene laupapa e faaopoopoina ai le mafanafana. O nofoaga e teu ai mea ua faatumauina i le puipui o le televise i kapoti tautau.

Le Fa'ailogaina

E Uiga i le A' Design Award Apamemea

O le A' Design Award Apamemea na manumalo ai Serenity Mamanu Totonu o Fale Nofoia, o se faamaoniga matuā mamalu e tuuina atu i mamanu ese e iloga i le fatufatuaʻi, le atamai ma le poto. O ē manumalo i le Apamemea o mea e iai le tomai atoa ma fatufatuaʻi mataʻina e faamaonia ai le poto masani tele, le mafaufau ma le atamai o tagata mamanu. E faamoemoeina Serenity Mamanu Totonu o Fale Nofoia e avea ma mea e vivii tele, ua pelepelea, e iloga i le tomai faapolofesa ma mea fou. O lenei mamanu na manumalo i le A' Design Award Apamemea e tuufaatasia ai faiga sili i le faatufugaga, saienisi, mamanu ma tekonolosi ma e sili ona lelei i le mataituina o mea itiiti. Serenity Mamanu Totonu o Fale Nofoia e faamalieina matagofie manaʻoga, pa i manaʻo, faalataina lagona ma faaosofia le fia iloa.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The project transforms fluid curves into functional elements. In the social area, rounded ceiling forms wrap beams and equipment, reinterpreting constraints as visual guides and creating upward, continuous flow. Living, dining, and reading areas remain open and connected, with storage concentrated at the TV wall and other elevations kept clean. Light tones carry daylight deep indoors, while the louvered bedroom window aligns with the bedhead, flexibly controlling light and comfort.
Fua & Fa'apipi'i: The 107.7 m2 interior was reconfigured by integrating the study into the social area to expand the spatial scale. Circulation follows the idea of 'seeing the home's depth at a glance,' linking the reading zone, dining table, and living room in continuous visual relationships. Storage is concentrated along the TV wall, with cabinets suspended rather than grounded, preserving negative space below and enhancing lightness and visual flow.
Fa'ailoga: Light Tones, Curved Elements, Open Plan, Structural Transformation, Modern Design
Tekonolosi Gaosiga: Matte gray-white paint forms the primary finish, reducing reflection and visual disturbance so that light appears soft and evenly distributed. Architectural concrete coating is applied to the ceiling, introducing a subtle, rugged texture to prevent the pale space from appearing overly smooth or lacking dimension. Wood elements are added selectively to flooring and partial furnishings, creating balance between cool restraint and warmth. Material selection throughout the residence prioritizes durability and ease of maintenance.
Lu'itau o le Mamanu: In the high-rise residence, mechanical equipment and piping required a lowered ceiling, and a major structural beam in the social area could not be removed. The challenge was preserving openness without visual oppression. By wrapping the beam and using curved transitions, volumetric boundaries were reorganized, turning constraints into design language and softening the sense of mass while maintaining a light, open spatial experience.
Su'esu'ega: Located in the North District, Tainan City, the 107.7 m2 home centers on bodily comfort in every movement. Structural beams and the original three-bedroom layout were reinterpreted with flowing curves, using rounded ceiling forms to dissolve boundaries and create a sense of upward continuity. Gray-white matte finishes pair with concrete textures and warm wood grain for balance. An open plan draws daylight deep inside, embedding the reading area into the social zone. Suspended storage along the TV wall preserves lightness, allowing daily rhythms to unfold with ease.
Fa'aosofia: The design begins with the idea of natural bodily support, feeling at ease while walking, pausing, or turning. The homeowners wanted a quiet, lasting comfort without excess decoration. Gray-white tones form the base, balanced by concrete-textured finishes and warm wood grain to avoid sterility. Curves flow across walls, ceilings, and transitions, softening boundaries like gentle pauses in daily life-subtle, necessary, and calming.
Umi o le Poloketi: The project finished in April 2025 in Taiwan.
Fa'agasologa o Galuega: After moving in, the homeowners most often mention the sense of 'ease.' Even with multiple activities-reading, watching a movie, preparing light meals, or resting at the dining table-sightlines remain connected without disturbance. Light and visual continuity form the home's primary rhythm, allowing everyday behaviors to unfold naturally rather than through deliberate arrangement, creating a calm, fluid, and comfortable living environment.
Sui o le 'Au: WEI-CHENG CHEN
Fa'aaloaloga o Ata: Makoto Interior Decoration Co., Ltd