Suk-Kyung Lee ᱨᱮᱱᱟᱜ Coexistence ᱤᱭᱩᱱᱤᱥᱮᱠᱥ ᱯᱷᱮᱥᱚᱱ

Suk-Kyung Lee ᱨᱮᱱᱟᱜ Coexistence ᱤᱭᱩᱱᱤᱥᱮᱠᱥ ᱯᱷᱮᱥᱚᱱ ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱠᱟᱥᱟᱯᱷᱮᱥᱚᱱ· 2020

Coexistence ᱤᱭᱩᱱᱤᱥᱮᱠᱥ ᱯᱷᱮᱥᱚᱱ

Suk-Kyung Lee ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Suk-Kyung Lee

ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

22,766

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#88213 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Coexistence ᱤᱭᱩᱱᱤᱥᱮᱠᱥ ᱯᱷᱮᱥᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱚᱶᱟ ᱥᱚᱝᱜᱨᱚᱦ ᱫᱚ ᱦᱟᱱᱵᱚᱠ (ᱠᱚᱨᱤᱭᱟ ᱨᱮᱱᱟᱜ ᱢᱟᱨᱮ ᱦᱚᱨᱚᱜ) ᱨᱮᱱᱟᱜ ᱱᱟᱶᱟ ᱢᱮᱱᱮᱛ ᱮᱢᱟᱭ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱥᱤᱞᱩᱮᱴ ᱠᱚᱣᱟᱜ ᱡᱚᱱᱚᱲ ᱠᱟᱱᱟ᱾ ᱯᱨᱚᱭᱚᱜᱽᱥᱤᱞ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱨᱚᱜ ᱫᱚ ᱡᱷᱚᱛᱚ ᱥᱮᱫ ᱠᱷᱚᱱ ᱯᱷᱩᱨᱜᱟᱹᱞ ᱟᱨ ᱥᱤᱨᱡᱚᱱᱟᱹᱛ ᱮᱢᱟᱭ᱾ ᱠᱳᱮᱠᱡᱤᱥᱴᱮᱱᱥ ᱥᱩᱴ ᱫᱚ ᱢᱤᱫ ᱴᱚᱯ, ᱢᱤᱫ ᱰᱨᱮᱥ ᱟᱨ ᱯᱮᱸᱴ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱫᱟᱭ; ᱢᱮᱱᱠᱷᱟᱱ ᱱᱚᱶᱟ ᱰᱨᱮᱥ ᱫᱚ ᱡᱮᱠᱮᱴ ᱯᱮᱴᱚᱨᱱ ᱟᱨ ᱴᱚᱯ, ᱰᱮᱱᱤᱢ ᱞᱚᱝ ᱠᱳᱴ ᱨᱮᱱᱟᱜ ᱠᱚᱞᱚᱨ ᱨᱮᱱᱟᱜ ᱯᱮᱴᱚᱨᱱ ᱫᱩᱦᱲᱟᱹ ᱵᱮᱵᱷᱟᱨᱟᱭ᱾ ᱯᱞᱤᱴᱮᱰ ᱡᱮᱠᱮᱴ ᱫᱚ ᱮᱥᱤᱢᱮᱴᱨᱤᱠ ᱯᱮᱸᱴ ᱨᱮᱱᱟᱜ ᱯᱮᱴᱚᱨᱱ ᱠᱷᱚᱱ ᱦᱮᱡ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱫᱚ ᱡᱮᱠᱮᱴ ᱥᱮ ᱯᱮᱸᱴ ᱠᱟᱱᱟ?

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Coexistence ᱤᱭᱩᱱᱤᱥᱮᱠᱥ ᱯᱷᱮᱥᱚᱱ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Coexistence ᱤᱭᱩᱱᱤᱥᱮᱠᱥ ᱯᱷᱮᱥᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: The Coexistence collection 2019-2020 fall, winter is inspired by the values of community life.
In this collection, a mix and match style of HANBOK (traditional Korean costume) merges different colors and materials. The way to dress experimentally gives freedom and creativity to all fronts; a universal message without distinction of language, culture or origin. Diversified materials, as well as the quality of the finishing and the unique style, are an integral part of the DNA of these clothes; all enhanced with a mix of custom patterns that have been printed with calligraphy and multiple colors.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: This Collection consists of 1 coat, 2 jackets, 1 jumpsuit, 3 pants, and regular M/L size.
ᱴᱮᱜ ᱠᱚ: Perspective, Hanbok, Deconstructionism, Coexistence, Geneva, Unisex
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: I drew two fabric prints, one using calligraphy and, the other, multiple colors. In both cases, the pattern represents the integration. Also, I created a quilted with two different colors of denim for this collection.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: I wanted to start from the Hanbok and reinterpret it with a modern image. At first, being so much used to the Hanbok' standards, I was not able to see it differently, to bring something new.
I have tried different approaches; on fabrics, applications,... many attempts to overcome it.
Eventually, the use of denim, reflective materials and cotton printed with various language motifs resulted in a collection combining modern and traditional images in coexistence and harmony.
ᱜᱚᱵᱮᱥᱚᱱᱟ: One day, I was visiting the MAMCO (Museum of Modern and Contemporary Art, Geneva) to find inspiration.
I saw a painting containing a multitude of times the letter Y.
Although I thought I saw X, there was only Y, no X.
At that moment, imagining an X in the middle of all these Y, I told myself that this X is like me; a stranger in the middle of all the inhabitants of Geneva.
However, each of these people can feel being an X and see everyone else as Y. Hence, we are all the Y of someone else.
ᱯᱨᱮᱨᱚᱱᱟ: There was a girl who was 8 years old. She was alone at the corner of a park in Geneva, watching the children playing there. She was confused, the children were speaking French. She could not fit into this group.
20 years later, she became a fully integrated person.
This is my story but your story as well.
In Geneva, people from different backgrounds live mixing together. Sometimes they encounter obstacles due to different cultures, different languages.
They have different perspectives to look at the same object.
Through these perspectives, the truth becomes the lie, the lie becomes the truth.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in October 2018 in Geneva and finished in
February 2019. It was exhibited in Le Bal des Createurs, Geneva in May 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: All designs in this collection are reshaping the Hanbok. They break away from the stereotypes of clothing's definitions by experimenting with their position and their functionality.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyrights belong to Suk-Kyung Lee, 2019.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ: Suk-Kyung Lee
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1:Photographer Sean Macleod, Coexistence, 2019.
Image #2:Photographer Sean Macleod, Coexistence, 2019.
Image #3:Photographer Sean Macleod, Coexistence, 2019.
Image #4:Photographer Sean Macleod, Coexistence, 2019.
Image #5:Photographer Sean Macleod, Coexistence, 2019.