ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Toshio Tsushima ᱨᱮᱱᱟᱜ Memories of Water ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ

Toshio Tsushima ᱨᱮᱱᱟᱜ Memories of Water ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ ᱫᱚ ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ, ᱤᱢᱟᱨᱚᱛ ᱟᱨ ᱜᱟᱲᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2021 A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱥᱳᱱᱟᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ· 2021

Memories of Water ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ

Toshio Tsushima ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: China Resources Land Limited

ᱟᱨᱠᱤᱴᱮᱠᱪᱟᱨ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Memories of Water ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱢᱮᱢᱚᱨᱤᱡᱽ ᱚᱯᱷ ᱣᱟᱴᱚᱨ ᱫᱚ ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱪᱤᱸᱜᱫᱟᱣ ᱨᱮ ᱫᱚᱨᱭᱟ ᱟᱲᱮ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫᱴᱟᱝ ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱚᱲᱟᱜ ᱫᱚ ᱱᱟᱜᱟᱨ ᱡᱟᱭᱜᱟ ᱨᱮ ᱛᱟᱦᱮᱸᱠᱟᱛᱮ ᱫᱚᱨᱭᱟ ᱨᱮᱱᱟᱜ ᱯᱩᱨᱟᱹ ᱧᱮᱞ ᱮᱢᱟᱜᱼᱟ᱾ ᱢᱟᱲᱟᱝ ᱛᱟᱞᱟ ᱨᱮ ᱥᱴᱤᱞ ᱯᱷᱤᱱ ᱥᱟᱶᱛᱮ ᱠᱚᱨᱴᱮᱱ ᱣᱟᱞ ᱥᱤᱥᱴᱚᱢ ᱵᱮᱵᱷᱟᱨᱚᱜ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱹᱢᱤ ᱠᱚᱢ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱫᱚᱥᱟᱨ ᱛᱟᱞᱟ ᱨᱮ ᱯᱷᱤᱱ ᱟᱨ ᱯᱷᱨᱮᱢ ᱵᱮᱜᱚᱨ ᱟᱹᱰᱤ ᱛᱮᱲᱟᱜ ᱧᱮᱞᱚᱜ ᱠᱟᱹᱪ ᱞᱟᱜᱟᱣ ᱟᱠᱟᱱᱟᱸ, ᱚᱱᱟᱛᱮ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱟᱨ ᱵᱟᱦᱨᱮ ᱡᱟᱭᱜᱟ ᱛᱟᱞᱟᱨᱮ ᱥᱤᱢᱟᱹ ᱠᱚᱢᱚᱜ ᱠᱟᱱᱟ᱾ ᱠᱟᱱᱴᱤᱞᱤᱵᱷᱚᱨ ᱛᱮᱭᱟᱨ ᱠᱟᱹᱢᱤ ᱛᱮ ᱚᱲᱟᱜ ᱫᱚ ᱦᱚᱭ ᱨᱮ ᱟᱴᱠᱟᱨ ᱞᱮᱠᱟ ᱧᱮᱞᱚᱜᱼᱟ᱾ ᱚᱲᱟᱜ ᱪᱟᱨᱦᱚᱸᱯ ᱨᱮ ᱫᱟᱜ ᱨᱮᱱᱟᱜ ᱧᱮᱞ ᱡᱚᱥ ᱢᱮᱱᱟᱜᱼᱟ, ᱡᱟᱦᱟᱸ ᱛᱮ ᱱᱟᱜᱟᱨ ᱠᱷᱚᱱ ᱫᱷᱟᱨᱛᱤ ᱧᱮᱞᱡᱚᱥ ᱥᱮᱫ ᱥᱮᱱᱚᱜ ᱫᱚ ᱟᱞᱜᱟᱣᱚᱜ ᱠᱟᱱᱟ᱾ ᱡᱚᱛᱚ ᱛᱮᱭᱟᱨ ᱡᱟᱭᱜᱟ ᱫᱚ ᱑᱘᱐᱐ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Memories of Water ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ ᱫᱚ A' Design Award ᱥᱳᱱᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Memories of Water ᱩᱫᱩᱜᱽ ᱥᱚᱫᱚᱨ ᱜᱮᱞᱟᱨᱤ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
With the prime location of the site, which situates by the shoreline in Qingdao, China, the design is to create a relationship between natural environment and the architectural space. With the advantage of the site location, the architecture provides a space for visitors to enjoy the dramatic and panoramic view of the ocean, meanwhile experience nature within the urban area.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Gross build area: 1800 sqm
ᱴᱮᱜ ᱠᱚ
Architecture, Exhibition gallery, Civic
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The building uses curtain wall system and steel fins on the first floor to minimize the structure as well as to offer panoramic view with minimal visual disruption. On the second floor, the ultra-transparent glass is installed without any fins or frames to show no boundary between indoor and outdoor space. Cantilever structure is used for a dramatic floating effect.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The most difficult part of the design is to figure out how to create communication between people, nature, and the architectural space not only visually, but also aurally, tactilely, and through the other senses of body.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Given the fact that the site is the last available waterfront site in Qingdao, the uniqueness of the site and the surrounding environment were taken into consideration. Wind flow and the minerals in the air (which contains quite amount of sodium) were also well researched as these conditions would affect the design of the building and the material choices.
ᱯᱨᱮᱨᱚᱱᱟ
The inspiration came from the beautiful ocean view in the urban city of Qingdao. The designers utilized the scene and water to create a dialogue between humans and the architectural space, and unites nature and architecture as one.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in July 2019, and finished in May 2020 in Qingdao, China.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Having water landscape, with the motion of waves and reflection, around the building allows a smooth transition between the outdoor and the indoor, as well as from the urban area to the nature.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Toshio Tsushima
Xiaoru Hua
Dariusz Tadeusz Sosinka
Shangjie Jin
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1:Photographer Hui Zhang, 2020
Image #2:Photographer Hui Zhang, 2020
Image #3:Photographer Schranimage, 2021
Image #4:Photographer Schranimage, 2021
Image #5:Photographer Schranimage, 2021
Video Credits: Hui Zhang, 2020

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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