Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli ītēchcopa Paul Robb

Tlanāhuatīlli Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli ītēchcopa Paul Robb cē cencā mahuizzō tēmacēhualōni īpan huēyi 2020 Mahuizolli A' Design Award Iztacteocuitlatl īpan Tlacuilolli, Tlacuilolixiptlaliztli ihuan Tlachialtlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlTlacuilolli· 2020

Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli

īpal Paul Robb

Tlanāhuatīlli: Salt & Pepper

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Tlacuilolli Tlamantli

69,460

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #95978

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli

In Monk quitemohua ce nepantlayotl ipan zaquiliztli ihuan caquiztiliztli tlacayomeh ahtzotzopaztli tlahcuilolli ihuan nauhcampa ahtzotzopaztli. Macihuiya achto omachiotilo iuhqui Latino tlahcuilol, zan ye cualli omochihuilih ma quipia ce hueyac tlahtoltzintli ma quinamiqui Arabico. Mochi Latino ihuan Arabico machiotilli quimopielia in iyeyan neyolnonotzaliztli ihuan tlahtoliliztli ipan cemanahuac tlacemanahuacayotl. In chicahualiztli in nepapan machiotiliz quinneltilia in ome tlahtoltin ma quipiyacan cenepantlayotl ihuan cualnemiliztli. Mochi Arabico ihuan Latino tequitih icenquizca, quimocuitlahuiah cemanahuac calacoyan, tomactic hueliztli ihuan coltic machiyomeh.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Monk Latin and Arabic Geometric Tlahcuilolmachiotiliztli quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
Huēyiliztli īhuān Tlacualtepēhualli: True Type and Open Source Font
Tōcāitl: Typeface design, Font Design, Font Family, Monk, Graphic typeface
Tlachīhualiztli Māchiyōtl: Designed and produced in Fontographer
Tlanāhuatīlli Nētēcahuilīztli: The challenge was to create a modern typeface based on the historical research.
Tlatēmōliztli: The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
Tēyōllālīliztli: The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
Tēquitl Cāhuitl: The Project started in 2017 and finish in September 2018, in Perugia Italy.
Tēquitl Ōhuitl: Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
Calpolli Tlācah: Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini