Chou Lien - YI.ng Lighting Design ᱨᱮᱱᱟᱜ Light Up 13 Layer Remains ᱵᱟᱸᱰᱨᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱥᱟᱝᱥᱠᱨᱤᱛᱤᱠ ᱵᱤᱨᱫᱟᱜᱟᱞᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱥᱟᱝᱥᱠᱨᱤᱛᱤᱠ ᱵᱤᱨᱫᱟᱜᱟᱞᱤ· 2021
Light Up 13 Layer Remains ᱵᱟᱸᱰᱨᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱰᱤᱡᱟᱭᱤᱱ
Chou Lien - YI.ng Lighting Design ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Taiwan Power Company
ᱥᱟᱝᱥᱠᱨᱤᱛᱤᱠ ᱵᱤᱨᱫᱟᱜᱟᱞᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#118969 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Light Up 13 Layer Remains ᱵᱟᱸᱰᱨᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱞᱟᱭᱶᱠ ᱟᱯ 13 ᱞᱮᱭᱟᱨ ᱨᱤᱢᱮᱱᱥ ᱢᱮᱱᱟᱜᱼᱟ ᱚᱠᱚᱭ ᱡᱟᱨᱦᱚᱛ ᱴᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱮᱴᱟᱜ ᱡᱟᱭᱜᱟᱛᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱛᱟᱢᱵᱟ ᱨᱤᱯᱷᱟᱭᱤᱱᱨᱤ (copper refinery) ᱞᱟᱹᱜᱤᱫ ᱢᱤᱫ ᱡᱚᱱᱚᱛᱟᱲ ᱟᱨᱴ ᱞᱟᱭᱶᱠᱤᱝ ᱯᱨᱚᱡᱮᱠᱴ ᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱠᱷᱚᱸᱰᱟ ᱡᱟᱭᱜᱟ ᱴᱚ 1973 ᱨᱮ ᱵᱚᱸᱫ ᱠᱟᱱᱟ ᱠᱟᱱᱟ, ᱟᱨ ᱟᱨ ᱟᱭᱢᱟ ᱢᱩᱞ ᱴᱷᱮᱱ ᱠᱚ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱚᱠᱟ ᱦᱚᱸ ᱵᱟᱝ ᱵᱚᱫᱚᱞ ᱠᱟᱱᱟ ᱾ ᱚᱠᱟ ᱠᱟᱴᱷᱟᱢᱚ ᱨᱮᱭᱟᱜ ᱵᱟᱦᱨᱮ ᱴᱷᱮᱱ ᱞᱮᱠᱟᱛᱮ ᱦᱩᱭᱩᱜ-ᱟᱹ ᱠᱟᱛᱮ, 2100K ᱠᱟᱞᱟᱨ ᱴᱮᱢᱯᱟᱨᱮᱪᱟᱨ ᱵᱟᱪᱷᱟᱣ ᱠᱟᱱᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱨᱮᱭᱟᱜ ᱮᱢᱵᱟᱨ ᱨᱚᱸᱲ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱛᱮ ᱨᱤᱯᱷᱟᱭᱤᱱᱤᱝ ᱚᱠᱛᱚ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱ ᱥᱮᱱᱚᱜ ᱟᱨ ᱡᱟᱲ ᱛᱟᱦᱮᱸ ᱮᱢ ᱠᱟᱛᱮ-ᱟᱹ ᱾ ᱡᱚᱛᱚ ᱞᱮᱭᱟᱨ ᱛᱮᱭᱟᱨ ᱴᱮᱴᱟᱜ ᱨᱮ ᱞᱩᱢᱤᱱᱮᱱᱥ (luminance) ᱵᱟᱰᱟᱭᱚᱜᱼᱟ, ᱛᱟᱲᱟᱨ ᱠᱷᱚᱱ 1 ᱱᱤᱴ ᱠᱷᱚᱱ ᱪᱮᱛᱟᱱ ᱞᱮᱭᱟᱨ ᱨᱮ 6 ᱱᱤᱴ ᱚᱲᱟᱜ ᱚᱠᱛᱚ, ᱟᱨ ᱮᱱᱟ ᱠᱟᱛᱮ ᱡᱚᱛᱚ ᱞᱮᱭᱟᱨ ᱠᱚ ᱯᱷᱟᱨᱠᱷᱟᱛ ᱛᱮ ᱧᱮᱞᱚᱜᱼᱟ ᱾ ᱦᱮᱴᱟᱜ ᱜᱟᱱ ᱦᱟᱹᱨᱤᱭᱟᱹ ᱫᱟᱲᱮᱠᱟᱛᱮ ᱴᱚ 3000K ᱛᱮ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱮᱢ ᱟᱠᱟᱱᱟ ᱾ ᱦᱟᱹᱭᱚᱢ ᱴᱮ 15 ᱠᱷᱚᱸ ᱮᱸᱜᱚᱞ ᱟᱨ ᱣᱟᱴ (wattage) ᱨᱮ 365 ᱞᱩᱢᱤᱱᱮᱭᱚᱨ (luminaire) ᱟᱹᱰᱤ ᱠᱟᱱᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Light Up 13 Layer Remains ᱵᱟᱸᱰᱨᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Light Up 13 Layer Remains ᱵᱟᱸᱰᱨᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱛᱟᱣ ᱨᱮᱭᱟᱜ ᱡᱤᱞᱤᱭᱟᱹᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
- ᱴᱮᱜ ᱠᱚ
- Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
- ᱯᱨᱮᱨᱚᱱᱟ
- The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- "Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Taiwan Power Company Public Art
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha - ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Photographer: Yu Chen Cha
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