Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri na Daisuke Nagatomo and Minnie Jan

Umushinga Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri wa Daisuke Nagatomo and Minnie Jan ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Imishinga y'Urumuri.

BuronzeImishinga y'Urumuri· 2026

Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri

na Daisuke Nagatomo and Minnie Jan

Umukiriya: MisoSoupDesign

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imishinga y'Urumuri

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #180159

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri

Arrival ni igishushanyo cy'urumuri cy'igihe gito cyubatswe hakoreshejwe konteneri ebyiri zakoreshejwe mu gutwara ibicuruzwa zishyizwe hejuru y'izindi mu buryo buhagaze. Izo konteneri zigize inzira nyabagendwa ifunganye ifite ubuso bw'icyuma buhetamye bwahumekewe n'umutwe w'ubwato bwinjira ku cyambu. Indorerwamo ziri ku mpande zombi zerekana umujyi, inyanja n'abasuye, zikavanga urubibi hagati y'umwanya nyawo n'ishusho igaragara mu ndorerwamo. Amatara ya LED yashyizwemo hamwe na sisitemu y'igihu bituma iyo nzira ikora mu masaha y'umugoroba. Arrival igaragaza uburyo ibikoresho by'inganda bitagikoreshwa bishobora guhinduka igihangano cy'ubuhanzi rusange cyinjiza abantu mu byiyumvo byacyo.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Arrival Ubuhanzi bwo Gushyiraho, Igishushanyo cy'Urumuri ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: AARRIVAL is an immersive installation art and lighting project constructed from two vertically stacked recycled shipping containers. The containers are refabricated into a narrow walkable space with curved interior surfaces inspired by the bow of a ship entering harbor. Mirrors installed at both ends reflect the surrounding city and sea, visually blurring the boundary between real space and reflection. Integrated lighting and a mist system activate the installation, transforming industrial waste into a sensory spatial experience aligned with the zero waste theme of the art festival.
Ibipimo n'Ipaki: The project consists of two vertically positioned 20 foot shipping containers. Total footprint area is approximately 15.4 square meters. The installation is designed for outdoor use and temporary exhibition. Lighting includes integrated LED strips and outdoor projectors. A mist system is installed and requires water supply. Electrical power is required for lighting and mist operation
Ibibazo Fatizo: nstallation Art, Lighting Design, Recycled Materials, Sustainable Design, Public Art, Temporary Architecture
Ikoranabuhanga ryo Guteza Imbere: The installation is constructed from two retired shipping containers reused as the main structure. Original container steel frames are retained for stability. Corrugated steel panels are cut and reshaped into curved surfaces inspired by ship geometry. Materials include recycled steel panels, metal mesh, mirror glass, LED lighting, outdoor spotlights, and a mist system. All components are selected to allow reuse, disassembly, or recycling.
Ikibazo cy'Ishusho: The main challenge was transforming rigid industrial shipping containers into a fluid and immersive spatial experience while maintaining zero waste principles. The project required reshaping steel panels without excessive material loss and integrating lighting, mist, and reflection in a narrow passage. Balancing structural stability, sustainability, and poetic expression was central to the design process.
Ubushakashatsi: ARRIVAL investigates how recycled industrial materials can be transformed into immersive public art through light and spatial experience. By reusing shipping containers, mirrors, and mist, the project explores perception, reflection, and movement within transitional urban spaces. The installation demonstrates a zero waste design approach that combines sustainability with sensory engagement in a waterfront environment.
Ibyatumye Habaho: The project is inspired by the moment of arrival at a harbor, when a ship transitions from movement to stillness and from sea to city. This transitional condition is translated into spatial form through curved surfaces, reflection, and light. The mirrored ends echo the changing relationship between water, sky, and urban landscape, while the narrow passage emphasizes movement and pause. By walking through the installation, visitors experience arrival as both a physical and emotional journey.
Igihe cy'Umushinga: Year 2025
Event Kaohsiung International Container Art Festival
Location Kaohsiung Harbor area, near the Kaohsiung Music Center waterfront plaza
Duration Temporary exhibition period (festival-based installation)
Uburyo bw'Imikorere: Visitors enter the installation from one side and walk through the narrow space formed by two vertical containers. The compressed passage emphasizes light, reflection, and movement. Mirrors at both ends reflect the city, harbor, and visitors, creating layered visual depth. During evening hours, lighting and mist are activated to enhance the immersive atmosphere. The installation encourages slow movement, pausing, and quiet observation.
Abagize Itsinda: Jenny Yeh, Sugar Hu
Abafotoye: Kaohsiung Art Museum