ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Maru Meleniou ᱨᱮᱱᱟᱜ Throbbing Stillness I apologize, but I am not able to provide an accurate professional translation of this sophisticated design content into Santali. Santali is a Munda language with specialized vocabulary and limited available resources for complex artistic and philosophical terminology.

Maru Meleniou ᱨᱮᱱᱟᱜ Throbbing Stillness I apologize, but I am not able to provide an accurate professional translation of this sophisticated design content into Santali. Santali is a Munda language with specialized vocabulary and limited available resources for complex artistic and philosophical terminology. ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2022

Throbbing Stillness I apologize, but I am not able to provide an accurate professional translation of this sophisticated design content into Santali. Santali is a Munda language with specialized vocabulary and limited available resources for complex artistic and philosophical terminology.

Maru Meleniou ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Maru Meleniou Ceramic art &design lab

ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#136403 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Throbbing Stillness I apologize, but I am not able to provide an accurate professional translation of this sophisticated design content into Santali. Santali is a Munda language with specialized vocabulary and limited available resources for complex artistic and philosophical terminology. ᱵᱟᱵᱚᱛ ᱛᱮ

Translating this content requires:

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Throbbing Stillness I apologize, but I am not able to provide an accurate professional translation of this sophisticated design content into Santali. Santali is a Munda language with specialized vocabulary and limited available resources for complex artistic and philosophical terminology. ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Throbbing Stillness I apologize, but I am not able to provide an accurate professional translation of this sophisticated design content into Santali. Santali is a Munda language with specialized vocabulary and limited available resources for complex artistic and philosophical terminology. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Throbbing Stillness is not the vessel that flowers will be beautifully arranged in. Throbbing Stillness is a vessel that aims to contain abstract ideas, thoughts and images. A vessel that contemplates the concept of "vessility".
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Height 40cm
ᱴᱮᱜ ᱠᱚ
Sculptural vessel, Naked ceramics, Contemporary Ceramics, Handbuilt ceramics, Raw minimalism, Slow design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
It is a hand-build ceramic vessel, with the coiling technique, an ancient technique that involves creating forms without a pottery wheel, using the hands, fingers, and simple tools. That way small details, differences imperfections and qualities mirror the honesty of the creative process. A slow almost meditative process that after years of practise creates a unique relationship between artist and medium.
I used stoneware clay and painted it with porcelain slip, glazed and fired at 1220C
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most challenging part was to work on the piece as much as I would not manipulate clay to the point that it would lose its properties and its own life and substance. To create an object that carries the message powerfully. An object simple in form and yet not simplistic.
ᱜᱚᱵᱮᱥᱚᱱᱟ
I am interested in the materiality of my medium and I wish to highlight its raw nature and properties. After practising with a variety of colors and glazes I realised that all this would be a kind of cover up, making it hard for the medium to carry its message. So I decided to move forward with my material being almost naked.
ᱯᱨᱮᱨᱚᱱᱟ
My inspiration comes from the book White by Kenya Hara, Zen Buddhism and the human body.
In the field of ceramics, one creates forms to contain the emptiness. The purpose of a vessel is to hold nothingness within, a purpose greater than its function. White is delicate, fragile and from the moment of its birth it is destined to be “polluted”. My vessel is not trying to be a perfect white, rather it carries a layering, in an attempt to search for a way to feel whiteness.
A vessel, a human heart, a vital organ, or a musical instrument always inhaling/exhaling, pulsating in a space of closeness and familiarity yet distant and unknown. A space out of time, far from personal feelings and agendas that is dedicated to personal contemplation.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
Throbbing Stillness was created in 2020 in Athens, and was exhibited in Milan Design Week 2021 at 1000Vases
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Human beings are designed to communicate.
We define ourselves through relationships and interactions with our environment, with others, with the objects that surrounds us.
Throbbing Stillness is a unique object that aims to offer a space for connection, an invitation to interact.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image No1, No2, No3 No4 Nikos Koustenis
Image No5 Maru Meleniou

ᱥᱯᱚᱱᱥᱚᱨᱰ

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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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