ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Amir Cherni ᱨᱮᱱᱟᱜ Ruelle ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ

Amir Cherni ᱨᱮᱱᱟᱜ Ruelle ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ ᱫᱚ ᱠᱚᱢᱯᱤᱩᱴᱟᱨ ᱜᱨᱟᱯᱷᱤᱠᱥ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱠᱚᱢᱯᱤᱩᱴᱟᱨ ᱜᱨᱟᱯᱷᱤᱠᱥ· 2022

Ruelle ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ

Amir Cherni ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Amir Cherni

ᱠᱚᱢᱯᱤᱩᱴᱟᱨ ᱜᱨᱟᱯᱷᱤᱠᱥ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

52,740

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#132948 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Ruelle ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ ᱵᱟᱵᱚᱛ ᱛᱮ

Ruelle ᱫᱚ ᱴᱩᱱᱤᱥ ᱨᱮᱱᱟᱜ ᱯᱩᱨᱟᱹᱱ ᱢᱮᱫᱤᱱᱟ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱜᱚᱞᱤ ᱨᱮᱱᱟᱜ ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ ᱠᱟᱱᱟ ᱾ ᱱᱚᱣᱟ ᱫᱴᱤᱥᱩᱢ ᱫᱚ ᱯᱩᱨᱟᱹᱱ ᱥᱚᱦᱚᱨ ᱴᱷᱟᱣ ᱨᱮᱱᱟᱜ ᱦᱟᱣᱟ ᱠᱩ ᱮᱴᱟᱜᱮᱴᱟᱜ ᱫᱚᱦᱚᱭ ᱞᱟᱹᱜᱤᱫ ᱛᱮᱭᱟᱨ ᱮᱱᱟ, ᱢᱤᱫ ᱥᱟᱹᱨᱤ ᱜᱚᱞᱤ ᱨᱮᱱᱟᱜ ᱧᱮᱞ ᱛᱮ ᱛᱮᱭᱟᱨ ᱮᱱᱟ ᱾ ᱡᱚᱛᱚ ᱢᱚᱰᱮᱞ ᱟᱨ ᱴᱮᱠᱥᱪᱚᱨ ᱠᱚ ᱫᱚ ᱥᱟᱹᱨᱤ ᱛᱟᱞᱟᱨᱮ ᱨᱮᱱᱟᱜ ᱥᱠᱮᱱ ᱛᱮ ᱛᱮᱭᱟᱨ ᱮᱱᱟ, ᱡᱟᱦᱟᱸ ᱠᱚ ᱫᱚ ᱛᱤ ᱛᱮ ᱢᱩᱞ ᱠᱷᱚᱱ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱾ ᱮᱴᱠᱮᱴᱠᱟ ᱟᱠᱟᱨ, ᱦᱮᱸᱪᱮ ᱟᱠᱟᱱ ᱢᱟᱞᱚᱭ ᱟᱨ ᱮᱢᱟᱱ ᱟᱠᱟᱱ ᱛᱟᱞᱟᱨ ᱠᱚ ᱫᱚ ᱢᱩᱬ ᱴᱮᱠᱱᱤᱠᱟᱞ ᱡᱚᱸᱡᱟᱹᱞ ᱛᱮᱭᱟᱨ ᱠᱮᱫᱟ ᱾ ᱡᱤᱭᱚᱢᱮᱴᱨᱤ ᱫᱚ ᱢᱤᱫ ᱯᱷᱤᱡᱤᱠᱟᱞᱤ ᱵᱮᱥᱰ ᱨᱮᱱᱰᱚᱨ ᱮᱸᱡᱤᱱ ᱛᱮ ᱦᱚᱸᱰ ᱟᱨ ᱨᱮᱱᱰᱚᱨ ᱮᱱᱟ, ᱟᱨ ᱴᱷᱤᱨ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱫᱚ 4K ᱨᱮᱡᱚᱞᱩᱥᱚᱱ ᱛᱮ ᱛᱮᱭᱟᱨ ᱮᱱᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Ruelle ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Ruelle ᱢᱩᱬ ᱠᱟᱹᱢᱤ: ᱯᱮ-ᱯᱟᱦᱴᱟᱣᱟᱬ ᱧᱮᱞ ᱚᱪᱚᱠ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
This 3D Scene was made as an attemp to capture the mood and the aura of the old Tunisian's downtown .
Based on a real alley reference ,textures and models were made manually from scratch using some real-life scanned surfaces. Randomness and decayed aspect of the majority of the 3d objects was really challenging and hard to do.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
all images were rendered at 4K with an average render time of 6h for each image.
ᱴᱮᱜ ᱠᱚ
3d work, corona renderer, visualization, 3dArt, Real3D,
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
This project was made using 3Ds Max to model all the scene's objects Wich were textures using 3D scans of real-life surfaces. corona renderer was the main used render engine to light up the whole geometry and render the 3D still images.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In our industry this 3D design fit in the categorie of "hard to reproduce reference because it contain a lot of random , non homogeneous shaders , shapes and colors.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The hardest technical challenge in this project was the texturing it wasn't easy to reproduce and paint manually all the textures variations based on real life references .
ᱯᱨᱮᱨᱚᱱᱟ
Before starting working on this 3D scene some "hard to reproduce reference "
were collected to be taken as starting point
to a challenging project something that was never done in the 3D visualization industry a reproduction of an old alley with all the decayed surfaces and dirty textures and objects. It was a challenging to myself, a way to explore my limits out of the comfort zone.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This Took me almost a month to finish from gathering the references to the finished renders.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
3D visualization refers to the process where graphical content is created using 3D software. Similar terms include 3D rendering, excellent computer-generated imagery (CGI), 3D graphics and so on. Over recent years 3d visualization has gained great popularity and evolved into one of the most essential methods to producing high-quality digital content. Numerous industries ranging from films, games, engineering, architecture, hospitals and manufacture are taking advantages of such a technology. In this case i used the 3Viz to reproduce the old alley in the old medina of Tunis
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Amir Cherni

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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