Fountain Of Life Zojambula Zapamalo Aanthu Onse ndi Derya Geylani Vurusan

Dizayini ya Fountain Of Life Zojambula Zapamalo Aanthu Onse ndi Derya Geylani Vurusan ndi wopambana wotamandika kwambiri pa mphotho yaulemu ya 2025 Mphoto ya Siliva ya A' Design Award mu Gawo la Mpikisano la Luso Lapadera ndi Mapangidwe a Zoyikidwa za Luso.

SilivaLuso Lapadera· 2025

Fountain Of Life Zojambula Zapamalo Aanthu Onse

ndi Derya Geylani Vurusan

Wopambana pa Mphoto ya Siliva ya A' Design Award mu Gawo la Luso Lapadera

80,166

Wopambana Wotsimikizidwa

Tsimikizani Mkhalidwe wa Mphotho ya #170478

Pitani ku Tsamba Onani ku A' Design Award Nkhani Yofalitsidwa Chizindikiro cha Mphotho

Mitundu

Kapangidwe

Za Fountain Of Life Zojambula Zapamalo Aanthu Onse

Fountain of Life ndi ntchito yaluso yayikulu yoyikidwa mu lesitilanti pa Airport ya Istanbul. Chosemedwachi chimaphatikiza kasupe wa mwala wa travertine wosemedwa ndi manja pamodzi ndi madontho a galasi opangidwa ndi manja. Kasupe wa mwala akuimira zakale, pomwe madontho a galasi, opangidwa kuti awoneke ngati akukwera kuchokera mu kasupe, akufotokoza nthawi ino. Kasupe wa mwala ndi wautali wa 3000 mm, ndipo mawonekedwe a galasi ali ndi kutalika kuyambira 400 mm mpaka 1000 mm. Mwala wonyezimira ndi galasi lowoneka pang'ono zimasintha mawonekedwe pamene kuwala kukuyenda pamwamba pake.

Chidziwitso

Za Mphoto ya Siliva ya A' Design Award

Fountain Of Life Zojambula Zapamalo Aanthu Onse ndi mmodzi mwa opambana a Mphoto ya Siliva ya A' Design Award, kuzindikirika kolemekezeka modabwitsa komwe kumaperekedwa kwa mapangidwe a pamwamba, okongola ndi ochititsa chidwi. Opambana a Siliva ndi ntchito zowala kwambiri ndi zolenga kwambiri zomwe zimaonetsa ukatswiri, luso ndi nzeru zakuthwa za opanga awo. Fountain Of Life Zojambula Zapamalo Aanthu Onse akuyembekezeka kukhala ntchito yodabwitsa yoonetsedwa, yaukatswiri wapadera ndi yatsopano kwambiri. Mapangidwe opambana Mphoto ya Siliva ya A' Design Award awa ndi chopangidwa chodziwika kwambiri ndi choyamikiridwa chomwe chimapindulitsa ndi kukulitsa malire a luso, sayansi, kapangidwe ndi ukadaulo. Fountain Of Life Zojambula Zapamalo Aanthu Onse ndi cholengedwa chomwe anthu ambiri amachichitira nsanje, chomwe chimadzutsa zilakolako, kubweretsa maganizo abwino ndi kuyatsa kudabwa ndi chidwi.

Kumbuyo kwa Kapangidwe

Katundu wa Atolankhani

Umboni, mamembala a gulu ndi zambiri zapadera zoperekedwa ndi wopanga.

Makhalidwe Apadera: This is a sculptural piece in Istanbul Airport Kaimakk Restaurant that combines traditional travertine stone with large-scale glass splashes, representing the concept of time. The stone fountain symbolizes the past, while the glass splashes, shaped to appear as if they’re emerging from the fountain, capture the present moment. This design is unique due to its integration of materials and its symbolic representation of time, blending technics with a narrative that reflects both history and the present in a dynamic form.
Miyezo ndi Kuphimba: Material: Traditional travertine stone (fountain base) and hand-sculpted glass (splashes).
Dimensions:
Fountain: Height 3000mm, Width 1800mm, Depth 1800 mm
Glass splashes: Varying heights from 400 mm to 1000 mm

Production Method: Hand-carved travertine stone combined with hot glassblowing techniques.
Finish: Polished stone surface, semi-transparent glass finish.
Packaging: Custom-made wooden crate with protective padding for safe transport.
Zizindikiro: glass, contemporary glass, glass art
Teknoloji Yopangira: The piece was created by combining traditional materials with modern glassblowing techniques. The fountain was sculpted from travertine stone, chosen for its historical significance and texture. The glass splashes were shaped using advanced hot glass sculpting techniques, requiring precise control of temperature and pressure to achieve the desired fluid, dynamic effect. The challenge was integrating these materials in a way that highlighted their contrasting properties while conveying the passage of time through form and texture.
Vuto la Dizayini: The hardest part of the installation was merging two contrasting materials—traditional travertine stone and dynamic glass—into a cohesive design. Overcoming technical obstacles, such as controlling the shape and flow of the glass while maintaining the integrity of the stone, was crucial. Additionally, the limited production possibilities for large-scale glass sculptures and the need for precision posed significant challenges in execution.
Kafukufuku: The research behind The installation is conceptual and experimental, focusing on the symbolic representation of time through material choice and form. The objective was to explore how contrasting materials like travertine stone and glass can embody past and present. Insights showed that combining history with dynamic forms creates a powerful narrative. The research impacts design by blending heritage and innovation, influencing both art and architecture in the creation of immersive, meaningful spaces.
Chilimbikitso: The inspiration for the installation stems from my ongoing exploration of time in my Moment series. The project reflects the interplay between the past, present, and future. Traditional travertine stone, representing history, contrasts with the dynamic glass splashes, which symbolize the present moment frozen in time. Technically, the challenge of merging such contrasting materials to convey temporal concepts drove the design, aiming to create a timeless yet dynamic narrative.
Nthawi ya Polojekiti: The project started in May 2023 and finished in August 2023. The project located in Istanbul Airport, departure departmant, Kaimakk Restaurant.
Mdondomeko ya Ntchito: The project is a static installation, allowing viewers to interact visually. The object doesn’t operate in a traditional sense but transforms through its aesthetic impact. The interaction occurs as light shifts across the glass splashes and stone, creating varying reflections. Key moments happen as viewers observe the contrast between the solid, timeless stone and the dynamic, fluid glass. The piece’s strength lies in its ability to evoke emotions and thoughts about time, inviting viewers to reflect on the past and present.
Mwini Zithunzi: Photo Credits: Sibel Ekenoglu