Abbas Sufi Nejad ᱨᱮᱱᱟᱜ Ta'liq Script Sisir Ledeʼ Kaam ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2022
Ta'liq Script Sisir Ledeʼ Kaam
Abbas Sufi Nejad ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Villasufia
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#140955 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Ta'liq Script Sisir Ledeʼ Kaam ᱵᱟᱵᱚᱛ ᱛᱮ
Taʼliq Lipi ge okoe Persian calligraphy khon jeʼet lena mirror artwork kanae. Design reaʼ Taʼliq ar Nastaʼliq lipi rean abstract bhabartho kanae, unkin oṛaʼ akṛoṛ ko qalam kombra, ghurao ar sece dara ge saṛi akatkoa. Base ko fiberglass tea ban akaʼna, ar ṭhenga mirror khanḍa ko surface reʼ tin dimension reʼ lagaoʼ akaʼna. Artwork reaʼ carak 500 mm ar loa 2800 mm kanae. Sanam khanḍa ko tiʼ tea ge ban akaʼna. Rong milaoʼ ko badalaʼ dareaʼ interior decoration reaʼ bhinbhin style ren lagit.
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Ta'liq Script Sisir Ledeʼ Kaam ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ta'liq Script Sisir Ledeʼ Kaam ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The combination of its color and material gives a unique personality wherever it is placed. It is available in a different contrasting color mixture associated with the style of interior decoration. They are all handmade.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- 500(W)*2800(H) mm
- ᱴᱮᱜ ᱠᱚ
- Mirror Artwork, Mirror, Ta’liq, Persian pattern, Ta’liq Script, Modern
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The base material is made of fiberglass and all the mirrors are cut and stuck as 3D on it.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main challenge was to generate the users a game of 3D visualization of ancient Persian scripts, patterns, and mirrors and meet the modern market demand for counters in various forms of protective symbols, transforming the writing lines into the object with the same emotion, joining performance and aesthetics besides of emotional connection between the Ta’liq and the users.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- I have always tried to design something unique and meaningful. Obviously, there are many ideas behind each design, which is no different. Many sketches have been done to simplify the complicated forms besides protecting its modern style and making an emotional connection between the project and the users by design.
- ᱯᱨᱮᱨᱚᱱᱟ
- The Ta’liq Script, in combination with the transcript, created the Nasta’liq. Nasta’liq point has artistically been the scale of Persian letters design by moving, rotating, and pulling the pen. This work of art is a poetic and abstract elucidation of Persian calligraphy in the laud of artists whose scripts are full of tolerance and patience, as the movement of their pens, the patience of the noble individuals of Iran.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The object is designed and produced in Tehran at April 2021.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This artwork has been made entirely by hand of a professional Iranian craftsman. It is available in a variable combination of colors as clients wish.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- All the images have been taken by Janblak studio and Nimkat studio in 2021
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
