Life Forms of Colors Tlapohualli Toltecayotl ītēchcopa Yuko Suzuki

Tlanāhuatīlli Life Forms of Colors Tlapohualli Toltecayotl ītēchcopa Yuko Suzuki cē cencā mahuizzō tēmacēhualōni īpan huēyi 2025 Mahuizolli A' Design Award Iztacteocuitlatl īpan Yancuicchihualiztli, Tlapohualiztepoztli, Tlanahuatiltepoztli ihuan Tepoztlalnamiquiliztli-Palehuilli Tlachihchihualiztli Nēhuilīztli Tlamantli.

IztacteocuitlatlYancuicchihualiztli· 2025

Life Forms of Colors Tlapohualli Toltecayotl

īpal Yuko Suzuki

Tlanāhuatīlli: Civic Creative Base Tokyo (CCBT)

Mahuizolli A' Design Award Iztacteocuitlatl Tēmacēhualōni īpan Yancuicchihualiztli Tlamantli

176,057

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #170854

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Life Forms of Colors Tlapohualli Toltecayotl

Inin tlachihualiztli ce yolnemi ihcuilolli, neci quenin pixelehmeh moxexeloa auh oc ceppa motlalia. In tlanemiliztli omotlali ihcuac in tlacuiloani, ce tepoztlahcuiloani, quinequiaya mochihuaz ce cemanahuactlaihcuilolli auh momachtilticaya intla hueliz quichihuaz tlapalneixcuitiliztli ica tlapohualizamatiliztli. In pixelehmeh neci iuhquin yolicameh, molinia ipan quichihuazqueh yancuic tlanextli auh tlapalilizpan, quipixtiah in Xapontecah inyolnonotzaliz Kasane (necentlaliztli) auh Zurashi (motlanehualiztli). Noyehhuatl quitohtocah in miyac tlapatlaniliztli ce tlacatl hueliz quichihuaz, quitenehuah nepapaquiliztli auh atlenelhuayotiliztli ipan mochi in tequitl, auh neci in nepanoliztli huehuetlamatiliztli auh yancuic amachtilmatiliztli.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Iztacteocuitlatl

Life Forms of Colors Tlapohualli Toltecayotl ca in quicuic in Mahuizolli A' Design Award Iztacteocuitlatl, hueyi tlamahuizoliztli tlen momaca in huel yectli, tlanextic ihuan mahuiztic tlachihualli. In quicuicah Iztacteocuitlatl ca cenca cualli ihuan cenca yancuic tlachihualli in quinextia in tlamatiliztli, toltecayotl ihuan ixtlamatiliztli intlachihuanime. Ca quinequi in Life Forms of Colors Tlapohualli Toltecayotl ca cenca cualli, cenca motequiuhtia ihuan yancuic. Ni dizayno in quicuic Iztacteocuitlatl quihuelitia in toltecayotl, tlamatiliztli, dizayno ihuan teknolohia. Life Forms of Colors Tlapohualli Toltecayotl quiyolchicahua in tlacah, quipaquiltia ihuan quitlamahuiztiltia.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
Huēyiliztli īhuān Tlacualtepēhualli: LED screen 4m × 4m, 10 minutes 30 seconds
Tōcāitl: Generative Art, Coding
Tlachīhualiztli Māchiyōtl: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
Tlanāhuatīlli Nētēcahuilīztli: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
Tlatēmōliztli: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
Tēyōllālīliztli: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
Tēquitl Cāhuitl: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
Tēquitl Ōhuitl: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
Īxiptla Tlanēxtīlli: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].