Hou, Hsiao Che ᱨᱮᱱᱟᱜ The Timeless Virtues ᱠᱮᱞᱮᱱᱰᱟᱨ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱜᱨᱟᱯᱷᱤᱠ· 2020
The Timeless Virtues ᱠᱮᱞᱮᱱᱰᱟᱨ
Hou, Hsiao Che ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Taiwanese opera Yang Li-hua
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#98809 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Timeless Virtues ᱠᱮᱞᱮᱱᱰᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱟᱺᱡᱷ ᱚᱠᱛᱚ ᱨᱮ, ᱡᱷᱚᱛᱚ ᱚᱲᱟᱜ ᱨᱮ Yang Lihue Opera ᱨᱮᱱᱟᱜ ᱠᱞᱟᱥᱤᱠ ᱥᱮᱨᱮᱧ ᱟᱲᱟᱜᱚᱜᱼᱟ᱾ Yang Lihua Opera ᱫᱚ ᱜᱷᱟᱨᱚᱸᱡᱽ ᱨᱮᱱᱟᱝ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱧᱮᱞ ᱵᱤᱨᱩᱫᱽ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾ ᱦᱚᱲ ᱠᱚ ᱥᱚᱡᱷᱮ ᱟᱹᱭᱠᱟᱹᱣ ᱢᱮᱱᱟᱜ ᱠᱚᱣᱟ ᱟᱨ ᱧᱮᱞ ᱟᱨ ᱟᱧᱡᱚᱢ ᱨᱮᱱᱟᱝ ᱚᱨᱥᱚᱝ ᱠᱚ ᱨᱟᱹᱥᱠᱟᱹᱜᱼᱟ᱾ ᱢᱚᱱᱮᱨᱮ ᱫᱩᱲᱩᱵ ᱠᱟᱹᱦᱱᱤ ᱟᱨ ᱥᱟᱹᱨᱤᱜ Yang Lihua Opera ᱨᱮᱱᱟᱝ ᱟᱹᱛᱢᱟ, ᱵᱷᱟᱹᱜᱤ ᱯᱟᱨᱥᱟᱞ, ᱪᱚᱠᱚᱢᱚᱠ ᱯᱚᱥᱟᱠ ᱟᱨ ᱥᱚᱨᱮᱥ ᱯᱟᱴᱨᱚ ᱠᱚ ᱛᱮ ᱜᱤᱫᱽᱨᱟᱹ ᱟᱨ ᱜᱚᱜᱚ ᱵᱟᱵᱟ ᱞᱟᱹᱜᱤᱫ ᱥᱟᱹᱨᱤᱜ ᱚᱯᱮᱨᱟ ᱥᱟᱶ ᱯᱩᱨᱟᱹᱣ ᱫᱷᱟᱸᱨᱤᱡ ᱠᱟᱹᱦᱱᱤ ᱫᱩᱱᱤᱭᱟᱹ ᱵᱮᱱᱟᱣ ᱮᱱᱟ᱾ Yang Lihua opera ᱫᱚ ᱠᱞᱟᱥᱤᱠ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱟᱨ ᱱᱮᱵᱮᱛᱟᱨ ᱫᱷᱟᱨ ᱥᱟᱶᱛᱮ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Timeless Virtues ᱠᱮᱞᱮᱱᱰᱟᱨ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Timeless Virtues ᱠᱮᱞᱮᱱᱰᱟᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- With more than a century of history, sung in the Minnan dialect, Taiwanese opera is the most representative folk opera of Taiwan.
From roadside stage, outer stage, inner stage, radio broadcast, TV, movies to the cultural performance now, it has undergone changes and innovations, demonstrating different features.
The makeup of the female role in Taiwanese Opera is similar to that of Peking opera. The makeup of the male role is more simplified, Unlike the various painted face of Peking opera, it is only composed of a few symbolic strokes. For the example of the roles of sheng and dan, they have to have a handsome appearance. On the other hand, the jing and chou roles have exaggerated beard or black mole to accentuate the unique character of the roles. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 1. Desk calendar 360X125X95 mm
Features for postcards
2. Calendar 410X200 mm
Features for coloring book - ᱴᱮᱜ ᱠᱚ
- Graphic Design, Visual Design, Opera Illustration, Cultural Creative Design, Taiwan Opera, Opera Art
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- 1. Desktop calendar with additional features for postcards.
2. Additional calendar function for coloring book
3. Paper, Print - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The Taiwan opera, through sound and dynamic vision, The memories presented in the form of comic-style artwork, bringing Taiwanese opera culture to life from the TV screen.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- With more than a century of history, sung in the Minnan dialect, Taiwanese opera is the most representative folk opera of Taiwan.
From roadside stage, outer stage, inner stage, radio broadcast, TV, movies to the cultural performance now, it has undergone changes and innovations, demonstrating different features.
Many artists that have worked alongside with the progress of Taiwanese opera’s history shoulder the responsibility of continuing its legacy in different forms and manners. - ᱯᱨᱮᱨᱚᱱᱟ
- In Particular, when the evening came, every houses are sounds the classic them music of Yang Lihue Opera.
In particular, every houses are sounds the classic them music of Yang Lihue Oper during dinner time.
The Yang Lihua Opera became the common vision of the family. People have real feelings and enjoy visual and hearing impact shock in order to enjoyment level.
With a impressive plot and the spirits of traditional Yang Lihua Opera, perfect performance, dazzling costume and great characters to the parents and children become mysterious and fairly tale world filled with the traditional opera.
The Yang Lihua opera was classic, and with a contemporary edge. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- 2019/09 in Taipei / Taiwan
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- NA
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- NA
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Illustrator / HOU, HSIAO CHE
DESIGN / HOU, HSIAO CHE
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
