ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Larry Wen ᱨᱮᱱᱟᱜ Shanxiao Sales Pavilion ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ

Larry Wen ᱨᱮᱱᱟᱜ Shanxiao Sales Pavilion ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2020

Shanxiao Sales Pavilion ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ

Larry Wen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Aoe

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#87169 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Shanxiao Sales Pavilion ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱫᱚ ᱧᱮᱧᱮᱞᱤᱭᱟᱹ ᱠᱚ 'ᱯᱨᱚᱠᱨᱤᱛᱤ ᱨᱮ ᱩᱠᱩᱭᱟᱜ' ᱨᱮᱭᱟᱜ ᱠᱚᱞᱟᱠᱟᱨ ᱠᱷᱚᱱᱫᱽᱨᱚᱫᱽ ᱠᱚ ᱵᱚᱱ ᱞᱮᱠᱷᱟᱭ ᱢᱮᱱᱟᱜ-ᱟ᱾ ᱡᱚᱛᱚ ᱯᱨᱚᱡᱮᱠᱴ ᱫᱚ ᱵᱟᱨᱭᱟ ᱦᱟᱹᱴᱤᱧ ᱢᱮᱱᱟᱜ-ᱟ, ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ ᱟᱨ ᱵᱮᱯᱟᱨᱤᱭᱟᱹ ᱴᱚᱴᱷᱟ᱾ ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ ᱫᱚ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱦᱩᱰᱤᱧ ᱦᱟᱹᱴᱤᱧ ᱠᱟᱱᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱢᱤᱫ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱱᱟᱯᱟᱭ ᱥᱚᱡᱽᱦᱮ ᱥᱟᱶ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱣᱟ ᱫᱚ ᱥᱟᱹᱦᱤᱡ ᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱛᱮ ᱯᱨᱚᱠᱨᱤᱛᱤ ᱨᱮ ᱩᱠᱩ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ 'ᱮᱠᱟᱸᱛ' ᱨᱮᱭᱟᱜ ᱫᱷᱟᱹᱨᱱᱟ ᱩᱫᱩᱜ ᱮᱫᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Shanxiao Sales Pavilion ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Shanxiao Sales Pavilion ᱵᱮᱯᱟᱨ ᱚᱯᱷᱤᱥ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The designer refined the traditional architectural culture and natural landscape of Nanshan as the main tempo, and used modern technical language and artistic creation techniques to transform it into our architectural language, so that visitors can experience the artistic conception of hidden in the nature.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Width 19800mm x Depth 19800mm x Height 12400mm
ᱴᱮᱜ ᱠᱚ
curtain wall, fog, poetry, lifestyle
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The facade uses the perforated plate as the louver to protect the sunshine, and the shape of louver is inspired by the cloud of Nanshan. The perforated leaves float around the curtain wall. It resembles a long scroll landscape painting, and its changes show the shape of the clouds and fog that stretches in the Nanshan. The glass curtain walls with gradual mist and perforated louvers are integrated so that the whole building seems floating in the clouds.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The project is located in Nanshan, Chongqing. Nanshan located on the south bank of the Yangtze River in Chongqing which has a wealth of tourism resources including natural scenery, cultural landscape and specialties. In recent years, Nanshan has successively appeared some commercial buildings with cultural connotations such as bookstores and homestays. These buildings are simple in design and distinctive in shape, which has made Nanshan gradually become a synonym for elegant and introverted. And its artistic conception is correspond to Tao's poetry.
ᱜᱚᱵᱮᱥᱚᱱᱟ
At the same time, there are spraying device will create fog around the building everyday. It makes the natural fog become another layer facade for the building, creating a wonderland of Nanshan. The building is not only an architecture but a cultural event.
ᱯᱨᱮᱨᱚᱱᱟ
The entire project has two parts, the sales office and the commercial part. The sales office has small scale but exquisite and delicate. It is naturally engraved and hidden in nature, thus highlighting the concept of seclusion.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in 2018 and finished in August 2019 in Chongqing, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
As a major theoretical perspective within sociology, symbolic interaction helps us understand how the designed physical environment and the self are intertwined, with one potentially influencing and finding expression in the other; how architecture contains and communicates our shared symbols; and how we assign agency to some of our designed physical environment, which then invites in a different kind of self-reflection.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Larry Wen, Liu Chen,Li Pengyong, Niu Zhuojun, Yang Kaiqi
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Ligang Huang

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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