Yu-Chieh Wang ᱨᱮᱱᱟᱜ Virtual and Reality ᱧᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2023 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱜᱨᱟᱯᱷᱤᱠ· 2023
Virtual and Reality ᱧᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ
Yu-Chieh Wang ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Tainan University of Technology Product Design Department
ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#150700 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Virtual and Reality ᱧᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱵᱷᱟᱹᱨᱪᱩᱣᱟᱞ ᱟᱨ ᱨᱤᱭᱮᱞᱤᱴᱤ ᱫᱚ ᱢᱤᱫ ᱧᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱠᱟᱱᱟ ᱚᱠᱟ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱦᱚᱨ ᱵᱩᱡᱷᱟᱹᱣ ᱮᱫᱟᱭ᱾ ᱱᱩᱛᱩᱢ ᱨᱮ ᱵᱟᱨᱭᱟ ᱩᱞᱴᱟᱹ ᱟᱹᱲᱟᱹ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱵᱷᱟᱹᱵᱱᱟ ᱟᱨ ᱥᱟᱹᱨᱤ ᱛᱟᱞᱟ ᱨᱮᱭᱟᱜ ᱮᱯᱷᱮᱨ ᱩᱫᱩᱜ ᱮᱫᱟᱭ᱾ ᱪᱤᱠᱤ ᱨᱮᱭᱟᱜ ᱜᱟᱨ ᱠᱚ ᱵᱷᱮᱜᱟᱨ ᱟᱠᱟᱫᱟᱸ ᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱦᱟᱹᱛᱭᱟᱨ ᱠᱚ ᱫᱚ ᱪᱤᱠᱤ ᱠᱚᱣᱟᱜ ᱛᱮᱭᱟᱨ ᱠᱚ ᱵᱮᱱᱟᱣ ᱮᱫᱟ᱾ ᱱᱚᱶᱟ ᱥᱤᱨᱤᱡ ᱨᱮ ᱯᱚᱥᱴᱚᱨ, ᱠᱟᱰᱽ, ᱱᱚᱴᱵᱩᱠ, ᱚᱞ ᱡᱤᱱᱤᱥ, ᱰᱟᱭᱨᱮᱠᱴ ᱢᱮᱞ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱡᱚᱛᱚ ᱡᱤᱱᱤᱥ ᱫᱚ ᱵᱟᱨᱭᱟ ᱵᱤᱥᱮᱥ ᱨᱚᱝ ᱛᱮ ᱪᱷᱟᱯᱟ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱵᱮᱵᱷᱟᱨᱟᱜ ᱩᱯᱟᱭ ᱠᱚ ᱨᱮ ᱫᱚ ᱮᱢᱵᱚᱥᱤᱝ, ᱴᱷᱟᱶ ᱨᱮᱱ ᱜᱞᱮᱡᱤᱝ ᱟᱨ ᱚᱨᱤᱜᱟᱢᱤ ᱯᱷᱚᱞᱰᱤᱝ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱱᱚᱶᱟ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ ᱛᱟᱭᱱᱟᱱ, ᱛᱟᱭᱯᱮᱭ ᱟᱨ ᱠᱟᱣᱥᱤᱭᱩᱝ ᱨᱮ ᱩᱫᱩᱜ ᱞᱮᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Virtual and Reality ᱧᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Virtual and Reality ᱧᱮᱞ ᱪᱤᱛᱟᱹᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱫᱚᱨᱥᱚᱱᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This work uses two special color printing in all application design inside, Mainly to enhance the visual effects of the work, to strengthen the idea of the idea of the idea, the performance of their own goals to achieve the meaning!
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- This series of works used in many printing processing technology Applied to the printing technology are: playing convex, local glazing, special color printing, origami technology, And the use of packaging design and visual design for integration into a series of works.
- ᱴᱮᱜ ᱠᱚ
- Brand，Font design，Visual Image Design，Exhibition
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This work uses two special color printing in all application design inside. There are graphic design and packaging design. Applications are: DM. Poster design. Card. Notebook. Stationery design.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Everyone's aesthetic is not the same, there are different ideas for the design of the creation, I do not know my design is not able to be loved and accepted by everyone, But my design point of view is that human beings because of the design and make life beautiful and progress, to solve many life problems.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- No matter in the creative process or in the design practice, because every design is the beginning of creation, from the past to the present, from the present to the future. But design can be seen and felt everywhere in life. Through this exhibition, I hope to bring you love for life and design.
- ᱯᱨᱮᱨᱚᱱᱟ
- Emptiness and reality are antonyms. This combination reflects the conflict between abstraction and reality. Because of the different presentation methods, the combination of the two will become a challenge. In this process, you may lose your way and wander between reality and reality, but you will eventually find your own positioning and goals.This is the virtual and real visual image design exhibition, which is an interpretation of the process of design creation.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- 2023/01/01 Design completed
2023/04/13—04/18
Shin Kong Mitsukoshi Exhibition in Tainan City
2023/05/19—05/22
Exhibited at Taipei Nangang Exhibition Hall
2023/05/25—05/27
Kaohsiung City Exhibition Hall - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This series of works is presented in the form of a design exhibition. The visual design uses its own structure to design, emphasizing the theme of virtual and real, thereby attracting the attention of the public and the media.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Yu-Chieh Wang，2023
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Yu-Chieh Wang，2023
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
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ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
