Supernova Art Embassy ᱨᱮᱱᱟᱜ Embrace Site Specific Mural ᱫᱚ ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ· 2021
Embrace Site Specific Mural
Supernova Art Embassy ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Memorandum Project
ᱞᱟᱞᱤᱛ ᱠᱟᱞᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#121349 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Embrace Site Specific Mural ᱵᱟᱵᱚᱛ ᱛᱮ
ᱮᱢᱵᱨᱮᱥ ᱠᱟᱱᱟ ᱢᱤᱥᱴᱮᱨᱞᱤᱛᱟᱢᱟᱠ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱚᱲᱟᱜ ᱮᱛᱦᱚᱵ ᱨᱮ ᱪᱤᱛᱟᱨ ᱮᱱᱟ ᱢᱤᱫ ᱴᱷᱟᱹᱶᱠᱟ ᱨᱮᱭᱟᱜ ᱢᱩᱨᱟᱞ ᱪᱤᱛᱟᱨ ᱠᱟᱢᱤ ᱾ ᱱᱚᱶᱟ ᱢᱩᱨᱟᱞ ᱭ ᱢᱤᱴᱟᱨ ᱩᱥᱦᱟᱲ ᱟᱨ ᱑᱕ ᱢᱤᱴᱟᱨ ᱚᱱᱚᱞ, ᱪᱤᱛᱟᱨ ᱴᱷᱟᱹᱶᱠᱟ ᱣᱟᱲᱟᱛ ᱐᱐᱕ ᱪᱚᱠᱚᱨ ᱢᱤᱴᱟᱨ ᱠᱟᱱᱟ ᱾ ᱮᱛᱦᱚᱵ ᱪᱤᱛᱟᱨ ᱟᱨ ᱪᱤᱛᱟᱨ ᱨᱳᱞᱟᱨ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ, ᱟᱨ ᱮᱛᱦᱚᱵ ᱞᱤᱯᱷᱴ ᱵᱟᱲᱛᱤᱭᱮᱱ ᱡᱟᱭᱜᱟ ᱨᱮ ᱪᱤᱛᱟᱨ ᱠᱟᱢᱤ ᱠᱚ ᱟᱠᱟᱱ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱟᱞᱟ ᱠᱟᱢᱤ ᱠᱚ ᱯᱮ ᱦᱟᱴᱟ ᱛᱟᱦᱮᱸ ᱞᱮᱱᱟ ᱾ ᱪᱤᱛᱟᱨ ᱨᱮ ᱩᱫᱩᱜ ᱠᱟᱛᱷᱟ ᱫᱚ ᱚᱠᱟ ᱢᱤᱫ ᱑᱗᱐ ᱴᱷᱚ ᱥᱴᱮᱨᱞᱤᱛᱟᱢᱟᱠ ᱯᱟᱭᱫᱚᱲ ᱫᱚᱞ ᱨᱮᱭᱟᱜ ᱥᱤᱯᱟᱦᱤ ᱠᱩᱲᱤ ᱯᱟᱠᱷᱟ ᱟᱨᱟ ᱨᱮᱭᱟᱜ ᱠᱟᱛᱷᱟ ᱛᱟᱦᱮᱸ ᱟ, ᱡᱟᱦᱟᱸ ᱪᱟᱸᱫᱤ ᱨᱮᱭᱟᱜ ᱯᱚᱠᱮᱴ ᱚᱲᱟᱜ ᱥᱟᱶ ᱢᱤᱫ ᱥᱚᱫᱟᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱮᱱᱟ ᱟᱨ ᱩᱪᱟᱲᱟᱱ ᱠᱟᱱᱟ ᱡᱮ ᱴᱷᱚ ᱪᱟᱸᱫᱤ ᱟᱨᱟ ᱥᱟᱶ ᱦᱤᱡᱩᱜ ᱠᱟᱱᱟ ᱾ ᱟᱭᱮᱜᱟᱜ ᱦᱟᱲᱟᱢ ᱟᱨ ᱚᱠᱟ ᱴᱷᱚ ᱪᱟᱸᱫᱤ ᱑᱕ ᱨᱮ ᱺ ᱨᱮ ᱮᱴᱟᱜ ᱟᱠᱟᱱᱟ ᱟᱨ ᱟᱭᱮᱜᱟᱜ ᱦᱤᱸ ᱛᱟᱸᱦᱮᱸ ᱚᱲᱟᱜ ᱛᱮ ᱟᱹᱱᱴᱟᱭ ᱮᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Embrace Site Specific Mural ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Embrace Site Specific Mural ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The word "memorandum" is translated from Latin as "something you have to memorize", that is why the Memorandum project is dedicated to complex contexts and topics.
Coming home is always an exciting event. That is why the Sterlitamak stage of the project was called "Coming home". It included several emotional aspects of this concept. It was reflected in the approach of Lidiia Averina, the curator, and in the plots of all participants. This project is her personal comeback to her hometown. - ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- Height 27 m, width 15 m, total artistic painting square 405 sq.m
- ᱴᱮᱜ ᱠᱚ
- mural art, spray art, public art, fine arts, storytelling, embrace, heritage, memory
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Some activists took great care of their ancestors memories and the works which may appear basing on historical data and archive photographs. There were different attempts to influence the curator and the artist work. However, the compromise was reached quite quickly and the work turned to constructive direction. The artistic part of the work was done by facade paints and paint rollers. For work at a height, facade lifts (scaffolds) were used.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- 4 locations were selected, each of them having common connection with historical old town (although none of the buildings selected was a historically original building). They were different in meanings and the way they belong. Connection with "coming back" had been found immediately and we also had artists sharing common values. That was particularly important for their harmony.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Memory of the place is an eclectic mixture of emotions; it is impossible to catch a sole scent. There are pure facts, personal stories, critics, and embellishment. Interpretations multiply and fragment. This is the reason why we want to show our perception among many others.
Andreys work finely reflects the location context with lost wooden buildings as well as the irony on current town situation with chaotic architectural add-ons (tiny business centers) which try to squeeze into any available space and corners. - ᱯᱨᱮᱨᱚᱱᱟ
- The works plot is based in the story of a soldier from 170th Sterlitamak infantry division: in May, 1941, the storys main character wanted to leave his silver pocket watch to his wife. However, his wife said: "You leave with this watch and youll come back with this watch!"
In 2015, during the expedition his remains and personal belongings were found. After 74 years he came home with the watch, as promised, and his 97 years old wife met him. - ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The work is dedicated to 75th anniversary of the Great Victory, therefore it must have been finished in 2020 before rainy autumn weather.
There were repair works on the building facades, so the whole project implementation period was 1.5 months. The artistic work implementation took 3 weeks. - ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Now there is one of the main streets of town which connects an old town with new districts, therefore there are always a lot of students and pedestrians on the street. The works are on a high altitude and are well visible.
It is also important that the headquarters of 170th Sterlitamak infantry division was located nearby and here there was a path which was taken by the soldiers leaving to the railway station to go to the frontline. Where new standard buildings stand now, there were wooden houses and buildings. - ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyright belongs to Andrey Olenev and Dmitry Kudinov, 2020
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Curator: Lidiia Averina
Artist: Andrey Olenev
Support: Dmitry Kudinov, Alexey Agafonov, Ludmila Averina - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer – Dmitry Kudinov, Embrace #1, 2020.
Image #2: Photographer – Dmitry Kudinov, Embrace #2, 2020.
Image #3: Photographer – Dmitry Kudinov, Embrace #3, 2020.
Image #4: Photographer – Dmitry Kudinov, Embrace #4, 2020.
Image #5: Photographer – Dmitry Kudinov, Embrace #5, 2020.
Video Credits: Dmitry Kudinov, Hyperlapse, Embrace and Shihans from bird’s-eye perspective, 2020.
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