Ryumei Fujiki and Yukiko Sato ᱨᱮᱱᱟᱜ Porous Manifold ᱡᱟᱯᱟᱱᱤᱡᱽ ᱪᱟᱦᱟ ᱚᱲᱟᱜ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2019 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2019
Porous Manifold ᱡᱟᱯᱟᱱᱤᱡᱽ ᱪᱟᱦᱟ ᱚᱲᱟᱜ
Ryumei Fujiki and Yukiko Sato ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: F.A.D.S + Fujiki Studio, KOU::ARC
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#72501 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Porous Manifold ᱡᱟᱯᱟᱱᱤᱡᱽ ᱪᱟᱦᱟ ᱚᱲᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱱᱚᱶᱟ ᱫᱚ ᱮᱠᱤᱜᱚ-ᱥᱩᱢᱟᱨᱤ ᱟᱨᱴ ᱴᱨᱤᱭᱮᱱᱟᱞᱮ ᱒᱐᱑᱘ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱ ᱢᱤᱫ ᱴᱟᱺᱜᱤ ᱡᱟᱯᱟᱱᱤᱡᱽ ᱪᱟᱦᱟ ᱚᱲᱟᱜ ᱠᱟᱱᱟ ᱟᱨ ᱜᱮᱞ ᱯᱷᱩᱴ ᱪᱚᱠᱚᱱ ᱵᱷᱤᱛᱤᱨ ᱨᱮ ᱵᱟᱨ-ᱴᱟᱴᱟᱢᱤ ᱡᱟᱭᱜᱟ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱ ᱢᱤᱫ ᱵᱟᱥᱟ ᱵᱮᱱᱟᱣ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱩᱫᱩᱜ ᱨᱮ, ᱵᱮᱱᱟᱣᱤᱡ ᱠᱚ ᱒᱐ ᱥᱟᱭᱟᱱᱟᱜ ᱨᱮ ᱪᱮᱫ ᱞᱮᱠᱟ ᱥᱚᱢᱟᱱ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱽᱱᱟ ᱪᱮᱛᱟᱱ ᱠᱷᱚᱱ ᱡᱤᱛᱠᱟᱹᱨ ᱧᱟᱢ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ ᱚᱱᱟ ᱵᱟᱵᱚᱛ ᱛᱮ ᱠᱩᱠᱞᱤ ᱠᱚ ᱧᱟᱢ ᱞᱮᱱᱟ᱾ ᱰᱷᱟᱺᱪᱟ ᱫᱚ ᱵᱷᱚᱨᱚᱱᱚᱭ ᱰᱤᱵᱷᱤᱡᱚᱱ ᱠᱚ ᱢᱮᱛᱟᱜ ᱠᱟᱱ ᱨᱮᱱᱰᱚᱢ ᱯᱮᱴᱚᱨᱱ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱥᱚᱢᱟᱱ ᱡᱟᱭᱜᱟ ᱵᱚᱸᱜᱟ ᱞᱟᱹᱜᱤᱫ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱟᱨ ᱱᱚᱶᱟ ᱞᱟᱹᱭ ᱥᱚᱫᱚᱨ ᱞᱮᱱᱟ ᱡᱮ ᱟᱭᱢᱟ ᱜᱟᱱ ᱡᱷᱟᱸᱞ ᱥᱟᱶ ᱛᱮ ᱵᱮᱱᱟᱣ ᱡᱟᱦᱟᱸ ᱞᱚᱲᱦᱟᱣ ᱞᱮᱠᱟᱛᱮ ᱡᱤᱣᱤ ᱡᱤᱱᱤᱥ ᱞᱮᱠᱟ ᱵᱟᱨᱦᱮ ᱥᱟᱶ ᱥᱟᱹᱜᱟᱹᱭ ᱞᱟᱹᱜᱤᱫ ᱠᱷᱩᱞᱟᱹ ᱟᱨ ᱵᱚᱸᱫᱚ ᱦᱩᱭ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Porous Manifold ᱡᱟᱯᱟᱱᱤᱡᱽ ᱪᱟᱦᱟ ᱚᱲᱟᱜ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Porous Manifold ᱡᱟᱯᱟᱱᱤᱡᱽ ᱪᱟᱦᱟ ᱚᱲᱟᱜ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This is a temporary Japanese tearoom and a nested structure with two-tatami space embedded in ten foot square.
In this exhibition, architects were asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. It is distorted homogeneous space to create irregularities by the random pattern of the skeleton and proposed an art-tecture with many holes which are open and close as necessary to communicate with the outside like living things. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width, Depth and Height are 2730mm each.
This dimension was called a "Jo" in the old words in Japan. - ᱴᱮᱜ ᱠᱚ
- Porous Manifold, Breathing Pleats, Voronoi Division, Japanese Tearoom
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- It is made of a hybrid of spruce CLT panels and plastic materials processed using digital fabrication technology.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Modern office buildings made in the 20th century are separated from the external environment by a closed curtain wall. Then, using the lighting and air conditioning equipment, it is idea to control so that all places are homogenous and constant environment artificially. However, we need enormous energy, which is a major factor of global environmental problems.
It is important not to block the external environment and the internal space, but to open and close as necessary, that is, to create a building responsive to the external environment. Then it was created a living-like architecture. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- Towards the generation of "heterogeneous space", we studied from a point of geometrical viewpoint.
Homogeneous space is geometrically equivalent to 3D Euclidean space. The biggest problem of homogeneous space is that our imagination is captured by it, but in order to overcome this, it is necessary to extend the concept of homogeneous space rather than deny it. Just as Einstein discovered, it is important to introduce a structure that "space is distorted".
It is distorted homogeneous space to create irregularities using random patterns found in various shapes and phenomena in nature (VORONOI DIVISION). - ᱯᱨᱮᱨᱚᱱᱟ
- Inspired by Hojoki ("An Account of My Hut"), written in the Middle Ages, to survive in our troubled times, about thirty groups of architects and artists selected through the open call (Jury: Hiroshi Hara, Ryue Nishizawa, Fram Kitagawa) exhibited their "hojo" (ten foot square hut) which represented their worldviews.
In this exhibition, architects were especially asked to respond to the theme of how to overcome the concept of homogeneous space which was dominant in the 20th century. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This work was exhibited in "Hojoki Shiki in 2018: The Universe of Ten Foot Square Huts by Architects and Artists" as a special exhibition during from July 29th to September 17th in Echigo-tsumari Art Triennale 2018, Niigata Pref. in Japan.
In the present day, the global Financial capitalism has an impact on all regions, which have been required to accept the improved efficiency, rationalization and homogenization. This exhibition was an opportunity for the architects and artists to present their own Hojoki Shiki, proposing different "hojo", the minimum model of Japanese architecture. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- As you enter inside, this art-tecture (architecture) feels you and begins to breathe like a living thing.
Specifically to say, many holes called BREATHING PLEATS start opening and closing according to the movement of people. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- F.A.D.S + Fujiki Studio, KOU::ARC
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- ARCHITECT: Ryumei Fujiki
Yukiko Sato
DESIGN FIRM: F.A.D.S + Fujiki Studio, KOU::ARC
TEAM MEMBERS: Yu Ohno
Seiya Ueki
Kento Watanabe
Yuta Kimura
Shun Takimoto - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Masahiro Hoshida, Fujiki Studio, KOU::ARC
ᱥᱯᱚᱱᱥᱚᱨᱰ
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