Sertao Tepamitl Caxitl ītēchcopa Gabriela Campos

Tlanāhuatīlli Sertao Tepamitl Caxitl ītēchcopa Gabriela Campos cē cencā mahuizzō tēmacēhualōni īpan huēyi 2023 Mahuizolli A' Design Award Bronse īpan Caltlapechtli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseCaltlapechtli· 2023

Sertao Tepamitl Caxitl

īpal Gabriela Campos

Tlanāhuatīlli: Mais Alma Arquitetura and Design

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Caltlapechtli Tlamantli

14,488

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #142081

Xiquitta Tlahcuilōlcalli Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Sertao Tepamitl Caxitl

Sertao ce tepamitl caxitl tlein moyolitia itech in tlacuilolli Abaporu, tlein omochiuh ipan 1928 xihuitl itech Tarsila do Amaral, ce machiotl in yancuic yolistli itech Brasil. In yayahualtic nescayotl quitoca in ahuiyac ihuan yoltic tlamantli tlein oc ceppa quinextia in olini ihuan in ahuialistli tlamachiliztli itech in tlacuilolli. Yamanqui ihuan pahpaltic tlapalli quitzonquixtia in nechichihualli. In caxitl quipia ce MDF nacayotl ica lacayotl tlapalli ihuan American ahuacuahuitl tlamiliztli. Quinehnehuilia 45 centimetro ipatlahuaca, 30 centimetro ihcuecheyo ihuan 50 centimetro ihueyica. Cecen tlamantli mahuica mochichiuhtia itech in tlaltepehuaque tlachihchiuhque itech Cruzilia, Minas Gerais, Brasil.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Sertao Tepamitl Caxitl ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Sertao Tepamitl Caxitl ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Sertao Tepamitl Caxitl quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: This is a piece with a challenging design with a strong symbolism supporting it. With a narrative behind its organic forms, alludes to several elements contained in the work of Tarsila. Regarding the colors in the composition, the choice was to bring the soft and at the same time vivid tones of the work. As for the shape, the intention was to recreate the movement with fluid and organic lines, a challenge to the eye of the sense of balance, proportion and with a playful soul. A graceful balance between form and function.
Huēyiliztli īhuān Tlacualtepēhualli: Dimensions Width 45 cm 17,7 in / Depth 30 cm 11,80 in / Height 50 cm 19,70 in
Tōcāitl: table, side table, modernism, Brazilian furniture, Brazilian Design
Tlachīhualiztli Māchiyōtl: Fully handcrafted in the city of Cruzilia, Minas Gerais, this sidetable is produced by local artisans. The piece has an mdf structure with lacquer paint and American oak finish.
Tlanāhuatīlli Nētēcahuilīztli: The challenge was in the study of shapes and specially the stability of the table, so that I could achieve a viable piece, economically and in terms of execution and, at the same time, that brought the lightness and organic shapes I was looking for.
Tlatēmōliztli: Being influenced by the modernist atmosphere around the world of Tarsila, the goal was to create a design that has this soul. The production was a process of evolving from sketches, technical drawings, and the real scale modeling. The execution was carried out in full-scale prototype.
Tēyōllālīliztli: The rounded shaped side table is a hommage of the work Abaporu (1928), by Tarsila do Amaral, a great symbol of modernism in Brazil. The artist spent a lot of time studying in France, going through ateliers like Fernand Leger's, and returns to Brazil bringing this background to create her unmistakable signature. Abaporu, with its vivid colors and rounded shapes, is speculated to be the most valued Brazilian work in the world. The inspiration came from trying to develop a work of reinterpreting Abaporu and reproducing it in my world of design, keeping its essence and its message.
Tēquitl Cāhuitl: The project started in March 2022 and finished in May 2022, in Rio de Janeiro.
Tēquitl Ōhuitl: Having a refined design, the piece brings a graceful balance between form and function. It is a unique side table that catches the eye of the public, being both an organic and clean, yet a statement piece.
Īxiptla Tlanēxtīlli: Photographer: MCA Estúdio