Lampo Leong, Yanxiu Zhao and Haozheng Wu ᱨᱮᱱᱟᱜ Luminous Lingnan ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱫᱩᱵᱩᱲ ᱠᱟᱞᱟ ᱛᱷᱟᱯᱚᱱ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2026
Luminous Lingnan ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱫᱩᱵᱩᱲ ᱠᱟᱞᱟ ᱛᱷᱟᱯᱚᱱ
Lampo Leong, Yanxiu Zhao and Haozheng Wu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Centre for Digital Arts, Department of Arts and Design, Faculty of Arts and Humanities, University of Macau
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#180830 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Luminous Lingnan ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱫᱩᱵᱩᱲ ᱠᱟᱞᱟ ᱛᱷᱟᱯᱚᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱯᱩᱛᱷᱤ ᱚᱱᱚᱲ: ᱢᱟᱝᱪᱩᱨᱤᱭᱟᱱ ᱨᱚᱝ ᱫᱷᱟᱨᱮ ᱫᱩᱣᱟᱨ ᱠᱷᱚᱱ ᱫᱷᱟᱨᱟᱣ ᱠᱟᱛᱮ, ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱚ ᱡᱟᱱᱟᱢ ᱫᱤᱡᱤᱴᱟᱞ ᱪᱤᱛᱟᱹᱨ, ᱫᱟᱨᱯᱚᱱ ᱛᱷᱟᱯᱚᱱ ᱟᱨ ᱢᱟᱨᱟᱝ ᱱᱤᱢ ᱨᱮᱭᱟᱜ ᱢᱟᱲᱟᱝᱥᱮᱱᱥᱚᱨᱤ ᱡᱤᱱᱤᱥ ᱨᱮᱭᱟᱜ ᱯᱟᱨᱥᱟᱞ ᱟᱨ ᱪᱟᱞᱟᱣ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱛᱮ ᱠᱣᱟᱱᱴᱟᱢ ᱠᱟᱱᱟ ᱞᱮᱠᱟ ᱢᱤᱫ ᱫᱷᱟᱨᱟᱣ ᱫᱷᱟᱨᱟᱣ ᱧᱮᱞ ᱴᱷᱟᱶ ᱯᱟᱱᱛᱮ ᱾ ᱪᱤᱛᱟᱹᱨ ᱧᱮᱞᱤᱡ ᱦᱚᱲ ᱫᱚ ᱴᱷᱟᱶ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮᱱᱛᱮ, ᱡᱤᱭᱚᱢᱮᱴᱨᱤᱠ ᱟᱵᱥᱴᱨᱟᱠᱥᱚᱱ ᱨᱮ ᱵᱟᱱᱫᱷᱟᱣ ᱟᱠᱟᱱ ᱵᱚᱫᱚᱞ ᱦᱚᱪᱚᱜ ᱠᱟᱞᱟᱢ ᱴᱮᱠᱥᱪᱚᱨ ᱫᱚ ᱫᱷᱭᱟᱱ ᱟᱨ ᱢᱚᱱᱮ ᱥᱟᱸᱪᱟᱣ ᱨᱮᱭᱟᱜ ᱚᱠᱛᱚ ᱨᱮ ᱫᱩᱲᱩᱵ ᱦᱚᱪᱚᱭᱟ ᱾ ᱢᱟᱱᱢᱤ, ᱵᱨᱚᱦᱢᱟᱸᱰ, ᱟᱨ ᱦᱩᱰᱤᱧ ᱟᱨ ᱢᱟᱨᱟᱝ ᱫᱷᱟᱨᱛᱤ — ᱟᱨ ᱯᱩᱨᱟᱹᱱᱤ ᱟᱨ ᱱᱟᱶᱟ ᱛᱟᱞᱟᱨᱮ ᱨᱮᱭᱟᱜ ᱢᱮᱥᱟ ᱢᱮᱥᱟ — ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱯᱟᱱᱛᱮ ᱨᱮ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱚ ᱞᱟᱠᱪᱟᱨ, ᱯᱨᱚᱠᱨᱤᱛᱤ, ᱟᱨ ᱫᱤᱡᱤᱴᱟᱞ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱪᱟᱞᱟᱜ ᱢᱮᱥᱟ ᱢᱮᱥᱟ ᱱᱮᱞ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Luminous Lingnan ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱫᱩᱵᱩᱲ ᱠᱟᱞᱟ ᱛᱷᱟᱯᱚᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Luminous Lingnan ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱫᱩᱵᱩᱲ ᱠᱟᱞᱟ ᱛᱷᱟᱯᱚᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The work reinterprets the historic Manchurian "flower window," a hallmark of Lingnan architecture celebrated for its vibrant colored glass designs introduced to China during the Qing dynasty. Renowned for its fusion of Chinese and Western aesthetics, the flower window became a cultural symbol of Guangzhou and a testament to centuries of artistic exchange. This installation translates that heritage through contemporary digital art technologies, merging the visual language of traditional ink painting and wild cursive Chinese calligraphy with an immersive, interactive installation experience.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This immersive art installation measures 3.2m x 3.2m x 3.63m and features digital video art displayed on an LED panel, with reflective surfaces lining the walls, ceiling, and floor.
- ᱴᱮᱜ ᱠᱚ
- Immersive Art Installation, Fine Arts, Photography, Digital Art, Video Art
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This work begins with hand painted ink artworks and calligraphy on rice-paper. These physical pieces are then digitized using a high-resolution scanner. The scanned images are transformed into dynamic, generative video art, ultimately culminating in an immersive fine art installation.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Transforming classical and contemporary ink painting and calligraphy into postmodern installation art poses significant creative and technical challenges. The video component further operates as an immersive installation, adding additional layers of complexity and innovation to this artistic and research project.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The work employs generative digital art imagery, mirrored environments, and multi-sensory elements of music, light, and motion to create an ever shifting visual field reminiscent of quantum particles. As viewers move through the installation, evolving ink textures and calligraphic forms expressed through geometric abstraction evoke moments of reflection and heightened perception. The work explores themes of humanity, cosmology, and the interplay between tradition, innovation, nature, and technology.
- ᱯᱨᱮᱨᱚᱱᱟ
- The inspiration for this work originates from the Manchurian window, also known as the "flower window," a distinctive feature of traditional Lingnan architecture. Through the interplay of cut glass and shifting light, these windows produced shimmering, dreamlike visual effects. These radiant windows stand not only as traces of history but also as enduring witnesses to cultural exchange and integration between China and the West.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project began in September 2025 in Guangdong and was completed in December 2025 in Beijing, and it was exhibited in The 10th Beijing International Art Biennale in 2025 and Epochal Echo of Ink: Contemporary Interpretations of Chinese Aesthetic Across Time, curated by The Hong Kong Polytechnic University School of Design, at the Guan Shanyue Art Museum in Shenzhen, China, 2026.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- As visitors move through the installation space, they engage with evolving ink textures and calligraphic strokes, creating an immersive, ever changing cosmic experience.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Lampo Leong, 2026.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Lampo Leong
Yanxiu Zhao
Haozheng Wu
Li Lin - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Lampo Leong, 2025
Image #2: Lampo Leong, 2025
Image #3: Lampo Leong, 2025
Image #4: Lampo Leong, 2025
Image #5: Lampo Leong, 2025
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