Seylan Urutonde rwa Sofa na Nastaran Khanzade

Umushinga Seylan Urutonde rwa Sofa wa Nastaran Khanzade ni uwatsinze igihembo cyubahwa cyane 2026 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

IfezaImitako· 2026

Seylan Urutonde rwa Sofa

na Nastaran Khanzade

Umukiriya: Rendi

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Imitako

29,104

Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #174865

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Seylan Urutonde rwa Sofa

Seylan ni urutonde rwa sofa rwateguriwe ahantu ho kubamo hagezweho. Ishusho yarwo ishingiye ku mirongo igoramye itemba ya kaligarafiya ya Nastaliq y'Abaperesi. Imirongo ikomeza n'amagoramyo yoroheje bisimbura impande zityaye, ku buryo urutonde rwa sofa rugaragara nk'igishushanyo mbonera kuva ku mpande zose. Inyubako yarwo ikozwe mu biti bikomeye, byaciwe hifashishijwe imashini ya CNC hanyuma bibazwa, bisyongorwa kandi bikarangizwa n'intoki. Icyicaro cyubatswe mu bipapuro by'ifuro (foam) y'ubucucike buhanitse biriho igitambaro, kandi amagoramyo yayo ayobora imyicarire iboneye. Uru rutonde rugizwe n'intebe y'umuntu umwe n'intebe y'abantu batatu. Intego ni ukuzana ubukorikori gakondo mu mbere z'amazu ya kijyambere.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

Seylan Urutonde rwa Sofa ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. Seylan Urutonde rwa Sofa biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. Seylan Urutonde rwa Sofa ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: What sets this design apart is its ability to translate intangible rhythm into physical design. Unlike conventional modular or geometric sofas, this piece is born of movement; an uninterrupted gesture that echoes the energy of writing. It is not only functional but also emotionally resonant, rooted in Iranian visual culture yet universal in elegance.
Ibipimo n'Ipaki: Single Seater Dimensions:
W 85 cm × D 75 cm × H 75 cm

Three Seater Dimensions:
W 210 cm × D 80 cm × H 75 cm

Materials:
Solid Wood Structure, High-Density Foam, Fabric Upholstery

Production Technique:
CNC Machining Combined With Hand Carving And Finishing

Packaging:
Protective Wrapping With Padded Corners, Suitable For International Shipping
Ibibazo Fatizo: Furniture Design, Modern Sofa, Sculptural Furniture, Fluid Form, Ergonomic Seating, CNC Woodwork, Handmade Finish, Minimal Form, Contemporary Design, Iranian Design, Artistic Furniture, Flowing Lines, Organic Shape, Calligraphy Inspired, One-Piece Form, Seamless Design
Ikoranabuhanga ryo Guteza Imbere: The structure of the sofa set is crafted through a combination of CNC precision cutting and traditional hand-carving techniques. Solid wood is sculpted to achieve the flowing, calligraphy-inspired curves, then meticulously sanded and finished by hand to enhance its tactile and visual elegance. The seating is constructed using high-density foam layered for ergonomic comfort, upholstered with carefully selected fabric to complement the organic form. This blend of digital accuracy and artisanal craftsmanship allows the piece to maintain both structural integrity and sculptural fluidity.
Ikibazo cy'Ishusho: One of the key challenges was creating a unified and continuous form that feels both sculptural and inviting. The design process involved extensive studies to develop a shape that maintains visual fluidity from every angle while also functioning as ergonomic seating. Preserving the harmony between curves, ensuring structural integrity, and integrating all parts into a seamless whole required a careful balance between digital precision and handcrafted sensitivity. Achieving this unity while working within material and production limitations was a central creative and technical effort.
Ubushakashatsi: This design explores the integration of traditional Persian calligraphy, specifically the fluid curves of the Nasta'liq script, into contemporary furniture design. The form is characterized by a seamless, organic flow without sharp angles, reflecting the graceful and harmonious movement of the Nasta'liq lines. The absence of rigid structures emphasizes comfort, fluidity, and elegance, creating a unified form that adapts to both functional and aesthetic needs. The design aims to bring cultural heritage into the modern living space, bridging the gap between timeless artistry and modern design principles. Through this project, I seek to create a piece of furniture that not only serves as a functional object but also as a work of art that carries the essence of Persian craftsmanship into contemporary contexts.
Ibyatumye Habaho: The core inspiration for this design is “Seylan” (the fluid, continuous motion that defines the elegance of Persian Nastaliq calligraphy). In Nastaliq, letters do not simply sit beside each other; they flow with grace, as if carried by a silent internal rhythm. This flowing quality is not just visual; it is deeply emotional, creating a sense of calm movement.
This sofa seeks to capture that motion in space. Its seamless form, soft curves, and uninterrupted structure reflect the essence of Seylan.
Igihe cy'Umushinga: The project began in January 2025 and was completed in April 2025. The prototype was designed and built in Mashhad, Iran, at the Rendi Furniture Factory.
Uburyo bw'Imikorere: The user engages with the sofa through intuitive physical interaction; by sitting, leaning, or resting. The flowing curves naturally guide the posture, offering comfort without requiring adjustment. The tactile quality of the carved wood and the softness of the fabric enhance the sensory experience. Beyond seating, the piece invites visual interaction, encouraging users to move around it, observe its lines, and feel its sculptural presence in the space.