ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Tian Sheng Cheng ᱨᱮᱱᱟᱜ Jinsha Lingyun ᱟᱨᱟᱠ ᱯᱮᱠᱮᱡᱤᱝ

Tian Sheng Cheng ᱨᱮᱱᱟᱜ Jinsha Lingyun ᱟᱨᱟᱠ ᱯᱮᱠᱮᱡᱤᱝ ᱫᱚ ᱯᱮᱠᱮᱡᱤᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱯᱮᱠᱮᱡᱤᱝ· 2026

Jinsha Lingyun ᱟᱨᱟᱠ ᱯᱮᱠᱮᱡᱤᱝ

Tian Sheng Cheng ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Shenzhen Jinjia New Intelligent Packaging Co., Ltd.

ᱯᱮᱠᱮᱡᱤᱝ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#175355 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Jinsha Lingyun ᱟᱨᱟᱠ ᱯᱮᱠᱮᱡᱤᱝ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱡᱤᱱᱥᱟ ᱞᱤᱝᱭᱩᱱ ᱫᱚ ᱟᱨᱟᱠ ᱪᱩᱠᱟᱹ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱢᱤᱫ ᱯᱮᱠᱮᱡᱤᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱪᱩᱠᱟᱹ ᱫᱚ ᱦᱮᱸᱫᱮ ᱨᱚᱝ ᱟᱱ ᱵᱟᱭᱚᱰᱤᱜᱽᱨᱮᱰᱮᱵᱚᱞ ᱥᱮᱨᱟᱢᱤᱠ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱨᱮᱭᱟᱜ ᱰᱟᱭᱟᱢᱤᱴᱚᱨ ᱫᱚ ᱘᱐ ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱟᱨ ᱩᱥᱩᱞ ᱫᱚ ᱒᱓᱐ ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ᱾ ᱵᱟᱦᱨᱮ ᱨᱮᱭᱟᱜ ᱵᱟᱠᱚᱥ ᱫᱚ ᱮᱸᱰᱮᱡ ᱟᱠᱟᱱ ᱠᱟᱴ ᱜᱩᱸᱰᱤ ᱟᱨ ᱫᱟᱨᱮ ᱦᱟᱨᱛᱟ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱰᱟᱠᱚᱱᱤ ᱫᱚ ᱠᱨᱤᱥᱴᱟᱞ ᱡᱤᱱᱤᱥ ᱛᱮ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱪᱤᱛᱟᱹᱨ ᱟᱠᱟᱱ ᱢᱩᱞ ᱟᱠᱷᱚᱨ, ᱵᱩᱨᱩ ᱟᱨ ᱫᱟᱜ ᱨᱮᱭᱟᱜ ᱱᱟᱠᱥᱟ, ᱫᱟᱜ ᱡᱚᱨᱚ ᱱᱟᱠᱥᱟ ᱟᱨ ᱥᱮᱨᱢᱟ ᱜᱷᱮᱨᱟ ᱠᱚ ᱫᱚ ᱜᱩᱭᱡᱚᱣ ᱞᱟᱠᱪᱟᱨ ᱟᱨ ᱯᱟᱹᱦᱤᱞ ᱠᱷᱚᱱ ᱟᱨᱟᱠ ᱵᱮᱱᱟᱣ ᱚᱰᱚᱠ ᱠᱚ ᱩᱫᱩᱜᱟ᱾ ᱪᱩᱠᱟᱹ ᱨᱮᱭᱟᱜ ᱨᱩᱯ ᱫᱚ ᱚᱵᱥᱤᱰᱤᱭᱟᱱ ᱫᱷᱤᱨᱤ ᱠᱚ ᱩᱭᱦᱟᱹᱨ ᱚᱪᱚᱭᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱦᱟᱹᱨᱤᱭᱟᱹᱲ ᱞᱟᱦᱟᱱᱛᱤ ᱟᱨ ᱥᱟᱛᱟᱢ ᱠᱷᱚᱱ ᱢᱟᱱᱚᱛ ᱩᱫᱩᱜᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Jinsha Lingyun ᱟᱨᱟᱠ ᱯᱮᱠᱮᱡᱤᱝ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Jinsha Lingyun ᱟᱨᱟᱠ ᱯᱮᱠᱮᱡᱤᱝ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Refactoring the font of "Golden Sands Returning to Sand" and incorporating elements of "water, soil, air, grain, and micro", integrating Guizhou culture and brewing scenes. The bottle cap imitates the national liquor door, paired with drip patterns and annual rings; Bottleneck design with mountain and water patterns; The innovative cutting surface of the bottle is highlighted with illustrated fonts, and the unique charm is displayed with black tones and biodegradable wood chips and bark.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The bottle has a diameter of 80 millimeters and a height of 230 millimeters
ᱴᱮᱜ ᱠᱚ
sustainable development, packaging, liquor
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The material of the box is made from discarded sawdust and tree bark degradation, while the bottle is made of high-quality black and biodegradable ceramic material. The bottle illustration is creatively designed with original fonts, and the bottle cap is made of crystal material.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In product packaging design, the organic combination of regional cultural elements and font stroke reconstruction, balancing cultural inheritance and innovation, is not easy. With my efforts, they are presented in the best form; In terms of product technology, biodegradable ceramic materials require high processing accuracy, and the degradation of bark and sawdust has extremely high environmental requirements, mold technology, and molding processes. The special carving of landscape patterns on packaging boxes also presents certain challenges. Through my repeated attempts, a product with creative, practical, and artistic value is ultimately created.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The design is inspired by the concept of harmonious coexistence between humans and nature, as well as the idea of green development, showcasing a comprehensive respect for nature and the pursuit of a sustainable future. The unique natural ecosystem of Jinsha Liquor Industry is the core source of inspiration. On the path of green and sustainable development, Jinsha Liquor Industry actively explores green development innovation.
ᱯᱨᱮᱨᱚᱱᱟ
With the concept of harmonious coexistence between humans and nature and the idea of green development, its unique natural ecosystem is the inspiration core. On the path of green and sustainable development, it actively explores green development innovation, uses green and environmentally friendly materials to give new life to its products, reduce environmental damage, feed back nature, pursue a sustainable future, and achieve harmonious coexistence between humans and nature.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in Shenzhen in December 2024, was completed in Shenzhen in May 2025, and exhibited in Shenzhen in June 2025.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The product is presented in the form of obsidian stone, with a delicate and tough touch, as if immersing oneself in it. The golden sand is cleverly distributed on every side of the bottle, rotating the bottle, and the landscape patterns on each side seem to tell the story of the unique craftsmanship of golden sand and the integration with nature, as well as the mutual achievement between humans and nature.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ