Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi na Patrick Sarran

Umushinga Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi wa Patrick Sarran ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imitako.

BuronzeImitako· 2021

Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi

na Patrick Sarran

Umukiriya: Quiso Sarl

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imitako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #122879

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi

Guinguet ni ameza y'ibyuma ikorerwaho serivisi, yagenewe gukoreshwa iruhande rw'ameza y'ibiryo mu maresitora. Iyi meza ifasha mu gutegura no gushyira ibiryo ku masahani imbere y'abashyitsi. Ukuguru kw'imbere kuzengurutse gutuma agasozi k'ameza gageza hejuru y'ameza y'ibiryo, bityo ntacyuho gisigara hagati y'ameza zombi, ndetse no ku meza azengurutse. Agasozi k'ameza kakurikiza iyi mpandika, kandi imiterere ihindukamo iyigana isura y'inyamaswa. Ubugari bwo gukoreraho bukwiriye umurimo ukorwa uhagaze. Guinguet ikorwa mu giti cy'umworo, hakoreshejwe uburyo gakondo buhuzwa n'ibikoresho bya none bya digitale. Hari agasanduku ko kubikamo gashyizwe munsi y'agasanduzi, kandi hashobora kongerwamo urubaho rwo gukamburaho ibiryo rukozwe mu giti cy'ibigi.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Guinguet Ameza y'Ibyuma Ikorerwaho Serivisi ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: Form follows function, said Luis Sullivan. This pedestal table comes above the table it fits into, in a real or simply suggested way. This interpenetration induces the front foot shape. The tabletop design still shows this projection and the form then takes on an animal-like appearance.
Like stage valets, different in colour, they are sculptures in dialogue.
Ibipimo n'Ipaki: Overall dimensions: W x D x H = 550 x 472 x 820 mm
Shelf height 760 mm for bridging tables up to 750 mm high
Under-shelf drawer 300 x 300 x 50 mm useful
Optional beech cutting board 600 x 290, 22 mm thick
Ibibazo Fatizo: Table de service, guéridon, table de découpe, cutting board, pedestal table, desserte
Ikoranabuhanga ryo Guteza Imbere: This product is made of oak wood, according to a traditional technique revisited by digital technologies. Although very simple, it required a fine tuning to obtain rigidity and stability. As all our furniture, it is made to last. It has to withstand the important constraints of a mobile object intended for restoration. It must be easily repaired using techniques available anywhere in the world.
Ikibazo cy'Ishusho: The main difficulty was technical. The prototype lacked rigidity due to the overhang of the table top and the connection with the bent foot.
Ubushakashatsi: The restaurant is a high-risk performance around a table. Waiters must have absolute confidence in the accessories they use. These only have interest in the service quality and gesture they provide. Today's restaurant tables are often round. As the circle shape is not inclusive, there is no simple form to enlarge it. Going over it creates continuity.
The serving height gives better posture. The stage effect brings more attention to the show.
Ibyatumye Habaho: The Odette restaurant in Singapore is renowned for its French cuisine. It practises Service au Gueridon, an expert way to prepare plates in front of the guests, with its codes and good manners.
Working this way is a form of intimate show at close range with a small dedicated serving table where one cuts and sets up with virtuosity under the guests' eyes.
I had the idea to interpret this as a tiny theatre stage, placed on a level slightly above the table, so as to bring the show even closer, regardless of the shape of the restaurant tables.
Igihe cy'Umushinga: This project was carried out in Toulouse France in February 2019, especially for the Odette restaurant.
Uburyo bw'Imikorere: There is no discontinuity between the table and the pedestal table, no empty space between the two. In this way, the show becomes a performance in great intimacy between the waiter and the guests. They can detail the perfection of the gesture which must be perfect. If a cutting board is used, the plate is placed right at the front.
They can see the texture of the food, smell it.
Patente: Copyrights belong to Patrick Sarran
Abafotoye: Patrick Sarran