Zhenhao Ou and Sheng Li ᱨᱮᱱᱟᱜ Adw Works Exhibition ᱤᱵᱷᱮᱱᱴ ᱵᱨᱟᱱᱰᱤᱝ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱜᱨᱟᱯᱷᱤᱠ· 2026
Adw Works Exhibition ᱤᱵᱷᱮᱱᱴ ᱵᱨᱟᱱᱰᱤᱝ
Zhenhao Ou and Sheng Li ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Asia Design Week (ADW)
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#182089 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Adw Works Exhibition ᱤᱵᱷᱮᱱᱴ ᱵᱨᱟᱱᱰᱤᱝ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱟᱰᱚᱵᱞᱭᱩ ᱣᱟᱨᱠᱥ ᱮᱠᱥᱦᱤᱵᱤᱥᱚᱱ ᱫᱚ ᱮᱥᱤᱭᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱣᱤᱠ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨᱟᱠᱟᱱ ᱢᱤᱫ ᱤᱵᱷᱮᱱᱴ ᱵᱨᱟᱱᱰᱤᱝ ᱯᱨᱚᱜᱨᱟᱢ ᱠᱟᱱᱟ, ᱚᱠᱟ ᱫᱚ ᱪᱤᱱ ᱨᱮᱭᱟᱜ ᱥᱤᱭᱚᱝᱟᱱ ᱨᱮ ᱦᱮᱵᱮᱭ ᱤᱱᱴᱚᱨᱱᱮᱥᱚᱱᱟᱞ ᱤᱱᱰᱚᱥᱴᱨᱤᱭᱟᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱣᱤᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱢᱩᱬᱩᱛ ᱦᱟᱹᱴᱤᱧ ᱞᱮᱠᱟᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱟᱭᱰᱮᱱᱴᱤᱴᱤ ᱨᱮ ᱨᱚᱝ ᱵᱞᱚᱠ, ᱴᱟᱭᱯᱚᱜᱨᱟᱯᱷᱤ ᱟᱨ ᱜᱨᱟᱯᱷᱤᱠ ᱚᱵᱷᱚᱨᱞᱮ ᱢᱤᱫᱴᱮᱡᱟᱹᱭ ᱪᱮᱛᱟᱱ ᱨᱮ ᱛᱩᱯᱩᱞᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱫᱷᱮᱨ ᱥᱟᱛᱩᱨᱮᱥᱚᱱ ᱨᱮᱱᱟᱜ ᱠᱚᱢᱯᱞᱤᱢᱮᱱᱴᱟᱨᱤ ᱯᱷᱤᱞᱰ ᱠᱚ ᱵᱮᱱᱟᱣᱟ, ᱚᱠᱟ ᱫᱚ ᱞᱟᱠᱪᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱭᱢᱟ ᱞᱮᱠᱟᱱ ᱛᱮᱫ ᱩᱫᱩᱜᱼᱟ, ᱟᱨ ᱴᱨᱟᱱᱡᱤᱥᱚᱱᱟᱞ ᱜᱨᱮᱰᱤᱭᱮᱱᱴ ᱡᱚᱱ ᱠᱚ ᱢᱮᱥᱟᱣᱚᱜ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱠᱚ ᱮᱢᱚᱜᱼᱟ ᱾ ᱡᱤᱭᱚᱢᱮᱴᱨᱤᱠ ᱠᱚᱢᱯᱚᱡᱤᱥᱚᱱ ᱫᱚ ᱵᱩᱡᱷᱟᱹᱣᱟᱱ ᱜᱟᱹᱛᱷᱚᱱ ᱟᱨ ᱢᱚᱱᱮ ᱨᱮᱱᱟᱜ ᱩᱫᱩᱜ ᱛᱟᱞᱟ ᱨᱮ ᱥᱚᱢᱟᱱ ᱫᱚᱦᱚᱭᱟ ᱾ ᱵᱮᱵᱷᱟᱨ ᱠᱚ ᱨᱮ ᱒ ᱜᱟᱱ ᱟᱵᱚᱛᱟᱣᱟᱜ ᱟᱠᱟᱱᱟ᱕ ᱢᱤᱴᱚᱨ ᱨᱮᱱᱟᱜ ᱵᱮᱱᱚᱨ, ᱗᱐ ᱜᱩᱱᱟᱱ ᱑᱐᱐ ᱥᱮᱱᱴᱤᱢᱤᱴᱚᱨ ᱨᱮᱱᱟᱜ ᱯᱚᱥᱴᱚᱨ ᱟᱨ ᱟᱭᱢᱟ ᱣᱟᱨᱠ ᱯᱟᱥ ᱠᱚ ᱢᱮᱱᱟᱜᱼᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Adw Works Exhibition ᱤᱵᱷᱮᱱᱴ ᱵᱨᱟᱱᱰᱤᱝ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Adw Works Exhibition ᱤᱵᱷᱮᱱᱴ ᱵᱨᱟᱱᱰᱤᱝ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The typographical relationship of geometric shapes is essentially a reconciliation of rational design and emotional expression. Each visual conflict is a dialectical process of design thinking, ultimately achieving a cross-cultural dialogue in a dynamic balance and expressing a visual statement of unity in the context of globalization.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The basic design features exhibition displays, including banners and posters measuring 3 meters by 5 meters and 70 centimeters by 100 centimeters, as well as several work passes.
- ᱴᱮᱜ ᱠᱚ
- Visual Design, Event Design, Material Design, Poster Design
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The primary visual display section for an event in China's Xiongan New Area must embody an international design perspective while emphasizing aesthetic appeal. This exhibition area highlights design materials with a global outlook.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The biggest challenge of this project is printing-related issues.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In 2025,Asia Design Weekwill join hands with11 renowned associations from Asia and Europeto make its official debut inXiong’an, China, as a featured section (A01) of theHebei International Industrial Design Week. This showcase will gather leading design institutions and renowned designers from across Asia, with a focus onsustainable design, AI-driven art, and future lifestyle innovations. Through its close collaboration with the Hebei International Industrial Design Week, Asia Design Week will not only highlight the diversity and vitality of Asian design but also inject new momentum into positioning Xiong’an as an international hub for innovative and creative industries.
- ᱯᱨᱮᱨᱚᱱᱟ
- This key visual creates a field of tension through the collision of color blocks, text, and graphic overlays. High-water levels of complementary colors often symbolize cultural diversity, while transitional zones of transformation suggest the possibility of integration.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project commenced in Xiong'an, China in September 2025 and was completed in October 2025. Subsequent exhibitions were held in locations including Kuala Lumpur, Malaysia.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This main visual design was specifically created for the Asia Design Week Organizing Committee and the Hebei International Industrial Design Week, and will be exhibited in China's Xiong'an New Area.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Creative Director: Zhenhao Ou
Curator: Sheng Li,
Designer: Zhenhao Ou
Motion Design: Zhikun Luo
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾