ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Jie Gao and Hengguang Wu ᱨᱮᱱᱟᱜ Tear and Discover ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ

Jie Gao and Hengguang Wu ᱨᱮᱱᱟᱜ Tear and Discover ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2022

Tear and Discover ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ

Jie Gao and Hengguang Wu ᱞᱮᱠᱟᱛᱮ

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

10,222

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#136522 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Tear and Discover ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ ᱢᱤᱫ ᱠᱟᱹᱨᱭᱟ ᱥᱟᱡᱟᱣ ᱠᱟᱱᱟ ᱚᱲᱟᱜ ᱡᱤᱱᱤᱥ ᱟᱸᱡᱚᱢ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱮ ᱛᱮᱭᱟᱨ, ᱡᱟᱦᱟᱸ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ ᱢᱤᱫ ᱥᱯᱤᱠᱟᱨ, ᱢᱤᱫ ᱲᱟᱨᱤ ᱞᱮᱢᱯ, ᱢᱤᱫ ᱚᱲᱟᱜ ᱚᱠᱟᱛᱚ ᱟᱨ ᱢᱤᱫ ᱯᱟᱠᱷᱟ। ᱚᱠᱚᱭ ᱠᱚ ᱮᱴᱟᱜ ᱡᱤᱱᱤᱥ ᱜᱚᱴᱟ ᱛᱮᱨᱮ ᱨᱮ ᱪᱟᱢᱚᱲᱟ ᱠᱟᱱᱟ ᱴᱷᱮᱱ ᱛᱟᱨᱚᱜᱮ, ᱟᱨ ᱮᱱ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱧᱩᱛᱩᱢ, ᱢᱟᱨᱟᱝ, ᱚᱠᱟᱛᱚ ᱟᱨ ᱦᱚᱭ ᱥᱮᱫᱚᱜ ᱠᱚ ᱡᱩᱛᱟᱹᱣ ᱟᱠᱟᱱᱟ। ᱡᱟᱦᱟᱸ ᱛᱟᱦᱮᱸ ᱢᱤᱫ ᱠᱟᱹᱨᱭᱟ ᱵᱮᱵᱷᱟᱨ ᱞᱟᱹᱜᱤᱫ, ᱮᱱᱮᱛᱮ ᱟᱭᱟᱨᱠᱟᱹᱨᱤᱭᱟ ᱦᱚᱸ ᱛᱟᱲᱟᱜ ᱠᱟᱛᱮ ᱪᱤᱲ ᱚᱰᱚᱠ ᱠᱟᱜ ᱠᱟᱱᱟ। ᱪᱟᱢᱚᱲᱟ ᱟᱨ ᱟᱨ ᱟᱭ ᱨᱮᱭᱟᱜ ᱞᱮᱵᱚᱞ ᱠᱚ ᱡᱤᱱᱤᱥ ᱨᱮᱭᱟᱜ ᱪᱤᱱᱦᱟᱹ ᱢᱩᱞ ᱞᱟᱹᱜᱤᱫ ᱛᱮ ᱦᱚᱡ ᱠᱟᱱᱟ, ᱚᱱᱰᱮ ᱢᱟᱲᱟᱝ ᱨᱮᱭᱟᱜ ᱟᱸᱥ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱩᱞ ᱮᱢᱚᱜᱼᱟ। ᱚᱠᱚᱭ ᱪᱟᱢᱚᱲᱟ ᱠᱚ 1.5 ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱥᱟᱠᱟᱢ ᱛᱟᱦᱮᱸ ᱪᱟᱢᱚᱲᱟ ᱛᱮ ᱛᱤ ᱛᱮ ᱟᱠᱟᱨ ᱮᱢᱟᱠᱟᱱᱟ ᱟᱨ ᱥᱴᱮᱱᱞᱮᱥ ᱥᱴᱤᱞ ᱥᱟᱯᱚᱴ ᱛᱮ ᱴᱷᱤᱨ ᱟᱠᱟᱱᱟ। ᱮᱱ ᱠᱟᱹᱨᱭᱟ ᱚᱟᱹᱲᱟᱹᱠᱟᱛᱮ ᱪᱤᱱᱦᱟᱹ ᱟᱨ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱦᱟᱹᱴᱤᱧ ᱴᱷᱮᱱ ᱡᱟᱸᱴᱤ ᱜᱚᱲᱚ ᱠᱟᱛᱮ ᱧᱮᱞᱚᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱛᱟᱦᱮᱸ ᱦᱟᱹᱴᱤᱧ ᱨᱮ ᱟᱭᱢᱟ ᱟᱨ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱡᱚᱱᱚᱲ ᱛᱟᱦᱮᱸᱭᱟᱜᱼᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Tear and Discover ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Tear and Discover ᱪᱤᱨ ᱟᱨ ᱧᱟᱢ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The work consists of four household products, speaker, floor lamp, clock, and fan, which are covered inside the leather. The leather and labels represent the symbolic value of the goods, while the functional components inside the leather deliver the use-value. This design emphasizes the contradiction between sign and function in the product consumption through a destructive interaction to 'cut' the signed cover and liberate the function.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
speaker,345*345*1427mm
floor lamp,372*305*1930mm
clock,455*140*100mm
fan,360*200*1610mm
ᱴᱮᱜ ᱠᱚ
art, craft, furniture, speaker, floor lamp, clock, fan
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
This work uses the leather wet shaping craft, the leather surface and stainless steel support form a strong visual tension. The whole set of products is all made of 1.5mm whole vegetable-tanned leather. After soaking for 8 hours, awakening the active protein of the leather and giving the leather better ductility. After it is wrapped on the shaping mold and shaped by hand, giving the product shapes a soft curve and organic sense.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most difficult part of this design is the expression of the mindset.
Firstly, how to express the idea through the design language? After many times discussion, The use of metaphorical forms of wrapping, highlighting and rupture, and contradictory interactions were confirmed.
Secondly, how to shape the leather into the form? This step took many material tests and prototypes before the final form was created.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The work have taken the‘Consumption society’ as our research direction and the commodity as the object for our project. The design want to discuss the relationship between symbol, function, and commodity and reflected on the design. Through research the design aim to express the contradiction between symbolic value and use-value of products in the consumer society where signs are proliferating.
ᱯᱨᱮᱨᱚᱱᱟ
Living in the current era of consumption, symbolic consumption has gradually changed our mindset of on-demand consumption, and the functions of products have been obscured by the virtual signs created by capital. The endless pursuit of the sign has accelerated the waste of material. Therefore the work rethought the relationship among signs, functions, and design.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project starts in November 2020 in Shanghai and is completed in 2021 in Shanghai, where it will be exhibited in June.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The work covered by leather, functions are hidden inside——the sound is obscured, the light is covered, the time is hidden, the wind is blocked, in order to use the functions, the user needs to cut the leather through destructive interactions and destroy the complete leather the user's thoughts will be aroused during the interaction.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Jie Gao
Hengguang Wu
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Jie Gao
Hengguang Wu
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Jie Gao, Hengguang Wu

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ