Stjepko Rosin nisqap Architectural Traces Liwru diseñon

Stjepko Rosin nisqap Architectural Traces Liwru diseñonqa Qillqasqa Kamay Atipanakuy T'aqapi 2022 A' Design Award Fierru Premiu nisqap ancha chaniyuq atipaqninmi.

FierruQillqasqa· 2022

Architectural Traces Liwru

Stjepko Rosin rurasqa

Mañakuq: Naklada Boskovic

Qillqasqa T'aqapi A' Design Award Fierru Premiu Atipaq

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Taripasqa Premio Atipaq

#126347 nisqapaq Premio Kayninta Taripay

A' Design Award ukhupi Qhaway Prensa Willakuy Premio Unanchay

Llinphikuna

Diseñomanta

Architectural Traces Liwru nisqamanta

Architectural Traces nisqa liwrumi huk Dalmacia suyu arkitektopa llamk'ayninmanta rimaq liwru kan. Punta qhawariyninpi, qillqasqa kirpanan wistuykachan, karumanta qhawaspa Roma llaqtapa ruwasqan tijaskunata rikch'akuq wasi qhataman rikch'akun. Aswan hawllamanta qhawaspataq, kay dibujuqa arkitektopa wasap tulluchanmanta (columna) ruwasqa iman resonancia magnética nisqa qhawariywan hurqusqa siq'ikuna kasqanta rikuchin. Kay illusión óptica nisqaqa, much'aq wasikunapa qhipanpi pakasqa nanaywan hunt'a kaqta rikuchin. Liwruqa 270 mm, 270 mm hinaspa 35 mm hatunniyuqmi, offset papelpi imprimisqa, sinchi sirasqa watusqa (hard stitched binding) kaspa, mana hawa maytu (wrapper) kanchu. Kirpananqa llamk'achisqa kaqtin kicharisqa wistu (oblique) tiyayman chayan.

Riqsichiy

A' Design Award Fierru Premiu nisqamanta

Architectural Traces Liwru A' Design Award Fierru Premiu mishak kan, yupaychay, kayta ruray yachak shinallatak industriapak mañaykunata paktachik alli diseñukunaman kun. Fierru mishak kashkakunaka hatun ruray ushayta, hanak yachayta, yachak yuyayta shinallatak ruray kamachiyta rikuchinku. Architectural Traces Liwru sinchi yupaychashka, kuyashka shinallatak kuyashka ruray, ruranapak alli shinallatak mushuk yuyaypi kanata munanku. Kay Fierru Premiu japishka diseñuka industriapak ashtawan alli ruraykunata tantachin shinallatak yachaywan shinallatak ushaywan tantashka tekniku ushayta charin. Sinchi ruraymanta Architectural Traces Liwru yupaychashka kan shinallatak kawsayta alliyachik ruraykunata kuypak ruray kan, pachata ashtawan alli kachun ruran.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
Tupukuna & P'istuy: Dimensions are 270 mm x 270 mm x 35 mm
Etiquetakuna: Book, Architecture, Spine, Traces, Dalmatian, Roman
Ruway Tecnología: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
Diseño Sasachakuy: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
T'aqwiy: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
Kallpachay: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
Llamk'ay Pacha: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
Purichiy Puriy: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
Siq'i Hayñikuna: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021