El_Masnad Umukeka wo Kwicaraho Hasi na Sana Alabdulwahed

Umushinga El_Masnad Umukeka wo Kwicaraho Hasi wa Sana Alabdulwahed ni uwatsinze igihembo cyubahwa cyane 2016 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

IfezaImitako· 2016

El_Masnad Umukeka wo Kwicaraho Hasi

na Sana Alabdulwahed

Umukiriya: Sana Alabdulwahed

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imitako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #47459

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye El_Masnad Umukeka wo Kwicaraho Hasi

El_Masnad ni umukeka wo kwicaraho hasi wagenewe ibyumba byo kwakirwamo abashyitsi. Igishushanyo gifata umukono w'ukuboko, aho hantu hakuru mu ngoro za kera zo mu Buwarabiya Sawudite, kikawukoresha nk'ikintu nyamukuru cy'igikoresho cyo kwicaraho, mu gihe ibindi bice byose by'intebe isanzwe bikuweho. El_Masnad igumana abakoresha bafite ubunini bumwe hafi y'ubutaka, bityo kwicara bikaba byumvikana nk'umukino kandi bikoreshwa mu buryo bworoshye. Ibice ntabwo bifite icyerekezo gihamye kandi birashobora guhuzwa mu buryo bwinshi butandukanye. Umutima wa fome ushushanywa hifashishijwe uburyo bwa "five-axis hot wire milling" hanyuma ugapfundikirwa mu mwenda w'ubwoya bwaboshywe, nk'umukeka wizingiye.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

El_Masnad Umukeka wo Kwicaraho Hasi ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. El_Masnad Umukeka wo Kwicaraho Hasi biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. El_Masnad Umukeka wo Kwicaraho Hasi ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Armrests, traditionally, initiates nodes where the space is highly activated in Saudi Arabia. El_Masnad uses armrest as the main component for seating unit and neglect all other parts of a seating device. El_Masnad brings the users close to the ground, so it is much more playful and intuitive for this demographic. It allows the Sitting behaviors to emerge organically and intuitively in many different configurations.
Ibipimo n'Ipaki: For one set, a pair of two pieces: w 335cm X d 180cm X h 30cm
For two sets, two pairs of two pieces, four pieces: w 470cm X d 180cm X h 30cm
Weight: 12 kg
Ibibazo Fatizo: outdoor, livingroom, carpet, local
Ikoranabuhanga ryo Guteza Imbere: Manufacturing includes:
5-axis hot wire milling for filling foam.
CNC stitching on felt for generated pattern design.
The upholstery roll up around the foam like the traditional way of rolling a carpet. Felt was used as contemporary alternative material for traditional wool carpets.
El_Masnad is not made of any hard material that may create an obstacle in the space. It rather made with soft materials where circulation can take place.
Ikibazo cy'Ishusho: One of the most difficult challenges was finding Saudi women willing to participate in taking pictures. The Second challenge was to see the demographic dramatic lifestyle changes as an outsider, which is critical to synthesize the research findings for the design outcome. Lastly, was Understanding the relationship between the designers, makers and consumers.
Ubushakashatsi: Perception of Saudis: The appropriate perception of personal space in the Arab world is when there is a strong eye and physical contact while conducting conversation, therefore, the pieces fit together, interlocking making contact easy and intuitive. Arab appreciate complex geometrical forms, and a boxy forms may look naïve, Therefore, the traditional armrest outline was converted into an irregular polygon. Arab view forms with considering the harmonious interplay of forms, so the perception of balance is achieved when two of non-linear El-Masnad are put together.
Ibyatumye Habaho: We, Saudi’s end up sitting on the ground every time though there is a typical seating device in the living room. This sparked my curiosity, and inspired to create a the living room that is intuitive for us.
El Masnad design embraces the floor as a living space and it celebrates the Middle Eastern leisure culture.
Igihe cy'Umushinga: el-Masnad was made for a thesis study at Art Center College of Design in Pasadena, CA, U.S.A. It was part of the Master program in Environmental design, in Furniture and Fixtures track.
Thesis started with winter term of 2014 and ended by the end of the Spring 2015. The first prototype was presented at the graduate show on April 18th of 2014.
Uburyo bw'Imikorere: The orientation:
The development of new technologies, like tablets, eliminates the need for seating units in the living room to face t.v. wall. Therefore, the layout of El_Masnad coming together, is not oriented and does not have a direction. It integrates multiple users doing different activities.
The height:
El_Masnad is close to the ground, so it is playful and intuitive for this demographic. It makes the space feels higher.
The posture:
Sitting behaviors emerges organically and intuitively in all different situations. In addition, the users intuitively adapt new sitting position as time goes by.
The angle:
El_Masnad emphasizes the front angle for reclining instead of what is typical of using the side angle to address the variable reclining angles.