Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru na Huson

Umushinga Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru wa Huson ni uwatsinze igihembo cyubahwa cyane 2021 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Imbere y'Inyubako.

BuronzeImbere y'Inyubako· 2021

Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru

na Huson

Umukiriya: Beimu Home

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Imbere y'Inyubako

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #116018

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru

Beimu ni ubwubatsi bw'imbere bw'iduka nyamukuru ryahagarariye ikirango, ryerekeza mu mujyi wa Dongguan, mu Bushinwa, rifite ubuso bwa metero kare 800. Igishushanyo gishyira imbaraga nkeya mu kwerekana ibicuruzwa, ahubwo gishimangira ubwiza bw'umwanya ubwawo, bityo abasura bakaguma bafatiwe n'imico y'imbere y'iyi nyubako. Imbonankubone y'inzu igabanyijemo uduce dufite amabara y'umukara n'umweru, hifashishijwe imirongo yoroshye. Iruhande rw'ikirango cy'ikigo, hacukuwe idirishya rimwe rifite ubuso bwa metero kare 3.3, ririkarema uburyo bwo kureba hagati y'imbere n'inyuma. Amabara atukura n'umukara bikora inzira ndende igabanya umuvuduko w'abagenda. Ameza n'intebe zifite ubunini butandukanye bitanga uburyo bwinshi bwo guteranira, kuruhuka, no kuganira.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Beimu Ubwubatsi bw'Imbere bw'Iduka Nyamukuru ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: The client of Beimu flagship store hopes to further improve its brand paradigm through space design strategy.

The creative logic of a designer consists of three parts: the change of business model and the manipulation of consumer psychology under the background of the era; the uniqueness and displeasure of cultural aesthetics in the context of globalization; and the gradual design refinement technology starting from concept to form
Ibipimo n'Ipaki: The store is about 40M（L）*20M（W） and covers an area of 800 square meters.
Ibibazo Fatizo: Flagship store, BEIMU Home, Commercial Exhibition, OD·O office
Ikoranabuhanga ryo Guteza Imbere: designers strive to create the symbol and spirit of the brand. Through the building facade, black and white color blocks are cut out with simple lines. Beside the highlighted brand logo, only a window of 3.3 square meters is opened to form a mutual peeping relationship inside and outside. The window plays the role of "soul and eye" and sends heartbeat signals to passers-by. Red and black construct a maze of time stagnation, guiding visitors to observe and pay attention to the strangeness after alienation. On the one hand, the deliberately elongated channel serves as the adjustment and transition of emotions, and on the other hand, it further strengthens the curiosity of the first-time visitors. Mirrors, stairs, and clever use of light all connect the feelings between people and space.
Ikibazo cy'Ishusho: Symbol and spirit communication of brand building
Ubushakashatsi: the creative logic of designers consists of three parts: the change of business model and the pinch of consumer psychology under the background of the great times, the uniqueness and unpleasure of cultural aesthetics in the context of globalization, and the gradual design refinement technology which begins with the concept of form.
Ibyatumye Habaho: Designers advocate weakening products, emphasizing space, retaining visitors with the charm of space itself, and achieving stronger business interaction. The development of the Internet has transformed space into a new space of the dual world of reality and virtual. Therefore, the design of modern commercial space not only depends on pure aesthetic judgment, but also bears the responsibility of brand identity media.
Igihe cy'Umushinga: The project started in Dongguan in April 2020 and completed in September 2020, opening to the outside world.
Uburyo bw'Imikorere: How to ease the antagonistic relationship between buyers and sellers is the focus of designers' thinking.
Provide multiple negotiation scenarios for visitors to choose from, the designer's purpose is to weaken the commercial characteristics of space. The combination of tables and chairs with different scales and styles shows that the space is not only a place for commercial negotiation, but also a clubhouse for old friends gathering, but also a place for leisure and rest for the surrounding residents.
Abagize Itsinda: HUSON
Zhou Yanjie
Yi Yongxian
Lin Wuyuan
Ye Bohui
Tang Xiaobo
Abafotoye: Picture#0000：photographer Ouyang yun,2020
Picture#0001：photographer Ouyang yun,2020
Picture#0002：photographer Ouyang yun,2020
Picture#0003：photographer Ouyang yun,2020
Picture#0004：photographer Ouyang yun,2020