ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Na An ᱨᱮᱱᱟᱜ Breath ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ

Na An ᱨᱮᱱᱟᱜ Breath ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ ᱫᱚ ᱜᱨᱟᱯᱷᱤᱠᱥ, ᱪᱤᱛᱨᱟᱝᱠᱚᱱ ᱟᱨ ᱫᱤᱥᱚᱢ ᱡᱚᱦᱟᱨ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱜᱨᱟᱯᱷᱤᱠ· 2020

Breath ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ

Na An ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Luxun Academy Of Fine Arts

ᱜᱨᱟᱯᱷᱤᱠ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#103564 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Breath ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱥᱟᱶ (Breath) ᱢᱮᱱᱠᱷᱟᱱ ᱢᱤᱭᱟᱫ ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ COVID-19 ᱢᱦᱟᱢᱟᱨᱤ ᱚᱠᱛᱚ ᱨᱮ ᱦᱚᱲ ᱠᱚ ᱨᱮᱭᱟᱜ ᱥᱟᱹᱥᱛᱤ ᱥᱮᱛᱮᱨ ᱵᱟᱵᱚᱛ ᱡᱟᱹᱜᱟᱨ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ। ᱱᱚᱸᱠᱟ ᱯᱚᱥᱴᱚᱨ ᱠᱚ ᱨᱮ ᱯᱚᱡᱤᱴᱤᱶ ᱟᱨ ᱱᱮᱜᱮᱴᱤᱶ ᱟᱠᱟᱨ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ, ᱵᱟᱭ ᱚᱠᱟ ᱞᱟᱦᱟ ᱨᱮᱭᱟᱜ ᱞᱚᱛᱚᱨ ᱥᱟᱭᱰ ᱯᱨᱚᱯᱟᱭᱤᱞ ᱠᱟᱨᱶᱟ ᱢᱚᱥᱠ ᱨᱮᱭᱟᱜ ᱠᱤᱱᱟᱹᱨ ᱥᱟᱶ ᱡᱩᱲᱟᱹᱣ ᱟᱠᱟᱱᱟ। ᱟᱪᱩᱨ ᱨᱮᱭᱟᱜ ᱚᱠᱟᱨ ᱠᱚ ᱥᱟᱶ ᱟᱨ ᱨᱚᱲᱟᱹ ᱥᱟᱶ ᱨᱮᱭᱟᱜ ᱡᱩᱲᱟᱹᱣ ᱨᱮ ᱢᱤᱫ ᱛᱮᱦᱮᱸᱡ ᱥᱚᱢᱵᱚᱱᱫᱷᱚ ᱫᱮᱠᱷᱟᱣ ᱟᱠᱟᱱᱟ। ᱟᱨᱦᱚᱸ ᱟᱭᱢᱟ ᱟᱨᱠᱟᱱ ᱠᱟᱦᱱᱤ ᱠᱚ ᱡᱮᱢᱚᱱ ᱚᱠᱟ, ᱥᱚᱦᱚᱨ, ᱡᱤᱭᱚᱸ ᱟᱨ ᱡᱤᱭᱚᱸ ᱨᱮᱭᱟᱜ ᱫᱷᱚᱲᱚᱠ ᱱᱚᱶᱟ ᱵᱤᱥᱚᱭ ᱠᱚ ᱡᱚᱛᱚ ᱟᱨ ᱮᱠᱛᱟ ᱛᱟᱦᱮᱸᱱ ᱨᱮᱭᱟᱜ ᱟᱲᱟᱝ ᱛᱮ ᱵᱟᱰᱟᱭ ᱟᱠᱟᱱᱟ। ᱜᱨᱟᱯᱷᱤᱠᱥ ᱠᱚ ᱛᱤ ᱛᱮ ᱪᱤᱛᱟᱹᱨ ᱟᱠᱟᱱᱟ ᱟᱨ ᱤᱢᱮᱡ ᱮᱰᱤᱴᱤᱝ ᱥᱚᱯᱴᱣᱮᱭᱟᱨ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ। ᱡᱟᱠᱟᱛ ᱯᱚᱥᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱢᱟᱯ 700 ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱟᱨ 1000 ᱢᱤᱞᱤᱢᱤᱴᱚᱨ ᱠᱟᱱᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Breath ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Breath ᱯᱚᱥᱴᱚᱨ ᱥᱤᱨᱤᱡ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The posters mainly use the method of positive and negative shapes in the graphic design, combine the side face of person with the edge of masks, it suggests a symbiotic relationship between breathing and masks. The main figure is combined with graphic elements such as people, sky, city, heart and heartbeat, from three levels of symbiosis, the sky, with one heart, it causes people to think about relationship among prevention, confidence, community, unity.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
700 mm x 1000 mm.
The posters are now used on Web pages, WeChat and Apps, will be used in print media, magazines, digital media and Motion Graphics in the future.
ᱴᱮᱜ ᱠᱚ
Mask, person, side face, symbiosis, sky, heart, positive and negative shape
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The works used hand-drawn graphics, and were designed and produced by Adobe Photoshop software.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
How to use graphics, a borderless language, to enhance people's confidence and courage, and use scientific methods against the virus. Masks, face, buildings, city, heart, heartbeat and so on, the combination of the shapes makes people think about the community for mankind and the importance of trust and unity from the perspective of history and society.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Research Objectives: Called on people to protect themselves scientifically, have conviction in winning the battle against COVID-19, and make continuous efforts in fighting the epidemic. Methodology: Use positive and negative shapes and combination of gradient in graphic design.
ᱯᱨᱮᱨᱚᱱᱟ
The epidemic of COVID 19 inspired me to design a series of posters, the inspiration comes from masks and faces, Masks are the most effective and convenient way to prevent the spread of the virus. Now, the world has become such a indivisible community for mankind. We breathe together and share the same fate. We are confident that with the concerted efforts of the global community, fight against COVID 19, publicize epidemic prevention knowledge, and advocate the harmonious symbiosis between man and man.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in February 2020 in China, and has been exhibited in three exhibitions of public service advertising contest, from February 2020 to today.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This series of posters can be expanded in different Spaces. On two-dimensional, they can extend to a book or a logo by adding content, such as pictures and information that people united in their fight against viruses. In three dimensions, through the use of materials, they can be transformed into interactive three-dimensional posters or installation art. In realm of time, they can be designed as motion graphic.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ

ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ

ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ