Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi na Zong-Ying Chen

Umushinga Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi wa Zong-Ying Chen ni uwatsinze igihembo cyubahwa cyane 2024 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2024

Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi

na Zong-Ying Chen

Umukiriya: IW Magazine

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #158573

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi

Umwandiko w'Igitabo: Floating Island ni irerekana ry'ubuhanzi ryabereye mu kibanza kigufi cya metero kare 190. Ibipfundikizo bibiri bibiri mirongo ine (40), byatoranyijwe mu binyamakuru 153, byacapishijwe ku mbaho za acrylic zibonerana kandi bimanikwa ku nyubako y'imetero 9 ishyizwe hagati. Iyi nyubako igabanya umwanya mu duce tubiri twa gatatu tudasa, kandi ituma hashyirwaho intebe mu buryo bw'ikizunguzungu ku nyigisho. Kubera ko inyubako ari umurage w'amateka, inkingi z'ubwubatsi za aluminium ni zo zishyigikira imbaho ntizikoreshe ubwubatsi bw'inyubako ubwabwo. Izi nkingi zishobora gukoreshwa kenshi, bityo bikagabanya imyanda. Ibicuruzwa byatoranyijwe by'ameza n'intebe hamwe n'ibikoresho by'urumuri na byo birerekanwa.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Floating Island Umurimo w'Ibanze: Irerekana ry'Ubuhanzi ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Double Covers Installation: Utilizing the limited space scale to develop endless aesthetic depth. Centered on our characteristic double covers collection, the preliminary issues, by the time sequence, are exhibited to the public for the first time.
Brand Showcase Island: Select Scandinavian and Italian design brands that have had a profound impact on the history of furniture design.
Aesthetic Special Lecture: Returning to the essence of media, the exhibition invites Taiwan's renowned architectural scholars and photographers to share with readers the aesthetic experience of life.
Ibipimo n'Ipaki: The Venue is only 190 square meters with a long and narrow layout. The team expected to create a comfortable and interesting traffic flow and, thus, located the 9-meter magazine cover installation in the center, which not only breaks the original rigid space planning but makes it extra two unequal triangular areas that with full of scale tension. Firstly, it gives a strong visual and a deep sense of spatial form; secondly, the lecture seats can be unfolded in a fan-shaped, making the event a small theater, and also shortening the distance between the speaker and the audience.
Ibibazo Fatizo: IW Magazine, Exhibition, Art Exhibition, PP Mobler, Gufram, Memphis Milano, Flos, Smeg, Space Design Magazine.
Ikoranabuhanga ryo Guteza Imbere: In this exhibition, we focus on how to make the main visual cover installation as an emotional communication with readers, instead of just a backdrop. 40 double-covers selected from 153 issues were presented at the exhibition, adopting the form of transparent acrylic plate for output, in a penetrating and lightweight manner, along with a chronology of twenty-five years of important events, let it could be unrestricted in the 190-square-meter site, let the viewers as immersive in a quality magazine.
Ikibazo cy'Ishusho: The exhibition building is a municipal historic site, thus all structures must be connected with external objects and not touch the building itself. To this end, the IW team chose 'aluminum square columns' (truss structures) that are commonly used in music concerts as the main structure of the double-cover installation. The 9-meter device uses 4 trusses in total, which are connected in series with flat irons. Its Thick and solid characteristics make the 80 acrylic panels hanging below extremely safe. It not only solves the load-bearing problem but is also reusable, which will not cause waste.
Ubushakashatsi: The entire exhibition not only showcases our magazine's historical highlights with internationally famous brands, PP Mobler, Gufram, Memphis Milano, Flos, and Smeg but also invites two well-known representative cultural figures to share their professional views through lectures. In summary, by taking 'life' as the fulcrum, 'aesthetics' as the focus, and 'perseverance' to express the opinion, the IW team wishes to evoke a clash of readers' points of view during this unprejudiced reading experience and also injects new thoughts into a cluster of buildings of historical value.
Ibyatumye Habaho: 1997, IW Magazine was launched. As a bi-monthly magazine that reports on the aesthetics of living space and design trends, we have been thinking about exploring the essence of the publication and giving it an interpretation. In every meticulously crafted story, we expand the narrative by synthesizing the view and discovering depth through the details. This is the first special exhibition of IW Magazine's 25th anniversary, the team expects to express the value of the pass-years knowledge through the curation.
Igihe cy'Umushinga: The project finished in November 2023 in Taiwan.
Uburyo bw'Imikorere: Just like the initial mission of IW magazine, 'reports on the aesthetics of living space and design trends', we wish to contribute to the improvement of national aesthetics and implement as Rodin, the French sculptor, said: 'Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her.' As an independent media, we wish to through our modest power, provide the public another stage and perspective for appreciating beauty.
Abagize Itsinda: IW Magazine
Abafotoye: Zong-Ying Chen