Naai-Jung Shih ᱨᱮᱱᱟᱜ A Dream मेज़ उपोर सेंदरा थापोन ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2017 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2017
A Dream मेज़ उपोर सेंदरा थापोन
Naai-Jung Shih ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Naai-Jung Shih
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#46386 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
A Dream मेज़ उपोर सेंदरा थापोन ᱵᱟᱵᱚᱛ ᱛᱮ
डिजाइनार मनेआ जे सोपोन दो भार हीनोङ आर साफा काना। ओको धोरोम बाङ ताइकेन, मेनकहाँ ओको बाडाए रियलिस्टिक काना। ओनि नोवा थापोन सोपोन रे असल प्रकृति केरे रूपक आकार एम लागित तेयार केदाए। जोतो कुचुम साहों फैलावोक सोपोन रे अंस एमेदे गेआ। ओनि साफा बुनियाद रे सोमोपा रुपोक जोड़ाव थापोन केदाए, आर उयुड़ बाङ उज्जल दो हावा रे लातार लेका भार हीनोङ बुजावोक लागित बोका देआ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
A Dream मेज़ उपोर सेंदरा थापोन ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ A Dream मेज़ उपोर सेंदरा थापोन ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- A dream is weightless and transparent. It can hardly be caught, and yet it is so realistic. The entire setting is placed on a transparent base with a light source projects upward to make it feel weightless like floating in the air. The installation is also a metaphor of the surrealistic nature of a dream. Each curved linear form contributes to a part of a propagating dream.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 80*70*35 cm
- ᱴᱮᱜ ᱠᱚ
- lighting installation, dynamic form, metaphor
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The design needs a free-form linear member to mimic the blurred boundary of a metaphor. The member needs to be functioned like a canvas for a dreamer to paint upon. The color should be white. After a series of brainstorming searches, a hanger seems a perfect choice.
The installation is hand-chained. Several tests were conducted to the possible connectors, such as steel cables, abs RP filaments, and general ropes. Cable was a good choice at the first place because it held each hanger in position. But it is not transparent. Eventually a transparent 3 mm plastic string was used and surprisingly it held each member in position under tension. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- A pair of linear form is interlocked with two holes on each component for connection. There should be four cables and eight connections when the head and end of the installation meets each other. A new method is developed to layout all four cables on the same path and to chain all the components in one single cable as a closed loop. The development of a close loop has a significant meaning, since a dream seems does not have a specific starting point or ending point.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This is the third design of a series sincerely devotions. Each design contributes a profound study of orders, for elements and light sources. The first two were conducted in a linear form to contrast the body curvature and the end section. The composition of different shapes was also applied. The last one selected a loop to represent an order of form.
- ᱯᱨᱮᱨᱚᱱᱟ
- The inspiration came from the metaphor of a dream.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This project took about one month and was made in Taipei, Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This light installation is designed to put on a table with the top part slightly lower than eye level. By following the profile, a person can traverse the entire setting inside and outside, up and down, or from any orientation. The relative location between the box and the installation is changeable.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- all by Naai Jung Shih
ᱥᱯᱚᱱᱥᱚᱨᱰ
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