ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Qun Wen ᱨᱮᱱᱟᱜ City Art Hall Hidden in the Woods संस्कृतिक लेन-देन केंद्र

Qun Wen ᱨᱮᱱᱟᱜ City Art Hall Hidden in the Woods संस्कृतिक लेन-देन केंद्र ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2022

City Art Hall Hidden in the Woods संस्कृतिक लेन-देन केंद्र

Qun Wen ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Aoe

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#137114 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

City Art Hall Hidden in the Woods संस्कृतिक लेन-देन केंद्र ᱵᱟᱵᱚᱛ ᱛᱮ

नावा नावा रुपाक् आर्किटेक्चर रे' प्रदर्शनी, बाबोत् आलोचना, अगोम-आ-म आर खानापीन लागित् बाहुत रकमाक् जाग्गा मेनाक्-आ, जाहाँरे इटली आर चीना शैलीक् आकारको समकालीन आर्किटेक्चर रे' साकाम जोर देखाव मेनाक्-आ। AOE बारोयातो संस्कृतिक् ठेंग्गा जोर नेल् केदा, पूर्व आर पश्चिम रे' पासनाव आर एकताक् मान जोहार केदा।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

City Art Hall Hidden in the Woods संस्कृतिक लेन-देन केंद्र ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ City Art Hall Hidden in the Woods संस्कृतिक लेन-देन केंद्र ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The project is located about 36 kilometers from the center of Chengdu, planned to cover an area of 17,813.3 square meters, with a construction area of 2,106.7 square meters. At the platform of the exhibition hall, the creative group projects on the east side and the natural landscape of Yanqi Wetland are treats for visitors.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Site Area: 17814.6 sqm
Site Coverage: 8.4%
Gross Floor Area: 1695.8 sqm
Landscaping Ratio: 66%
Building Height: 13.55 m
ᱴᱮᱜ ᱠᱚ
landmark, culture, circular, exhibition, rome
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The use of pure white on all walls gives the building a different three-dimensional light effect in the sunlight, while the large area of glass extends the indoor space to the outside and allows the outdoor scenery to be fully mapped in, becoming a dynamic mural of the four seasons. With the change of wall materials, the designer creates the feeling of space that is both inside and outside, and the pavilion is thus perfectly integrated into the surrounding natural environment.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In addition, the introduction of multi-level outdoor greenery and the use of buoyant ventilation devices to channel airflow into the building organically combine the natural elements of light, scenery and wind, allowing people to perceive and coexist with the surrounding natural environment while they are in the building.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Chengdu, hailed as the land of abundance, has a civilization history of 4,500 years and a city construction history of 2,300 years. In the 13th century, Marco Polo came to Chengdu, and the Corridor Bridge, the Jinjiang River and the cloth of ancient Sichuan became the most colorful parts of his travelogue.
ᱯᱨᱮᱨᱚᱱᱟ
The architects hoped to find the intersection of the two in the cultural differences between the East and the West: the overall design concept was taken from the "Ruyi", which has been used in China since ancient times as a gift to foreign ambassadors to signify the conclusion of friendly relations and the peace of the two countries; while the Italian pavilion draws its design inspiration from Italy's most representative piazza, shaping an intimate and pleasantly scaled urban art living room.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
the planning of Chengdu Tianfu Cultural and Creative City came into being, and the Sino-Italian Cultural and Artistic Exchange Center is an important part of the City, aiming to build a platform for cultural exchange and civilization interchange between the two countries. The project is planned to cover an area of 26.72 mu, with a construction area of 2,106.7 square meters.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The harmony between architecture and nature lies in the use of natural resources as well as in the protection of the natural environment. The pavilions on both sides are designed with top lighting, so that the light is evenly diffused in the indoor and outdoor spaces.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
N/A
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Qun Wen, Ma Jianning, Fan Ruixue, Wang Ye, Chang Zhiyu, Pan Jichang, Li Xiangting, Lu Yu, Zhu Dan, Du Jing, Liu Jingyi, Xue Yawen, Liu Chen
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
image#1-5 Arch-Exist Photography

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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