One Thousand and One Nights Chombo ndi Mohamadali Vadood and Shadi Habib

Dizayini ya One Thousand and One Nights Chombo ndi Mohamadali Vadood and Shadi Habib ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2021 Mphoto ya Bronze ya A' Design Award mu Gawo la Mpikisano la Luso Lapadera ndi Mapangidwe a Zoyikidwa za Luso.

BronzeLuso Lapadera· 2021

One Thousand and One Nights Chombo

ndi Mohamadali Vadood and Shadi Habib

Kasitomala: Vadood Wood Arts Institute

Wopambana pa Mphoto ya Bronze ya A' Design Award mu Gawo la Luso Lapadera

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Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #86839

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za One Thousand and One Nights Chombo

Usiku Wachikwi ndi Umodzi ndi lingaliro lopanga ziwiya zamatabwa ndi zomangira pogwiritsa ntchito nyenyeswa zazing'ono mpaka zazikulu kuchokera kumitengo yosiyanasiyana yomwe ili ndi mitundu yokongola yachilengedwe komanso mawonekedwe okopa maso. Mitundu yofunda ya matabwa ndi zidutswa zikwi zambiri zokhala ndi mawonekedwe osiyanasiyana zimakumbutsa wowonera mawonekedwe a zojambula za Kum'maŵa ndi nkhani za Chikwi chimodzi ndi Mausiku Amodzi. M’kapangidwe kameneka, zidutswa za mitengo ya mazana a mitengo yosiyana-siyana imene poyamba inapanga chomera chamoyo zimagwirizanitsidwanso kupanga thupi lophiphiritsira, lokhala ndi mitundu yosiyanasiyana ya mitengo ya m’nkhalango.

Chidziwitso

Za Mphoto ya Bronze ya A' Design Award

One Thousand and One Nights Chombo ndi mmodzi mwa opambana a Mphoto ya Bronze ya A' Design Award, kuzindikirika kolemekezeka kwambiri komwe kumaperekedwa kwa mapangidwe abwino kwambiri omwe amaonekera ndi luso lolenga, kuchenjera ndi nzeru zakuthwa. Opambana a Bronze ndi zinthu zaluso kwambiri ndi zolenga modabwitsa zomwe zimatsimikizira zochitika zazikulu, kulingalira ndi kuchenjera kwa opanga awo. One Thousand and One Nights Chombo akuyembekezeka kukhala chinthu choyamikiridwa, chosirira ndi chokondedwa, chaukatswiri wapadera ndi chatsopano. Mapangidwe opambana Mphoto ya Bronze ya A' Design Award awa amaphatikiza machitidwe abwino kwambiri a luso, sayansi, kapangidwe ndi ukadaulo ndipo ndi abwino kwambiri chifukwa cha kusamala kwawo zazing'ono. One Thousand and One Nights Chombo amakwaniritsa zosowa mokongola, kukhudza zilakolako, kukopa mitima ndi kudzutsa chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: Segmenting is a wood-work technique which is in two aspects: art-wise and production-wise. While both use motifs and cut trimmed lumbers and planks into angled and regular shapes, the former makes up marquetry pictures, and the latter produces objects. The method used here, calling it Irregular Segmenting, has roots in the second aspect but is inspired by the idea of putting irregular segments together accidently with various sizes and shapes. So, it has different procedures of segmenting and pressing with no needs to trim wood or use motifs, technically speaking, and means a random assemblage of colors and else, regarding aesthetics.
Miyezo ndi Kuphimba: The vessel is 40 cm in height and 20 cm in diameter, and it weighs 200 grams. The bigger cup is 30 cm in height and 15 cm in diameter, and it weighs 100 grams. The smaller cup is 25 cm in height and 8 cm in diameter, and it weighs 40 grams.
Zizindikiro: Recycle Wood, Reuse Wood, Save Natural Resources, Save Forests, Save Green Lives, Save Trees, Tree Huggers, Anti Deforestation, Stop Deforestation, One Thousand and One Nights, Ali Baba and the Forty Thieves, Wood Vessel
Teknoloji Yopangira: To begin with the Irregular Segmenting work, first, left-over cuts of wood with different shapes are sorted out according to their complementary colors. After that small sheets are made up this way, they are arranged to build up bigger sheets. In order to produce this design One Thousand and One Nights, discs of desired diameter were cut out of the sheets and were glued and fixed to shape up like a vessel. Finally, the whole volume was wood-turned.
Vuto la Dizayini: The fundamental challenge is to technically find a way to connect pieces of different sizes and various shapes so they could regain a fine form. Applying effective techniques to put the right pieces next to each other and under the press, without having them slipped or displaced, led to an algorithm defined based on the parallel sides of each piece. This method can fulfill the random presence of colors and shapes in each sheet and also provide better opportunities for creativity.
Kafukufuku: Three research types are needed to do Irregular Segmenting. First, Mechanics of Wood, the mechanical behavior of wood like expansion and contraction so that wood pieces with similar mechanics can sit next to each other and build up a stronger structure. Second, Chemistry of Wood, the chemical behavior of wood such as its reactions to light. It is suggested to gain information about yellowing to place pieces with a correct color contrast so they are more likely to be preserved against aging. Third is studying aesthetics of the sheet before making a design. As in this work, it is based on circular forms.
Chilimbikitso: Using wood while producing a design, artists usually finish up with a pile of scraps which mostly end up in trash bins, garden incinerators, or barbeques. Even if they may look impracticable due to their inappropriate size or unwanted shape, there are colors, textures, or else among them that cannot be simply ignored. Sounding like the tales of 'One Thousand and One Nights', a world full of magic and possibilities that comes right out of impossibilities, this idea occurred to me to first design a technique for making a sheet of wood out of those cuts, and then to design a vessel like Ali Baba and the Forty Thieves'.
Nthawi ya Polojekiti: The whole project, Irregular Segmenting and designing One Thousand and One Nights started and finished in Tehran, Iran, in 2015. It has not been exhibited so far, except for online shares via social medias.
Mdondomeko ya Ntchito: The vessel and the cups could be used as decorative objects. The Irregular Segmenting technique, however, can be applied to almost every artistic or industrial process which uses wood as its main material.
Mamembala a Gulu: Mohammad-ali Vadood
Shadi Habib