Xishun Tan ᱨᱮᱱᱟᱜ Myriad Circles ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (Residential Interior Design) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱥᱳᱱᱟᱵᱷᱤᱛᱨᱤ· 2026
Myriad Circles ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (Residential Interior Design)
Xishun Tan ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Vanke
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#180277 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Myriad Circles ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (Residential Interior Design) ᱵᱟᱵᱚᱛ ᱛᱮ
Myriad Circles ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ Sichuan ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱟᱠᱟᱱ ᱢᱤᱫ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱨᱮᱱᱟᱜ ᱛᱮᱭᱟᱨ ᱫᱚ ᱯᱟᱪᱮ ᱥᱮᱫ Sichuan ᱨᱮᱱᱟᱜ Linpan ᱟᱹᱛᱩ ᱠᱚ ᱟᱨ ᱩᱱᱠᱩᱣᱟᱜ ᱢᱟᱨᱮ Chuandou ᱠᱟᱴ ᱛᱮᱭᱟᱨ ᱠᱷᱚᱱ ᱯᱨᱮᱨᱚᱱᱟ ᱧᱟᱢ ᱟᱠᱟᱫᱟ᱾ ᱠᱩᱥᱤ ᱞᱮᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ American walnut ᱠᱟᱴ ᱡᱚᱲᱟᱣ ᱠᱟᱹᱢᱤ ᱛᱮ ᱱᱚᱶᱟ ᱛᱮᱭᱟᱨ ᱠᱚ ᱨᱮᱱᱟᱜ ᱡᱚᱲᱟᱣ ᱟᱨ ᱚᱲᱚᱜ ᱞᱮᱠᱟᱱ ᱠᱟᱹᱢᱤᱦᱚᱨᱟ ᱠᱚ ᱱᱟᱶᱟ ᱞᱮᱠᱟᱛᱮ ᱵᱩᱡᱷᱟᱹᱣ ᱟᱠᱟᱱᱟ᱾ ᱠᱟᱴ ᱡᱚᱲᱟᱣ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱩᱠᱩ ᱟᱠᱟᱱ ᱥᱴᱤᱞ ᱥᱟᱦᱟᱭ ᱠᱚ ᱢᱤᱫ ᱢᱚᱰᱮᱞ ᱡᱟᱣᱨᱟ ᱨᱮᱱᱟᱜ ᱦᱟᱢᱟᱞ ᱠᱚ ᱥᱟᱦᱟ ᱮᱫᱟ᱾ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱟᱨ ᱠᱟᱹᱪ ᱫᱚ ᱠᱟᱴ ᱥᱟᱶᱛᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱡᱟᱸᱦᱟᱸ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱤᱱᱜᱩ ᱟᱠᱟᱱ walnut ᱡᱤᱱᱤᱥ ᱠᱚ ᱵᱷᱤᱛᱨᱤ ᱨᱮ ᱞᱟᱠᱪᱟᱨ ᱨᱮᱱᱟᱜ ᱰᱷᱮᱨ ᱜᱩᱱ ᱮᱢ ᱮᱫᱟ, ᱚᱱᱟ ᱛᱩᱞᱩᱡ ᱛᱮ ᱚᱪᱚᱜ-ᱟᱹᱜᱩᱜ ᱞᱮᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱛᱮ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱚᱫᱚᱞᱚᱜ ᱠᱟᱱ ᱵᱮᱵᱷᱟᱨ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱠᱟᱹᱢᱤ ᱫᱟᱲᱮᱭᱟᱜᱼᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Myriad Circles ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (Residential Interior Design) ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Myriad Circles ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (Residential Interior Design) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Echoing the structural elegance of "Linpan" architecture in Western Sichuan, China, this design distills traditional "Chuandou" timber systems into a contemporary narrative. Custom walnut joinery abstracts ancient cantilever techniques, creating a sculptural framework for the client’s "Retro-Futurist" collection. The space bridges eras, merging the precision of heritage carpentry with the playful spirit of the digital age to form a deeply personalized, culturally anchored sanctuary.
- ᱴᱮᱜ ᱠᱚ
- Retro-Futurism, Mid-Century Modern, Linpan Architecture, Residential Interior Design, Collector Workspace, Eclectic Luxury, Custom Joinery, Sichuan Vernacular, Chuandou Structure
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- To resurrect the essence of traditional "Linpan" settlements, we utilized contemporary fabrication techniques. The design synthesizes American Walnut—a nod to vernacular timber—with modern industrial materials like stainless steel and glass. By embedding concealed steel reinforcements within the joinery, we achieved the iconic "Chuandou" interlocking aesthetic without traditional limitations. This application of modern material science allows the ancient architectural form to be reborn within a "Retro-Futurist" context.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The primary challenge lay in reconciling the solemnity of vernacular "Linpan" architecture with the vibrancy of a "Retro-Futurist" toy collection. Visually, preventing this eclectic mix from appearing chaotic required rigorous curation to balance historical weight with pop-culture playfulness. Structurally, mimicking the lightweight aesthetic of traditional "Chuandou" cantilevers while supporting heavy die-cast models imposed engineering constraints, necessitating a concealed steel skeleton within the walnut joinery.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This project is grounded in applied design research that decodes the vernacular "Linpan" settlements of Sichuan. We sought to translate their core principles of community, organic hierarchy, and material authenticity into a contemporary urban residence. Our methodology combined ethnographic field observation, spatial analysis of traditional "Chuandou" timber structures, and material prototyping. We engaged local craftsmen and used 3D scanning alongside digital and physical modeling to test modern interpretations of joinery. A key insight emerged: the "Chuandou" system functions as a "social scaffold," organizing life through a gradient of spaces from public to private. This research directly generated the project's central "permanent-temporary" framework. Its impact is threefold: it provides business value through deep cultural narrative, offers society a model for fostering neighborhood belonging in dense cities, and advances design practice by demonstrating a rigorous methodology for systemic vernacular translation, moving beyond superficial aesthetic reference.
- ᱯᱨᱮᱨᱚᱱᱟ
- A chance journey through Western Sichuan introduced me to the mesmerizing "Linpan" settlements. This experience deeply resonated with me, and by a stroke of serendipity, I was soon commissioned for this Chengdu residence. Inspired to bring this local spirit indoors, I reinterpreted the region's traditional "Chuandou" timber structures. The design translates these ancient interlocking techniques into modern walnut joinery, grounding the space in its cultural roots.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in April 2024 in China and finished in August 2025 in Sichuan China.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The space guides visitors on a narrative journey, from the symbolic "Tree of Light" entrance into the intimate, wood-clad "Study Box." Interaction is encouraged through integrated zones where children's play is visible to adults, fostering natural community connection. Its strength lies in a "permanent-temporary" framework: the fixed walnut architecture provides cultural depth, while flexible elements allow the space to transform from a sales gallery into an active community hub. This creates not just a functional space, but one that actively builds and sustains relationships.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Design Director：FIONA LIU and Project Director：TIM TAN
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer：Kong studio
ᱥᱯᱚᱱᱥᱚᱨᱰ
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