ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Haiwei Wang ᱨᱮᱱᱟᱜ The Growth Curve ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ

Haiwei Wang ᱨᱮᱱᱟᱜ The Growth Curve ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱯᱷᱮᱥᱚᱱ· 2021

The Growth Curve ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ

Haiwei Wang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Haiwei Wang

ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

151,983

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#120491 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Growth Curve ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱜᱨᱚᱣᱛᱷ ᱠᱟᱨᱵᱷ (Growth Curve) ᱫᱚ ᱢᱤᱫ ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱟᱡᱟᱜ ᱨᱩᱯ ᱵᱚᱫᱚᱞ ᱞᱟᱹᱜᱤᱫ ᱟᱨ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱨᱚᱜ ᱫᱟᱲᱮᱭᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱯᱷᱤᱥᱵᱚᱱ (Fishbone) ᱯᱟᱴᱤ ᱠᱚ ᱥᱟᱦᱟᱨᱟ ᱮᱢᱚᱜ ᱰᱟᱸᱲᱟ ᱠᱚ ᱛᱮᱭᱟᱨᱟ ᱟᱨ ᱚᱱᱟ ᱠᱚ ᱫᱚ ᱥᱤᱫᱟᱹ ᱞᱮᱠᱟᱛᱮ ᱞᱟᱛᱟᱨ ᱛᱮ ᱞᱟᱴᱷᱟᱭᱚᱜ ᱠᱟᱯᱲᱟ ᱨᱮ ᱨᱚᱠᱚ ᱟᱠᱟᱱᱟ᱾ ᱯᱟᱨᱚᱢᱚᱜ ᱯᱟᱴᱤ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱛᱮᱭᱟᱨᱚᱜ ᱟᱥᱟᱢᱟᱱ ᱵᱚᱞ ᱠᱟᱨᱚᱱᱛᱮ ᱠᱟᱯᱲᱟ ᱫᱚ ᱠᱩᱨᱞᱟᱹᱣᱚᱜᱼᱟ ᱟᱨ ᱜᱷᱩᱨᱱᱟᱹ ᱟᱨ ᱨᱟᱠᱟᱵ ᱟᱠᱟᱱ ᱪᱮᱛᱟᱱ ᱠᱚ ᱛᱮᱭᱟᱨᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱞᱤᱡᱟᱹ ᱨᱮ ᱦᱟᱞᱠᱟ ᱟᱨ ᱦᱚᱭ ᱯᱟᱨᱚᱢᱚᱜ ᱯᱮ ᱢᱟᱛᱨᱟ (three-dimensional) ᱜᱟᱹᱴᱷᱚᱱ ᱧᱟᱢᱚᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱦᱚᱨᱟ ᱛᱮ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱴᱩᱠᱲᱟᱹ ᱡᱚᱲᱟᱣ ᱵᱟᱹᱜᱤ ᱠᱟᱛᱮ ᱡᱴᱤᱞ ᱨᱩᱯ ᱠᱚ ᱛᱮᱭᱟᱨ ᱦᱩᱭᱚᱜ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾ ᱛᱮᱭᱟᱨ ᱚᱠᱛᱚ ᱨᱮ ᱠᱚᱢ ᱠᱟᱯᱲᱟ ᱤᱥᱨᱟᱹ ᱦᱩᱭᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱞᱤᱡᱟᱹ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱨᱮ ᱮᱱᱟᱨᱡᱤ ᱵᱟᱧᱪᱟᱣ ᱨᱮ ᱜᱚᱲᱚ ᱮᱢᱚᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Growth Curve ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Growth Curve ᱨᱩᱯ ᱵᱚᱫᱚᱞᱚᱜ ᱞᱤᱡᱟᱹ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
According to the principle of mechanics, this work makes the garment structure show 3D structure like "soft sculpture", light and breathable. At the same time, the clothing structure has the function of expansion and deformation, which can provide a variety of wearing methods for the wearer. The waste fabric produced in the process of clothing production is less, which is conducive to promoting the environmental protection and energy saving of the clothing industry.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 400mm x Depth 350mm x Height 1750mm
ᱴᱮᱜ ᱠᱚ
Fashion , Sustainable, Wearable Art, Clothing, Garment Design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The main production materials of this fashion design are fishbone and elastic fabric. Among them, fishbone function is the basic framework to shape the overall shape. Elastic fabric is used to wrap the surface and cooperate with the generation of organic form. In terms of the manufacturing principle, the fishbone material is directly sewed on the surface of the fabric, and the concave convex structure produced by the crisscross fishbone is used to drive the fluctuation of the elastic fabric. According to the principle of mechanics, the linear trend combination of supporting materials is designed in advance to make the elastic fabric bear uneven force under the action of fishbone supporting materials, and finally the fabric presents a three-dimensional shape of curl, concave convex and spiral.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most challenging part of the creation process of this series lies in the process of transforming the two-dimensional plane pattern into the three-dimensional space structure of clothing. There are uncontrollable factors in this process. In the whole production process, sometimes random and accidental changes of pattern arrangement will bring unexpected structure, and also bring more possibilities to clothing modeling.
ᱜᱚᱵᱮᱥᱚᱱᱟ
This design aims to carry out innovative research and Practice on clothing structure and materials, and further explore the free presentation of organic form in clothing conceptual design. At the same time, we try to create the "one clothing, many clothes" mode by using the deformable structure, so as to innovate the clothing function and reduce the waste of clothing materials. The positive role of green design concept in promoting green design in the clothing industry and its application prospect in the future wearable fashion field are further discussed.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration of the work comes from the 3D modeling structure with a sense of future technology, and the rhythmic changes are fascinating. Fishbone is used as the supporting frame of the garment, and elastic fabric is used to wrap the surface to shape the overall organic form. It is like ergonomic extension design, flexible and changeable modeling gives clothing more possibilities, and flowing shape brings people sensory stimulation.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in October 2018 in Guangzhou and finished in April 2019 in Guangzhou, and was exhibited in Beijing in May 2019.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The fashion design works use a variety of innovative structures, thus creating a variety of clothing modeling. The combination of fishbone and elastic fabric makes the garment not only the "armor" to protect the body, but also the second layer of soft skin. The garment manufacturing method can achieve a rapid prototyping for any shape and structure, including complex surface, without splicing to achieve the integration of clothing, and fundamentally achieve the three-dimensional shape of clothing.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Haiwei Wang, 2019
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Creator Haiwei Wang, The Growth Curve, 2019.
Image #2: Creator Haiwei Wang, The Growth Curve, 2019.
Image #3: Creator Haiwei Wang, The Growth Curve, 2019.
Image #4: Creator Haiwei Wang, The Growth Curve, 2019.
Image #5: Creator Haiwei Wang, The Growth Curve, 2019.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ