Umushinga Chair of Soul Intebe wa Wen Jenq Cherng ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

BuronzeImitako· 2020

Chair of Soul Intebe

na Wen Jenq Cherng

Umukiriya: Cherng's Work

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imitako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #91651

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Chair of Soul Intebe

Chair of Soul ni intebe yateguwe kugira ngo ishyigikire umubiri mu mwimerere wo kuruhuka ariko wemye neza. Uburebure bw'aho wicara, umugongo ku ruhande rw'ukiboko hamwe n'ahashyirwa amaboko bifata uburemere bw'igice cyo hejuru cy'umubiri. Umugongo wagoramye buhoro ukurikira imiterere y'umubiri kandi ugabanya umunaniro mu mabega, mu ijosi, ku ruhande rw'ukiboko no mu ngingo. Ubwubatsi bw'imyanya ya kera y'ubwami bwa Ming buratanga urugero rw'ibipimo byoroshye. Igiti cya Ebony giturutse Sulawesi ni cyo kigize inyubako y'ibanze, gihuzwa n'amaguru y'umuyoboro wa Copper hamwe n'icyicaro cy'uruhu rwa Nappa rw'umukara w'umuhondo. Imikorere y'ubwubatsi ya mortise na tenon ihuza ibice, naho inyubako igoramye ihuza amaguru n'icyicaro.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Chair of Soul Intebe ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Chair of Soul Intebe biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Chair of Soul Intebe ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Chair of Soul is my entry point of use as a starting point for design thinking. Since I have long been practicing meditation for destressing and calming my body and mind, I am hoping the design of the chair could reflect a completely relaxed condition for the body. Overall design is thereby focused on its function, where the user would sit upright on the chair and his or her upper-body weight be perfectly supported through the height of the chair, the backrest at the waist, and the armrests.
Ibipimo n'Ipaki: When producing a hereditary chair, what is more important than ensuring its functions is finding ways to incorporate visual aesthetics. I am using Chinese traditional Ming Dynasty style furniture as my blueprint, borrowing its elegant and simple exterior design and principles on proportion. And through enhancement of overall structural system, a unique arc structure is used as the support that connects the legs and the seat of the chair.
Ibibazo Fatizo: Product, Chair, Health, Oriental, Furniture
Ikoranabuhanga ryo Guteza Imbere: The curvature of the slightly bulging backrest embraces the body; this waist-supporting chair design offers supports for the human body, so that tensions around user’s shoulders, neck, waist, and limbs would all be relieved–user would be welcomed with a comforting sensation similar to a hug.
Ikibazo cy'Ishusho: Pairing the material with the metallic copper tube of the legs and the purple cow Nappa leather seat, harmony, elegance, stability, and sustainability are incorporated altogether to bring forth a chair that user could converse with, the chair I dub – Chair of Soul.
Ubushakashatsi: A chair that is aimed to improve the users health would need to value the choice of material as equally important as the design that would fit precisely to human body proportions. I have especially chosen the ebony produced in Sulawesi, Indonesia as the chair’s main structure element; its fine material and deep-black colored lines flawlessly interpret the sophistication that the chair should exhibit.
Ibyatumye Habaho: We have always had different thoughts in regards to chairs. This piece of furniture with a long history of evolution has always been deemed irreplaceable in home interior. How should a classic chair, which one hopes to pass down for generations and stay eternally quintessential, be presented?
Igihe cy'Umushinga: The project started in December 2016 and finished in December 2018.
Uburyo bw'Imikorere: The design is further complemented by the mortice and tenon joint as the reinforcing linkage between parts, bringing betterment to the complex composition found in old-fashioned traditional furniture. In addition to strengthening the chair’s mechanics system, a simplistic and spiritual appearance is thereby created for the chair.
Abagize Itsinda: Designer: Wen-Jenq Cherng