ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ming Hung Chuang and Chen Shen Wang ᱨᱮᱱᱟᱜ Black and White Narrative ᱴᱷᱮᱱ ᱚᱠᱚ ᱦᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Ming Hung Chuang and Chen Shen Wang ᱨᱮᱱᱟᱜ Black and White Narrative ᱴᱷᱮᱱ ᱚᱠᱚ ᱦᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

Black and White Narrative ᱴᱷᱮᱱ ᱚᱠᱚ ᱦᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ

Ming Hung Chuang and Chen Shen Wang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Lian Ta Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#92563 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Black and White Narrative ᱴᱷᱮᱱ ᱚᱠᱚ ᱦᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱵᱷᱩᱛ ᱟᱨ ᱯᱚᱱᱰ ᱠᱟᱦᱨᱮ ᱛᱟᱦᱮᱸ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱯᱮ ᱢᱚᱠᱟᱢ ᱴᱚᱴᱟ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟᱭ। ᱱᱚᱶᱟ ᱞᱮ-ᱟᱩᱴ ᱨᱮ ᱢᱮᱱ ᱢᱮᱱᱟ ᱢᱤᱫ ᱥᱟᱜᱩᱱ ᱴᱷᱟᱶ, ᱢᱤᱫ ᱫᱟᱠᱟ-ᱦᱟᱴᱟᱣ ᱠᱚᱴᱷᱟ, ᱢᱤᱫ ᱛᱷᱟᱠᱟᱛ ᱠᱚᱴᱷᱟ, ᱢᱤᱫ ᱡᱚᱢ ᱴᱷᱟᱶ, ᱢᱤᱫ ᱨᱟᱸᱫᱷᱟ ᱚᱲᱟᱜ, ᱵᱟᱨ ᱛᱚᱠᱚ ᱠᱚᱴᱷᱟ ᱟᱨ ᱯᱩᱱ ᱥᱮᱯᱮᱞ ᱠᱚᱴᱷᱟ। ᱥᱯᱮᱱᱤᱥ ᱢᱟᱨᱵᱚᱞ ᱨᱮᱭᱟᱜ ᱦᱤᱴᱤᱸ ᱯᱷᱚᱲ ᱠᱚ ᱮ ᱢᱮᱱᱟᱠᱚᱟ ᱟᱨ ᱮ ᱡᱷᱚᱠᱟᱣᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱮ ᱮᱴᱨᱮ ᱨᱮᱭᱟᱜ ᱪᱤᱠᱟᱱ ᱠᱚ ᱡᱮ ᱟᱹᱲᱟᱸ ᱡᱟᱹᱯᱟᱹ ᱟᱹᱲᱟᱜ ᱢᱮ ᱫᱮᱠᱷᱟᱣ ᱦᱩᱭᱩᱜ ᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱢᱤᱫ ᱯᱷᱚᱲ ᱮ ᱟᱞᱟᱫ ᱚᱨᱮ ᱫᱮᱠᱷᱟᱣ ᱦᱩᱭᱩᱜᱼᱟ। ᱥᱯᱮᱱᱤᱥ ᱥᱮᱨᱟᱢᱤᱠ ᱨᱮᱭᱟᱜ ᱫᱟᱨᱚᱡᱟ ᱠᱚ ᱥᱟᱯᱲᱟᱣ ᱛᱷᱟᱶ ᱠᱚ ᱫᱚ ᱵᱚᱸᱫᱚᱜᱼᱟ। ᱢᱤᱫ ᱠᱷᱩᱞᱟ ᱞᱮ-ᱟᱩᱴ ᱫᱚ ᱥᱮᱛᱟᱜ ᱥᱩᱦᱟ ᱟᱨ ᱡᱚᱛᱚ ᱫᱟᱲ ᱠᱚ ᱥᱟᱦᱟᱨᱮᱸ ᱠᱚᱴᱷᱟ ᱠᱚ ᱨᱮ ᱦᱟᱹᱴᱤᱧ ᱠᱟᱛᱮᱭᱟᱭ। ᱢᱟᱨᱟᱸ ᱡᱷᱤᱡᱽᱨᱤ ᱠᱚ ᱨᱮ ᱵᱤᱡᱩᱞᱤ ᱛᱮ ᱪᱟᱞᱟᱣ ᱦᱚᱸ ᱫᱟᱲᱮ ᱚᱠᱟ ᱠᱚ ᱞᱟᱹᱜᱟᱣ ᱦᱩᱭᱩᱜᱼᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Black and White Narrative ᱴᱷᱮᱱ ᱚᱠᱚ ᱦᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Black and White Narrative ᱴᱷᱮᱱ ᱚᱠᱚ ᱦᱚᱨ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
As the singular styling of the pattern of marble plank, through the special arrangement and design, it was allowed to extend visually while creating different perception for each plank. With ample natural lighting pouring in, the white-color marble was articulated with the most exquisite aesthetics for a harmonious and tranquil spatial ambiance.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
This project is a stand-alone three-floor house with the design area of 188 square meters for the first floor, 149 square meters for the second floor, and 122 square meters for the third floor, with layout for reception area, tea-tasting room, living room, dining area, kitchen, 2 bedrooms and 4 bathrooms.
ᱴᱮᱜ ᱠᱚ
Minimalist, Fashionable, Marble Slim Plank, Residential Design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Spanish Marble Slim Plank, Spanish Ceramic Door, System Furniture, Metal Work
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The major points of challenges faced by the design was to overcome the low ceiling height in concealing air-conditioning equipment, as well as maintaining the maximum ceiling height.
ᱜᱚᱵᱮᱥᱚᱱᱟ
As the site for the building was at the edge location, it means ample natural lighting, so the design team has given an open-plan layout so that the public domain of the interiors can have the most lighting and ventilation without artificial interventions. As the interior was planned to serve different functions of social and living needs, a concerted materiality strategy with wide range of colors, textures, and materials was deployed to articulate the minimalist and light modern living.
ᱯᱨᱮᱨᱚᱱᱟ
This project was creatively anchored on the elements favored by the client such as white-color scheme and masonry materials to manifest a minimalist and fashionable styling, while complementing the many Chinese-styled tea-tasting set and art collections owned by the client. Also, separately planned public spaces on the first and second levels would cater for different social needs of the male and female client.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project was finished in June, 2019 in New Tainan City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The window dimension of the existing building was made especially large to accommodate the future usage convenience for the client, with the all the curtains electrically powered, and even the ones behind the sofa can be easily utilized which was impressive for the client.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Ming Hung Chuang
Chen Shen Wang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
KU Studio, 2019

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ