Audemars Piguet Mamanu o Totonu o le Falemata'aga e Atelier Brueckner

O le mamanu Audemars Piguet Mamanu o Totonu o le Falemata'aga e Atelier Brueckner o se manumalo maualuga tele o le fa'ailoga mamalu 2022 A' Design Award Auro i le Vaega Tauva Mamanu Totonu.

AuroTotonu· 2022

Audemars Piguet Mamanu o Totonu o le Falemata'aga

na mamanuina e Atelier Brueckner

Tagata Fa'atau: Audemars Piguets

Manumalo o le A' Design Award Auro i le Vaega Totonu

32,479

Manumalo Fa'ailoga Fa'amaonia

Fa'amaonia le Tulaga o le Fa'ailoga mo #138641

Asiasi i le Saite Va'ai i le A' Design Award Fa'asalalauga Pailesi o le Fa'ailoga

Lanu

Le Mamanu

E Uiga ia Audemars Piguet Mamanu o Totonu o le Falemata'aga

O le Musee Atelier Audemars Piguet o se mamanu o totonu o le falemata'aga na faia mo se kamupani gaosi uati Suiselani. E aofia ai le fa'aaliga i le 1,100 sikuea mita ma o lo'o i Le Brassus, Suiselani, o le nu'u lea na fa'atūina ai le kamupani. E mulimuli tagata asiasi i se auala vili fa'asolosolo ma se fa'amatalaga ua fa'atulagaina lelei, ma e iai i mataupu ta'itasi lana lava gagana o le mamanu. O fa'atagata, masini e gaoioi fa'aletagata ma fa'apipi'iga fa'agaoioi e tu'uina atu ai le pao i le fa'aaliga, lea e feso'ota'i va'aia ma le laufanua si'osi'omia. E suia ata fa'aata ma paolo e tusa ai ma le taimi o le aso ma le vaitau.

Le Fa'ailogaina

E Uiga i le A' Design Award Auro

O le A' Design Award Auro na manumalo ai Audemars Piguet Mamanu o Totonu o le Falemata'aga, o se faamaoniga matuā mamalu e tuuina atu i mamanu o le tulaga muamua, matagofie ma maoaʻe. O ē manumalo i le Auro o galuega fou tele, matuā vaai i le lumanaʻi ma susulu e faaalia ai le atamai, le poto ma le tomai o tagata mamanu. E faamoemoeina Audemars Piguet Mamanu o Totonu o le Falemata'aga e avea ma mea fou e matuā vivii, e faatulaga ai uiga fou ma tetele, e tuuina mai ai se tau e leʻi iai muamua. O lenei mamanu na manumalo i le A' Design Award Auro o se galuega ofoofogia, ua faaaloalogia, e aogā tele ma tuleia atu tapulaʻa o le faatufugaga, saienisi, mamanu ma tekonolosi. Audemars Piguet Mamanu o Totonu o le Falemata'aga e fatuina ai lagona malosi o le manaʻo, faaosofia le tuinanau, faalauiloa le fatufatuaʻi ma faamalosia i tatou.

I Tua o le Mamanu

Pepa Fa'asalalau

Fa'amaoniaga, sui o le 'au ma fa'amatalaga fa'atekinisi na saunia e le tagata mamanu.

Uiga Fa'apitoa: The Musee Atelier Audemars Piguet immerses visitors in the Swiss watch manufacturers past, present and future. It is situated in the historical location where the company was established: the small village of Le Brassus. In the exhibition, reflections and shadows combine to create a spectacle in which the course of time is inscribed. Visitors experience the route as a flowing continuum with a composed narration where each chapter has its own design language.
Fua & Fa'apipi'i: The exhibition area is 1,100 sqm.
Fa'ailoga: Watch, Audemars, Piguets, craftmanship, luxury
Tekonolosi Gaosiga: Optically flowing transitions characterise the exhibition. Depending on the time of day and the season, the overall impression changes. Reflections and shadows combine to create a spectacle in which the course of time is inscribed. Visitors experience the rhythmically flowing route as a flowing continuum with a composed narration. Each chapter has its own design language and is introduced by an interlude, a mechanical sculpture or an artistically designed display item.
Lu'itau o le Mamanu: Premium Swiss watchmaker Audemars Piguet stands for meticulous precision, use of the highest quality materials and the best craftmanship. These values were translated into the spacial design and the visitor experience. Creating these innovative concepts and bringing them to life is not only a magical process, but also requires a lot of preparation: from floorplans and renderings to models and planning of technical details.
Su'esu'ega: The scenography of the museum shows the milestones of the brands development and related technical innovations as well as the entire design process. This starts from the origins of watch making in the Vallee de Joux, passes over the escapements and the complications by putting emphasis on the Royal Oak series.
Fa'aosofia: The visitors immerse the Swiss watch manufacturers past, present and future. In the exhibition, reflections and shadows combine to create a spectacle in which the course of time is inscribed. Visitors experience the route as a flowing continuum with a composed narration where each chapter has its own design language. The history of the company serves as a starting point of the narration. Visitors travel through the building as they would through the spring of a timepiece.
Umi o le Poloketi: The Musee Atelier Audemars Piguet is situated in the historical location where the company was established: the small village of Le Brassus, Switzerland. It was finished in June 2020.
Fa'agasologa o Galuega: The scenography offers a diverse experience of watchmaking with crescendos, highpoints and contemplative moments. Various sculptures, automata and kinetic installations give rhythm to the exhibition, which is optically linked to the surrounding landscape.
In the heart of the spiral, visitors approach the Complications. They are demonstrated by mechanical installations and give visitors a feeling about the complexity of the watch mechanisms. Eight watches with Grande Complications are placed around the Universelle, the most complicated watch that Audemars Piguet has ever created.
Sui o le 'Au: Wassim Melki
Sungha Kim
Fa'aaloaloga o Ata: General Planning, Exhibition Design, Scenography, Graphic Design: ATELIER BRÜCKNER

Light Planning with: LDE Belzner Holmes

Media Planning with: medienprojekt p2

Architecture: BIG Bjarke Ingels Group

Photography: Giovanni Emilio Galanello

Illustrator: Benjamin Guschlbauer