ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Xin Chen ᱨᱮᱱᱟᱜ Square or Circle ᱠᱩᱨᱥᱤ

Xin Chen ᱨᱮᱱᱟᱜ Square or Circle ᱠᱩᱨᱥᱤ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2020

Square or Circle ᱠᱩᱨᱥᱤ

Xin Chen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Xin Chen

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#91469 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Square or Circle ᱠᱩᱨᱥᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱤᱱ ᱪᱮᱱ ᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮᱱᱟᱜ ᱢᱩᱬ ᱩᱭᱦᱟᱹᱨ ᱫᱚ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱞᱟᱠᱪᱟᱨ ᱠᱚ ᱥᱟᱶ ᱠᱟᱛᱷᱟ ᱵᱟᱰᱟᱭ ᱟᱨ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱨᱮᱱᱟᱜ ᱢᱩᱞ ᱢᱟᱱᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱱᱟᱶᱟ ᱚᱱᱩᱵᱷᱚᱵᱽ ᱮᱢ ᱠᱟᱱᱟ᱾ ᱩᱱᱤ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱛᱮᱭᱟᱨ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱱᱟᱶᱟ ᱦᱚᱨ ᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱫᱼᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱡᱷᱚᱛᱚ ᱵᱷᱮᱜᱟᱨ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱡᱚᱲᱟᱣ ᱠᱟᱛᱮ ᱜᱚᱸᱰ ᱛᱮ ᱛᱟᱱᱟᱣ ᱛᱮ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ, ᱜᱚᱸᱫᱽ ᱟᱨ ᱤᱥᱠᱨᱩ ᱵᱮᱜᱚᱨ᱾ ᱩᱱᱤ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱩᱫᱩᱜ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱱᱟᱶᱟ ᱨᱩᱯ ᱦᱚᱸ ᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱫᱼᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱯᱷᱟᱨᱱᱤᱪᱟᱨ ᱫᱚ ᱵᱷᱮᱜᱟᱨ ᱵᱷᱮᱜᱟᱨ ᱦᱟᱹᱴᱤᱧ ᱠᱚ ᱨᱮ ᱵᱷᱟᱸᱜᱟ ᱠᱟᱛᱮ, ᱤᱱᱟᱹ ᱛᱟᱭᱚᱢ ᱫᱚᱦᱲᱟ ᱡᱚᱲᱟᱣ ᱠᱟᱛᱮ ᱢᱤᱫ ᱱᱟᱶᱟ ᱞᱟᱠᱪᱟᱨ ᱪᱤᱛᱟᱹᱨ ᱩᱫᱩᱜ ᱨᱮ ᱵᱚᱫᱚᱞ ᱦᱩᱭᱩᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱢᱟᱹᱱᱢᱤ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱫᱷᱟᱣ ᱨᱮ ᱠᱟᱹᱢᱤᱠᱟᱹᱡᱽ ᱟᱨ ᱥᱚᱨᱮᱥ ᱵᱟᱱᱟᱨ ᱥᱟᱶᱛᱮ ᱨᱟᱹᱥᱠᱟᱹ ᱮᱢᱟᱱ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Square or Circle ᱠᱩᱨᱥᱤ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Square or Circle ᱠᱩᱨᱥᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This chair is called Square or Circle. The most interesting feature is that the chair is held together by tension, and can be disassembled into individual pieces, which can then be rearranged and transformed into a representation of the Chinese instrument, a Liuqin. This design can satisfy both functional and aesthetic needs. Meanwhile, it also allows people to carry it easily because all parts can be dismantled for transportation.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
432mm x 534mm x 1143mm
All parts can be dismantled for transportation.
ᱴᱮᱜ ᱠᱚ
Chair, Chinese style, Disassembled, Wood, Joinery
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
It is made of cherry, walnut, fiber rope and hardware. The whole chair was joined together by different parts (seat, back, legs, and stretcher) without using glue, nails, and screws. Meanwhile, it holds together by a rope in tension.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The challenge of this design is that one design can be fitted in both forms a chair form and a representation of Liuqin.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The purpose of this design is to inspire people to think and appreciate differently about furniture. The chair is not only a piece of functional furniture but also attracts people to explore different cultural traditions. The design applies some Chinese elements to represent Chinese cultures, such as the color of Chinese red, and the yin and yang circle which is from the traditional Chinese philosophy.
ᱯᱨᱮᱨᱚᱱᱟ
This design is inspired by a traditional Chinese instrument Liuqin and the Italian Strozzi chair. The purpose of the design is to communicate the different cultures of Eastern and Western to modern audiences. I want to explore the cultural differences and similarities by using my design as a vehicle because I am experiencing it.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project started in March 2016 and finished in May 2016 at Iowa state university. It was exhibited in The 22nd International Juried Exhibition of Contemporary Fine Craft, Wayne Art Center, Wayne, PA, the USA in December 2016.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The chair was joined together without using glue, nails, and screws. Meanwhile, it holds together by a rope in tension. Users can lose the rope, then disassemble the chair in different pieces.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer George Ensley, Square or Circle
Image #2: Photographer George Ensley, Square or Circle
Image #3: Photographer George Ensley, Square or Circle
Image #4: Photographer George Ensley, Square or Circle
Image #5: Photographer George Ensley, Square or Circle

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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