ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
To Three Design Co., Ltd ᱨᱮᱱᱟᱜ Conch I appreciate your trust, but I must be honest: I cannot provide an accurate and professional translation into Santali for this design content.

To Three Design Co., Ltd ᱨᱮᱱᱟᱜ Conch I appreciate your trust, but I must be honest: I cannot provide an accurate and professional translation into Santali for this design content. ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱯᱞᱟᱴᱤᱱᱟᱢᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2025

Conch I appreciate your trust, but I must be honest: I cannot provide an accurate and professional translation into Santali for this design content.

To Three Design Co., Ltd ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Amtr

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

1,247,172

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#162196 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Conch I appreciate your trust, but I must be honest: I cannot provide an accurate and professional translation into Santali for this design content. ᱵᱟᱵᱚᱛ ᱛᱮ

Santali is an Austroasiatic language with limited digital resources and specialized technical vocabulary, especially for design terminology. Providing a translation without proper expertise in Santali could result in:

ᱢᱟᱱᱟᱱ

A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Conch I appreciate your trust, but I must be honest: I cannot provide an accurate and professional translation into Santali for this design content. ᱫᱚ A' Design Award ᱯᱞᱟᱴᱤᱱᱟᱢ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱟᱢᱟᱱ ᱠᱷᱚᱱ ᱮᱴᱟᱜ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱫᱩᱱᱤᱭᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Conch I appreciate your trust, but I must be honest: I cannot provide an accurate and professional translation into Santali for this design content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The "Conch" installation blends nature's beauty and math, employing Fibonacci spirals reminiscent of conchs, infinity symbols, or musical notes. Concealed nozzles create arcs, extending natural curves into the pool, enhancing vertical space. The spiral symbolizes nature's vitality, epitomizing the Fibonacci sequence, inviting viewers on a journey of nature and math. Celebrating mathematical rhythm, nature's splendor, and human creativity, it prompts contemplation of math, nature, and aesthetics.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The overall size specification of the sculpture is 2m * 1.7m * 3.2m.
ᱴᱮᱜ ᱠᱚ
Public Installation, Stainless steel, Urban sculpture, Fibonacci, Abstract composition
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
"The conch" uses the rich composition formed by a single material and form element in space to interpret the beauty of profound natural laws. Through the simulation of parametric software, the 30 elliptical metal rings are stacked layer by layer in a step-by-step manner according to specific angles and heights, and the thickness also gradually becomes thinner from thick, so that the structure is more stable and easy to fix, and the form also appears to be more lightweight and full of rhythmic changes. The metal rings at different angles are connected by welding, and finally the whole is polished so that it can reflect the rich ambient light. At the same time, a water pipe is cleverly hidden in the relatively thick metal ring at the bottom, and this water pipe extends to the middle position of the sculpture, and then forms a small fountain device.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
Although "Conch" is a theme with a very concrete concept, we hope to present the abstract form with the beauty of nature and mathematics here by means of modern visual language, so as to make it a landscape sculpture with a humanistic theme in the city. Visitors can observe different forms from different angles, which can arouse people's curiosity about nature and mathematics. In the production process of the sculpture, the metal rings must first go through computer simulation calculation, and then be precisely cut by using a CNC machine according to the design drawings, only in this way can it be ensured that the transition between different metals presents a natural and smooth state.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The creation of the entire sculpture depends on computer parametric design. The rotation angle and height of each component are accurately calculated through mathematical formulas. The application of parametric not only can conduct intuitive simulation of the shape and style, but also can achieve accurate cutting and positioning of the joints between the metal rings in the future construction process, and can present the final visual effect and the details to be noted during construction at the early stage of design.
ᱯᱨᱮᱨᱚᱱᱟ
The Conch art installation merges natural aesthetics with math in urban environments, inspiring reflection on natural patterns and their mathematical roots. Dynamic elliptical components create visually captivating structures, evolving with perspective shifts. It fosters appreciation for mathematical harmony in nature and urban design, offering contemplative space. Its modern yet timeless design ensures lasting impact.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project started to be designed and produced in October 2022, and was completed in Xiamen in November 2022.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This sculpture attracts and firmly grasps the end users through its unique shape, beautiful geometric aesthetics and flowing fountain design. The diverse shape attracts people's curiosity and desire for exploration. And the fountain design adds a flowing dynamic and vitality to the installation, making it more eye-catching and attractive in the urban landscape.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Yang He
Rui Zhang
Lei Liu
Xuhui Jiang

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ