ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tengyuan Design ᱨᱮᱱᱟᱜ Guilin ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ (ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱱᱴᱚᱨ)

Tengyuan Design ᱨᱮᱱᱟᱜ Guilin ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ (ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱱᱴᱚᱨ) ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2020

Guilin ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ (ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱱᱴᱚᱨ)

Tengyuan Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Tengyuan Design

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#95339 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Guilin ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ (ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱱᱴᱚᱨ) ᱵᱟᱵᱚᱛ ᱛᱮ

ᱜᱩᱭᱤᱞᱤᱱ ᱫᱚ ᱢᱤᱫ ᱞᱟᱠᱪᱟᱨ ᱟᱨ ᱫᱟᱲᱟᱱ ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱢᱤᱱᱤᱢᱟᱞᱤᱥᱴ ᱠᱟᱺᱪ ᱠᱤᱭᱩᱵᱽ ᱞᱮᱠᱟᱛᱮ ᱰᱤᱡᱟᱭᱤᱱ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱔᱐᱒᱑ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱨᱮ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱠᱟᱺᱪ ᱠᱚᱨᱴᱮᱱ ᱠᱟᱸᱛᱷ ᱫᱚ ᱠᱮᱱᱴᱤᱞᱤᱵᱷᱚᱨ ᱠᱟᱺᱪ ᱨᱤᱵᱽ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱵᱟᱨ ᱞᱮᱠᱟᱱ ᱜᱷᱚᱱᱚᱛᱟ ᱟᱨ ᱩᱥᱩᱞ ᱛᱮ ᱥᱤᱫᱽ ᱞᱮᱠᱟᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱤᱵᱽ ᱠᱚ ᱮᱞᱤᱣᱮᱥᱚᱱ ᱨᱮ ᱯᱮ ᱛᱷᱟᱠ ᱨᱮᱭᱟᱜ ᱵᱩᱨᱩ ᱩᱢᱵᱩᱞ ᱠᱚ ᱵᱮᱱᱟᱣᱟ, ᱡᱟᱦᱟᱸ ᱥᱩᱨ, ᱛᱟᱞᱟ ᱟᱨ ᱥᱟᱺᱜᱤᱧ ᱧᱮᱞ ᱞᱮᱠᱟᱛᱮ ᱯᱟᱲᱦᱟᱣᱜ-ᱟ᱾ ᱠᱟᱺᱪ ᱛᱷᱟᱠ ᱠᱚ ᱛᱟᱞᱟᱨᱮ ᱛᱚᱯᱚᱞ ᱟᱠᱟᱱ ᱴᱨᱟᱱᱥᱢᱤᱥᱚᱱ, ᱨᱤᱯᱷᱞᱮᱠᱥᱚᱱ ᱟᱨ ᱨᱤᱯᱷᱨᱮᱠᱥᱚᱱ ᱫᱚ ᱢᱟᱨᱥᱟᱞ ᱥᱟᱶᱛᱮ ᱵᱚᱫᱚᱞᱚᱜ-ᱟ᱾ ᱥᱚᱨᱩᱢ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱢᱩᱬᱩᱛ ᱦᱚᱨ ᱞᱮᱠᱟᱛᱮ ᱢᱤᱫ ᱢᱟᱫ ᱜᱮᱞᱟᱨᱤ ᱢᱮᱱᱟᱜ-ᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱜᱩᱭᱤᱞᱤᱱ ᱨᱮᱭᱟᱜ ᱚᱛ ᱦᱟᱥᱟ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱵᱮᱱᱟᱣ ᱨᱩᱯ ᱨᱮ ᱵᱚᱫᱚᱞ ᱟᱠᱟᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Guilin ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ (ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱱᱴᱚᱨ) ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Guilin ᱩᱫᱩᱜ ᱛᱟᱞᱢᱟ (ᱮᱠᱡᱤᱵᱤᱥᱚᱱ ᱥᱮᱱᱴᱚᱨ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The building in the design draft remains a minimalist cube, and the only difference is that the curtain wall is processed in order to build a "landscape cube". The skillful use of artificial elements and abstract nature not only reveals the modernity of the showcased building, but also integrates the unique scenery of Guilin into the building.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 4021 square meters. The glass ribs rise and fall vertically, forming rolling hill shades on the building. Two set of glass ribs, different in density and vertical height, form three levels of hill shades on the building elevation, including the "close view", "medium view" and "distant view".
ᱴᱮᱜ ᱠᱚ
Architecture, Culture Center, Exhibition, Oriental Elements, Natural, Elegant, Bamboo,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
On the front plaza, the reflection of the building in water makes the building more layered and expressive. The vertical glass ribs are arranged evenly and projected vertically onto the glass curtain wall. Due to different locations and angles, there appears a difference in the abundant overlapped transmissions, reflections and refractions among the glass layers, and a subtly changing dramatic effect can be produced under different illumination conditions.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
One of the innovations of the project is the single use of glass to present the spatial structure and poetic conception of the landscape in Guilin using different construction methods and surface processing methods.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The building curtain wall must not only show a spatial structure composed of distant, medium and close views, but also keep nightscape animation effects consistent with one another to avoid the appearance of "ripstop effects" caused by a stick curtain wall in nightscape lighting. After many discussions and technical communications, we finally decided to build a glass curtain wall with cantilever glass ribs.
ᱯᱨᱮᱨᱚᱱᱟ
The landscape in Guilin is the best in the world. Thus, the project of Guilin Culture and Tourism Exhibition Center deservedly chooses to highlight the theme of landscape. For this project, we hope to design it based on the landscape, express in a certain shape and endow it with a meaning, and use a pure glass box to arouse people's inner feelings for nature and landscape.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in May 2016 in Guilin and finished in September 2018 in Guilin.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
China has a longstanding tradition of bamboo culture, and Guilin also abounds in natural bamboo resources. We have designed a bamboo gallery on the main sightseeing route in the showroom to create an artistic conception of bamboo forest.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Tengyuan Design, 2018.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Zhao Guangjun
Wang Zhenming
Wei Peng
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Kai Wang, Bamboo Gallery, 2018.
Image #2: Photographer Kai Wang, Top View, 2018.
Image #3: Photographer Kai Wang, Exhibition Center, 2018.
Image #4: Photographer Kai Wang, Exhibition Center 2, 2018.
Image #5: Photographer Kai Wang, Bamboo Gallery 2, 2018.

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ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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