Yuanying He ᱨᱮᱱᱟᱜ Constructing The Intangible ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱢᱚᱨᱢᱚ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱜᱨᱟᱯᱷᱤᱠ· 2026
Constructing The Intangible ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱢᱚᱨᱢᱚ ᱪᱤᱛᱟᱹᱨ
Yuanying He ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: K3ntiv3
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#181673 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Constructing The Intangible ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱢᱚᱨᱢᱚ ᱪᱤᱛᱟᱹᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱯᱩᱛᱷᱤ ᱚᱱᱚᱞ: ᱯᱷᱟᱸᱱᱚ ᱛᱮᱭᱟᱨ ᱞᱮᱠᱷᱟᱱ ᱦᱩᱭᱩᱜ-ᱟᱠᱟᱱ ᱫᱚ ᱢᱚᱱᱮ ᱨᱮᱭᱟᱜ ᱥᱟᱸᱪᱟᱣ ᱵᱟᱝ ᱢᱮᱱᱠᱷᱟᱱ ᱫᱚᱦᱚ ᱛᱮᱭᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱟ ᱯᱟᱱᱛᱮ ᱮᱫᱟᱭ ᱾ ᱜᱤᱫᱽᱨᱟᱹ ᱚᱠᱛᱚ ᱨᱮᱭᱟᱜ ᱯᱚᱢᱮᱞᱚ ᱵᱟᱦᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱱ ᱪᱷᱚᱸᱦᱚᱨ ᱠᱷᱚᱱ ᱥᱟᱵᱟᱠ ᱦᱟᱛᱟᱣᱠᱟᱛᱮ, ᱱᱩᱭ ᱠᱟᱹᱢᱤ ᱫᱚ ᱢᱚᱱᱮ ᱨᱮ ᱫᱚᱦᱚ ᱨᱮᱭᱟᱜ ᱜᱚᱲᱚᱱ ᱫᱮᱠᱷᱟᱣ ᱞᱟᱹᱜᱤᱫ ᱠᱨᱮᱱ, ᱜᱨᱤᱰ, ᱟᱨ ᱵᱟᱝ ᱢᱤᱞ ᱦᱩᱭᱩᱜ-ᱟᱠᱟᱱ ᱛᱷᱟᱨ ᱞᱮᱠᱟᱱᱟᱜ ᱯᱷᱮᱰᱟᱛᱤᱭᱟᱨ ᱨᱮᱭᱟᱜ ᱦᱤᱥᱟᱹᱵ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱮᱫᱟᱭ ᱾ ᱢᱚᱱᱮ ᱫᱚ ᱱᱤᱛᱚᱜᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱛᱮᱭᱟᱨ ᱞᱟᱹᱜᱤᱫ ᱥᱮᱫᱟᱭ ᱨᱮᱭᱟᱜ ᱴᱩᱠᱲᱟᱹ ᱠᱚ ᱦᱩᱲᱟᱹᱜ ᱨᱮᱭᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱪᱮᱛᱟᱱ ᱠᱟᱹᱢᱤ ᱞᱮᱠᱟ ᱫᱮᱠᱷᱟᱣ ᱠᱟᱱᱟ ᱾ ᱠᱚᱢ ᱵᱮᱵᱷᱟᱨ ᱜᱚᱲᱚᱱᱤᱭᱟᱹ ᱯᱟᱹᱨᱥᱤ ᱛᱮ, ᱱᱩᱭ ᱠᱟᱹᱢᱤ ᱫᱚ ᱢᱤᱫᱴᱟᱝ ᱢᱚᱨᱢᱚ ᱟᱱᱩᱵᱷᱚ ᱨᱮᱭᱟᱜ ᱦᱤᱥᱟᱹᱵ ᱠᱚ ᱧᱮᱞ ᱦᱟᱛᱟᱣ ᱫᱟᱲᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱨᱩᱯ ᱨᱮ ᱵᱚᱫᱚᱞ ᱮᱫᱟᱭ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Constructing The Intangible ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱢᱚᱨᱢᱚ ᱪᱤᱛᱟᱹᱨ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Constructing The Intangible ᱢᱩᱬᱩᱛ ᱠᱟᱹᱢᱤ: ᱢᱚᱨᱢᱚ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Constructing the Intangible explores the architecture of memory. This artwork examines how sensory fragments, specifically the ephemeral scent of the past, are reorganized. Memory is presented not as static preservation, but as an active secondary rendering shaped by narrative coherence. Utilizing a structural language bridging nature and architecture, the design transforms intangible sensory experiences into visible forms. Past fragments serve as scaffolding to support selfhood.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- High-resolution digital artwork.
Dimensions: 3600 x 3600 pixels.
Color space: RGB.
Format: Digital illustration suitable for print and screen display. - ᱴᱮᱜ ᱠᱚ
- memory reconstruction, olfactory memory, architectural metaphor, narrative identity, secondary construction, spatial abstraction, sensory memory, autobiographical memory
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The artwork was created using digital illustration techniques. A structured grid-based composition system was applied to organize spatial elements. Layered vector and raster rendering methods were combined to achieve depth and architectural precision. The visual system references drafting language and construction schematics to reinforce the conceptual framework.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The primary challenge was translating an invisible and ephemeral sensory experience into a coherent spatial structure. The work avoids literal representation of scent and instead constructs a layered architectural system to express memory reconstruction. Balancing structural precision with emotional ambiguity required careful control of composition, grid systems, and visual hierarchy.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This project explores autobiographical memory reconstruction through visual metaphor. Drawing from narrative identity theory and cognitive psychology, it investigates how memory is not a fixed recording but an active reconstruction shaped by perception and storytelling. Olfactory memory, particularly childhood scent associations, serves as an anchoring mechanism to translate intangible sensory recall into spatial and architectural language.
- ᱯᱨᱮᱨᱚᱱᱟ
- The inspiration originated from a simple observation: describing a dream after waking is already an act of secondary representation and reconstruction. The cool scent of pomelo blossoms from childhood serves as a sensory anchor. This fleeting memory is deconstructed into an orderly “construction site”. Cranes, grids, and misaligned staircases symbolize the subtle imperfections and ongoing rebuilding inherent in human recollection.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was conceptualized and completed in February 2026 in Shenzhen, China.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The viewer engages with the artwork through visual navigation. Misaligned staircases, cranes, and grid structures guide the eye toward a central focal point, mirroring the cognitive process of memory reconstruction. The interaction is interpretive rather than functional, inviting reflection rather than instruction.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- This project is an original conceptual artwork created by the artist. It is not associated with any registered patents or trademarks. All intellectual property rights belong solely to the artist.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- All visual elements, illustrations, and conceptual content in this project are original works created solely by the artist. No third-party materials, stock images, templates, or external visual assets were used in the creation of this work.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
