Kiyotoshi Mori and Natsuko Kawamura ᱨᱮᱱᱟᱜ Yatsugatake Villa ᱣᱤᱞᱟ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱠᱟᱥᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2022
Yatsugatake Villa ᱣᱤᱞᱟ
Kiyotoshi Mori and Natsuko Kawamura ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: MDS Co., Ltd.
ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#129187 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Yatsugatake Villa ᱣᱤᱞᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱭᱟᱴᱥᱩᱜᱟᱛᱟᱠᱮ ᱣᱤᱞᱟ ᱡᱟᱯᱟᱱ ᱨᱮᱱᱟᱜ ᱭᱟᱢᱟᱱᱟᱥᱤ ᱨᱮᱱᱟᱜ ᱦᱚᱠᱩᱛᱚ-ᱥᱤᱛᱤ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱨᱚᱵᱟᱝ ᱚᱠᱛᱚ ᱴᱷᱮᱱ ᱠᱚ ᱠᱟᱱᱟ। ᱟᱡ ᱠᱚᱣᱟᱜ ᱵᱮᱱᱟᱣ ᱯᱮ ᱴᱨᱟᱯᱤᱡᱚᱭᱰ ᱴᱭᱩᱵ ᱠᱚ ᱡᱷᱚᱠ ᱨᱩᱯ ᱨᱮ ᱫᱟᱲᱮ ᱠᱟᱱᱟ ᱟᱨ ᱫᱟᱠᱷᱤᱱ ᱴᱷᱮᱱ ᱠᱷᱩᱞᱟᱹ ᱠᱟᱱᱟ। ᱫᱟᱠᱷᱤᱱ ᱨᱮᱱᱟᱜ ᱯᱩᱭᱞᱩ ᱠᱷᱩᱞᱟᱹ ᱚᱠᱛᱚ ᱥᱮᱫᱟᱭ ᱚᱠᱛᱚ ᱨᱮ ᱥᱤᱝ ᱨᱟᱹᱥᱠᱟ ᱜᱮ ᱵᱟᱴᱟᱨ ᱨᱮ ᱫᱩᱠᱩ ᱦᱚᱪᱚᱭ ᱠᱟᱱᱟ, ᱚᱱᱰᱮ ᱡᱟᱯᱤᱫ ᱪᱟᱞᱟᱹ ᱚᱠᱛᱚ ᱟᱨ ᱠᱩᱲᱤ ᱨᱮᱱᱟᱜ ᱨᱮᱭᱟᱜ ᱟᱲᱟᱜ ᱠᱚ ᱟᱭᱢᱟ ᱡᱟᱯᱤᱫ ᱥᱤᱝ ᱠᱮ ᱟᱠᱟᱴ ᱮᱫᱟᱭ। ᱩᱛᱟᱨ ᱟᱨ ᱫᱟᱠᱷᱤᱱ ᱴᱷᱮᱱ ᱨᱮᱱᱟᱜ ᱡᱷᱤᱞᱤᱝ ᱠᱚ ᱫᱟᱲᱮ ᱨᱮ ᱦᱚᱭᱚ ᱠᱷᱚᱱ ᱪᱤᱠᱟᱹᱨ ᱮᱢ ᱮᱢᱟ। ᱡᱟᱯᱟᱱ ᱨᱮᱱᱟᱜ ᱛᱷᱟᱨᱤ ᱫᱟᱨᱩ ᱵᱮᱱᱟᱣ ᱨᱮᱭᱟᱜ ᱠᱟᱹᱢᱤ ᱵᱮᱵᱦᱟᱨ ᱟᱠᱟᱱᱟ, ᱥᱮᱫᱟᱨ ᱫᱟᱨᱩ, ᱯᱞᱟᱥᱴᱚᱨ ᱟᱨ ᱥᱚᱡᱤ ᱥᱠᱨᱤᱱ ᱥᱟᱶᱛᱮ। ᱵᱚᱸᱫ ᱟᱠᱟᱱ ᱥᱚᱡᱤ ᱥᱠᱨᱤᱱ ᱫᱚ ᱫᱷᱟᱛᱤᱡ ᱨᱟᱹᱥᱠᱟ ᱮᱢᱟᱭ, ᱟᱨ ᱠᱷᱩᱞᱟᱹ ᱟᱠᱟᱱ ᱥᱠᱨᱤᱱ ᱠᱚ ᱚᱠᱟ ᱥᱟᱶᱨᱮᱱ ᱵᱩᱨᱩ ᱥᱟᱦᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱮᱢᱟ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Yatsugatake Villa ᱣᱤᱞᱟ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Yatsugatake Villa ᱣᱤᱞᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm - ᱴᱮᱜ ᱠᱚ
- Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
- ᱯᱨᱮᱨᱚᱱᱟ
- With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project was completed in Hokuto-City, Yamanashi, Japan in 2012
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Kiyotoshi Mori
Natsuko Kawamura - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photography: Toshiyuki Yano
ᱥᱯᱚᱱᱥᱚᱨᱰ
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