ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tsukasa Okada - 2id Architects ᱨᱮᱱᱟᱜ House in Shiraiwa ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ

Tsukasa Okada - 2id Architects ᱨᱮᱱᱟᱜ House in Shiraiwa ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2020

House in Shiraiwa ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ

Tsukasa Okada - 2id Architects ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: 2id Architects

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#91576 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

House in Shiraiwa ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱷᱤᱨᱟᱤᱣᱟ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱫᱚ ᱡᱟᱯᱟᱱ ᱨᱮᱱᱟᱜ ᱦᱟᱢᱟᱢᱟᱛᱥᱩ ᱨᱮ ᱢᱤᱫ ᱵᱩᱨᱩ ᱪᱟᱸᱫᱟᱜ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱢᱤᱫ ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱟᱱᱰᱟᱨᱤᱱ ᱵᱟᱜᱟᱱ ᱛᱮ ᱜᱷᱮᱨᱟᱣ ᱟᱠᱟᱱᱟ। ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱟᱨ ᱟᱲᱟ-ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱨᱮ ᱥᱢᱟᱱ ᱛᱮ ᱦᱟᱹᱴᱤᱧ ᱟᱠᱟᱱᱟ। ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱛᱟᱸᱦᱮᱸᱱ ᱠᱚᱴᱷᱟ ᱫᱚ ᱚᱲᱟᱜᱨᱮᱱ ᱦᱚᱲ ᱠᱚᱣᱟᱜ ᱛᱷᱟᱲᱟ ᱫᱚ ᱜᱚᱲᱚᱭᱟ, ᱟᱨ ᱮᱴᱟᱜ ᱠᱚᱴᱷᱟ ᱠᱚ ᱫᱚ ᱦᱩᱰᱤᱧ ᱨᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ। ᱢᱤᱫ ᱯᱮᱨᱜᱚᱞᱟ ᱫᱚ ᱟᱲᱟ-ᱵᱷᱤᱛᱨᱤ ᱟᱹᱭᱫᱟᱨ ᱫᱚ ᱰᱷᱟᱸᱠᱤ ᱟᱠᱟᱫ ᱟᱨ ᱛᱟᱸᱦᱮᱸᱱ ᱠᱚᱴᱷᱟ ᱟᱨ ᱡᱟᱭᱜᱟ ᱛᱟᱞᱟ ᱨᱮ ᱢᱤᱫ ᱵᱟᱯᱷᱟᱨ ᱡᱟᱭᱜᱟ ᱛᱮᱭᱟᱨ ᱮᱫᱟ। ᱯᱮᱨᱜᱚᱞᱟ ᱨᱮᱱᱟᱜ ᱵᱮᱥᱛᱟ ᱠᱚ ᱫᱚ ᱥᱤᱸ ᱨᱟᱠᱟᱵ ᱨᱮᱱᱟᱜ ᱥᱤᱢᱩᱞᱮᱥᱚᱱ ᱛᱮ ᱛᱷᱤᱠ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱚᱱᱟ ᱨᱮᱱᱟᱜ ᱠᱟᱹᱴᱤᱡ ᱠᱚ ᱫᱚ ᱠᱟᱸᱛᱟ ᱠᱚ ᱨᱮ ᱵᱚᱫᱚᱞ ᱚᱫᱚᱠ ᱩᱢᱩᱞ ᱠᱚ ᱮᱢᱟ। ᱠᱟᱸᱛᱟ ᱠᱚ ᱫᱚ ᱡᱟᱭᱜᱟ ᱨᱮᱱᱟᱜ ᱨᱩᱡᱩᱲ ᱯᱩᱸᱰ ᱫᱷᱤᱨᱤ ᱥᱟᱸᱜᱮ ᱠᱷᱚᱰᱟᱣ ᱟᱠᱟᱱ ᱢᱚᱨᱴᱟᱨ ᱛᱮ ᱥᱟᱡᱟᱣ ᱟᱠᱟᱱᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

House in Shiraiwa ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ House in Shiraiwa ᱛᱟᱸᱦᱮᱸᱱ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Its interior space are equally divided into two different sections, Indoor and semi-outdoor space.
Large part of the indoor space is allocated to living room to enrich communication between the family, whilst the other rooms are minimized. The other half, semi-outdoor space is covered with pergola surrounding the indoor space. It allows residents to bring their indoor activities into buffer zone between the living room and magnificent landscape whilst they feel sense of local environment.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Site area: 498m2
Building Area : 109m2
total Floor Area : 218m2
ᱴᱮᱜ ᱠᱚ
Pergola, silhouette, distance, Nature, buffer zone, white stone
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Detail design of the pergola was determined by sunlight simulation.Its beautiful silhouette created by slits of the pergola gives wall of the building different characters by each days and seasons.Structurally, diagonal parts of pergola helps to reinforce the pergola as horizontal brace.
In terms of materiality, scraped mortar with crashed white rock as a local material are applied to the wall. Although, the wall continues from outside to the inside with same material, each walls have finished by different scraping equipments to soften indoor space.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
This project aims to regain locality in contemporary Japanese house whilst keeping context of modernism. Locality has been often lost in Japanese architecture since thinking in a way of architecture modernism has became general in the society. However, building always sticks to its local, and it can not move like vehicle and machine. Therefore, it is important that reconnecting architecture and its surroundings by a notion of locality such as style, history and material.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Back in the past, Japanese house had many elements to create borderless relationship between in and out. such as Engawa: outer corridor located outside of window but used as the part of indoor space. Additionally, there was unique architectural style in each area in Japan. Nevertheless, it was lost because highly adiabatic and protected house to cope with severe changes of climate has been demanded.
ᱯᱨᱮᱨᱚᱱᱟ
A house is located in Shiraiwa, the area in the north of Hamamatsu city in Japan. It is surrounded by mandarin plantation halfway up the mountain.
Its environment having extraordinary view and rich nature allows to design a building by the concept of distance between inhabitation and nature.

The house has been formed by two of contradictory senses. One is a sense of openness led by its location looking down valley from slope on the mountain. The other is a sense of security led by the other fact of its location surrounded by mountains, as if it protects the house.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in Feb,2017 and finished in Apr 2019 in Hamamatsu, Japan
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Use of the pergola space has not been defined intentionally to keep it flexible and free space changed by user’s imagination. In spite of the fact that it has same amount of space as the one in indoor space, I believe making such a space without specify type of activities is highly beneficial for user’s future living in their local.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Structure Design : TETSURO ADACHI STRUCTURE DESIGN
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer : Toshiyuki Yano

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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