Linlin Nie ᱨᱮᱱᱟᱜ Ethereal Baha Rin Poshak Sonkolon ᱫᱚ ᱯᱷᱮᱥᱚᱱ, ᱞᱤᱡᱟᱹ ᱟᱨ ᱵᱟᱥᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱯᱷᱮᱥᱚᱱ· 2022
Ethereal Baha Rin Poshak Sonkolon
Linlin Nie ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Linlin Nie
ᱯᱷᱮᱥᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#135760 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Ethereal Baha Rin Poshak Sonkolon ᱵᱟᱵᱚᱛ ᱛᱮ
Ethereal bakhra chinese ar paschim gadwa poshak parombra ge mishao doronaeko lena buar kua. Ne sonkolon do khotkhot pleat kapor, lelka silk, hilok tulle ar lace tayomte bebohao akana, jaha do jharao silhouette ar humbrao rong doho kua. Embroidery do parombra mandarin bhonga bebohao kua, jaha do dragon ar phoenix chinha sanam taben, jahako do noble ar bhal bhagya lena hatao kana. Arang ar Poyla rong, jaha do purbi ar paschim dishom rin sadharan rong kanae, barea ge bebohao lenae. Ne sonkolon do bahaenkin baria hormo, jaha ale nawa mandarin gadwa poshak sanam kana.
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Ethereal Baha Rin Poshak Sonkolon ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ethereal Baha Rin Poshak Sonkolon ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- This collection is named “Ethereal,” interpreted as a Sprite living in an Ethereal world. The concept of “Ethereal” explores the identity of modern Chinese women in Marriage culture as well through exaggerated silhouettes or unique fabric texture to represent a new image of women, which can be reborn, mysterious, strong, or charming. Through the recreation of traditional mandarin patterns, the totem of Dragon or Phoenix means nobility, magnificence, and auspicious.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Dress's size is suitable for USA size 8
Couture technic - ᱴᱮᱜ ᱠᱚ
- (Chinese bridal wear, Couture design, Embroidery design, Chinese patterns, Evening wear)
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- This collection combines complex fabrics with soft fabrics, using stiff pleated fabrics, soft silk, lightweight Tulle fabric, lace. These fabrics show the collection's silhouette and add feminine femininity to the details. Embroidery techniques add narrative to the collection, which continues traditional Eastern aesthetics to modern Western fashion.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- As a Chinese fashion designer, it is risky only to interpret Chinese culture in clothing as a Chinese designer because China has more than 5,000 years of class history related to clothing. Chinese clothing had strict regulations and restrictions in the long development history. The "unification of clothing" in developing an independent style distinguishes the Chinese fashion designer from others. I decided to interpret this "Ethereal" collection from a diversified global perspective. I was balancing the Chinese elements and western fashion culture in fashion design by combining the silhouette of the west dress with the pattern of the East, keeping the typical colors of the East and the West, white and red.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The design aims to fulfill the needs of brides for modern Mandarin wedding dresses. Although traditional Chinese brides are familiar with their red wedding dresses, many Chinese brides have begun to wear white wedding dresses nowadays. The westernization of Chinese bride's clothing is a result of the globalization in culture, art, and commerce. Nevertheless, the costumes of various countries embody national culture and history, and they also carry identity symbols of different nationalities. It is essential for Chinese to return to their tradition and explore traditional clothing for the future development of Mandarin clothing. Therefore, this series involves cultural exchange, global vision, national identity, and other aspects to explore the significance of wedding dress culture in the East and west.
- ᱯᱨᱮᱨᱚᱱᱟ
- The silhouette, elements, pattern, and fabrics in this collection were inspired by Dragons, which is an emotional concept in this collection. Dragon symbolizes imperial power, meaning "leading position" in Chinese tradition. The female images in this collection are described as independent, confident, leading their own lives through their cognition. Moreover, the aesthetic reflects the combination of history and modernity, east and West in fashion.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2021 in Savannah, USA, and October in 2021 in Savannah, USA, and was exhibited in Savannah in January 2022.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- This collection combines Eastern and Western wedding dress designs to meet the needs for Oriental weddings. This collection contains the cultural elements of The Mandarin wedding dress, such as the dragon, phoenix and red color. It is modernized by combining to the Western wedding dress. This collection can be placed into the market, which is story-packed and marketable.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Linlin Nie
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Linlin Nie, Ethereal, 2022.
Image #2: Linlin Nie, Ethereal, 2022.
Image #3: Linlin Nie, Ethereal, 2022.
Image #4: Linlin Nie, Ethereal, 2022.
Image #5: Linlin Nie, Ethereal, 2022.
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾