Atsushi Kobayashi ᱨᱮᱱᱟᱜ Reconnect ᱰᱤᱡᱤᱴᱟᱞ ᱠᱞᱟ ᱵᱟᱵᱚᱛ ᱡᱚᱲᱟ�գ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2022
Reconnect ᱰᱤᱡᱤᱴᱟᱞ ᱠᱞᱟ ᱵᱟᱵᱚᱛ ᱡᱚᱲᱟ�գ
Atsushi Kobayashi ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Atsushi Kobayashi
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#140131 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Reconnect ᱰᱤᱡᱤᱴᱟᱞ ᱠᱞᱟ ᱵᱟᱵᱚᱛ ᱡᱚᱲᱟ�գ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱨᱤᱠᱚᱱᱚᱠᱴ (Reconnect) ᱢᱮᱱᱮ ᱚᱱᱟ ᱢᱤᱡ ᱠᱟᱛᱷᱟ, ᱟᱞᱮ ᱠᱚᱨᱚᱡ ᱛᱮ ᱛᱟᱴᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱚᱠᱛᱚ ᱠᱚ ᱨᱮ ᱦᱚᱲ ᱠᱚ ᱠᱟᱛᱷᱟ ᱨᱮᱭᱟᱜ ᱥᱟᱶᱛᱮ ᱡᱟᱦᱟᱸ ᱠᱟᱴᱟᱢ ᱠᱟᱱᱟ ᱚᱱᱟᱭ ᱟᱨ ᱚᱱᱟ ᱟᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱥᱟᱶᱛᱮ ᱵᱟᱱᱟᱣᱠᱟᱱᱟᱭ ᱾ ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱨᱮ ᱨᱮᱠᱚᱨᱰ ᱮᱢ ᱠᱟᱛᱟᱢ ᱴᱷᱮᱱ ᱠᱚᱞ ᱠᱚ ᱟᱨ ᱟᱨ ᱵᱟᱨᱟᱭᱟ (12) LCD ᱥᱠᱨᱤᱱ ᱠᱚ ᱡᱟᱦᱟᱸ ᱮᱠᱮ ᱟᱞᱩᱢᱤᱱᱤᱭᱟᱢ ᱯᱷᱨᱮᱢ (aluminium frame) ᱨᱮ LED ᱥᱴᱨᱤᱯ ᱠᱟᱛᱮ ᱡᱟᱛᱨᱟᱭᱠᱮᱱᱟ, ᱚᱱᱟ ᱡᱩᱲᱟᱣ ᱠᱟᱱᱟ ᱾ ᱢᱤᱫ ᱣᱮᱵᱠᱮᱢ (webcam) ᱛᱮ ᱡᱟᱦᱟᱸ ᱦᱚᱲ ᱱᱚᱶᱟ ᱡᱚᱲᱟᱣ ᱚᱛᱟᱭ ᱛᱟᱭᱚᱢ ᱠᱟᱱᱟᱭ, ᱟᱭᱟᱜ ᱢᱩᱠᱷ ᱠᱷᱚᱫᱮᱭ ᱥᱮᱸᱛᱨᱟᱞ (central) ᱥᱠᱨᱤᱱ ᱨᱮ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ, ᱟᱨᱮ ᱮᱴᱟᱜ ᱥᱠᱨᱤᱱ ᱠᱚ ᱠᱷᱚᱫᱮᱭ ᱨᱮᱠᱚᱨᱰ ᱠᱟᱛᱟᱢ ᱠᱚᱞ ᱨᱮᱭᱟᱜ ᱦᱚᱲ ᱠᱚ ᱠᱟᱛᱷᱟ ᱩᱫᱩᱜ ᱟᱠᱟᱱᱟ ᱾ ᱟᱭᱢᱟᱠᱟᱛᱮ ᱡᱟᱠᱚᱛ ᱥᱠᱨᱤᱱ ᱵᱟᱨ ᱵᱟᱨ ᱚᱱᱟᱴᱮ ᱠᱟᱴᱟᱢ ᱡᱩᱫᱟᱭ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ, ᱛᱟᱭᱚᱢᱛᱮ ᱡᱟᱠᱚᱛ ᱥᱠᱨᱤᱱ ᱠᱚ ᱥᱟᱭᱫᱚᱢ ᱥᱟᱭᱫᱚᱢ ᱢᱤᱫ ᱡᱩᱲᱟᱣ ᱟᱠᱟᱛ ᱛᱟᱭᱚᱢ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱡᱚᱲᱟᱣ ᱱᱳᱰ ᱵᱮᱥᱰ (node based) ᱫᱮᱠᱷᱟᱣ ᱠᱚ ᱥᱚᱯᱴᱣᱮᱭᱟᱨ (software) ᱛᱮ ᱯᱨᱳᱜᱨᱟᱢ ᱟᱠᱟᱱᱟ ᱟᱨ ᱢᱤᱫ ᱞᱮᱯᱴᱚᱯ (laptop) ᱛᱮᱭ ᱪᱟᱞᱟᱣ ᱟᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Reconnect ᱰᱤᱡᱤᱴᱟᱞ ᱠᱞᱟ ᱵᱟᱵᱚᱛ ᱡᱚᱲᱟ�գ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Reconnect ᱰᱤᱡᱤᱴᱟᱞ ᱠᱞᱟ ᱵᱟᱵᱚᱛ ᱡᱚᱲᱟ�գ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- People have lived remotely but it’s getting back to normal life and they start to “reconnect” in the real world. This installation is composed of “virtual” interviews and multiple displays extended into “real” space.
Post-pandemic life won't look the same for everybody but you can see bright faces and positive words in this installation. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Width 1000mm x Depth 1000mm x Height 2000mm
LED stripes: WS2812B
LCD screens: SHARP 5.5inch / 7.9inch LCD screen
PC: Mouse computer Next GEAR NOTE i57
Software: Derivative TouchDesigner - ᱴᱮᱜ ᱠᱚ
- installation, art, contemporary, touchdesigner, contemporary art, video art, digital art
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This installation was programmed by TouchDesigner, which is a node based visual programming language for interactive contents.
And it is composed of LCD screens, LED stripes and almi-frames. Each screens are connected to video splitter with HDMI cables.
One laptop pc handle 12 video outputs and LED data and sound. - ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The most challenging point was how to output 12 zoom videos to LCD displays from one laptop PC.
I used 2 video splitters and programmed these videos were in-sync. At the first part, zoom calls are ongoing on each LCD screen, but gradually each screen compose one multi-display. - ᱜᱚᱵᱮᱥᱚᱱᱟ
- Communications have changed since COVID happened. We are separated physically but on the other hand, we were able to talk virtually through zoom calls. I tried to materialize this way of communication into the real world. I asked my friends to record our zoom calls and they willingly accepted to be a part of my installation. You can hear positive words in this experience.
- ᱯᱨᱮᱨᱚᱱᱟ
- People are using zoom call and we can see each other on screen. I tried to extend this situation into real space with LCD screens.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- This installation had been exhibited for a joint exhibition, "Public Visuals Exhibition" in Tokyo in October 2021 for two weeks.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- If you stand in front of this installation, your face is shown on center screen through webacam. And zoom calls are starting and people are shown on the other screen. Even if they are zoom calls but they are ongoing on actual screens, you will feel as if you talk to people in person.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Atsushi Kobayashi, All rights reserved
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Director : Atsushi Kobayashi
Creative Technologist : Atsushi Kobayashi - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Atsushi Kobayashi, All rights reserved
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