Qin Amatlacuilolli Sencentetl ītēchcopa Kaidi Mao

Tlanāhuatīlli Qin Amatlacuilolli Sencentetl ītēchcopa Kaidi Mao cē cencā mahuizzō tēmacēhualōni īpan huēyi 2021 Mahuizolli A' Design Award Bronse īpan Tlacuilolli, Tlacuilolixiptlaliztli ihuan Tlachialtlanonotzaliztli Tlachihchihualiztli Nēhuilīztli Tlamantli.

BronseTlacuilolli· 2021

Qin Amatlacuilolli Sencentetl

īpal Kaidi Mao

Tlanāhuatīlli: Kaidi Mao

Mahuizolli A' Design Award Bronse Tēmacēhualōni īpan Tlacuilolli Tlamantli

9,015

Tlaneltīlīlli Tēmacēhualōni

Xictlaneltilia Tēmacēhualli ītēchcopa #124488

Xiquitta A' Design Award ītechcopa Āmatl Tēmachiyōtīliztli Tlamachiōtl

Tlapalli

Tlanēxtilistli

Ītechcopa Qin Amatlacuilolli Sencentetl

Qin yeh se amatlacuilolli sencentetl in yancuic quinextia in huehuetlamachiliztli tlen Chinatlacah tepetl-atl-ixiptlayotl itech tlaixnextiliztli. In tocaitl Qin huallauh itech se Chinatlahtolli tlen quijtoznequi calaquiztli noso atlacalaquiliztli, ihuan in machiotlahcuiloli quinamiqui in machiotl atl ihuan yollotl. In ixiptlamachiotl pehua quen ixnextilmachiotl ihuan zatepan mochichihua ica tlaixnextiliztlacuiliztli in tlanamacayotl kenin Photoshop, Cinema 4D ihuan Procreate. In sencentetl mochichihua ica ome tlamantli hueyilizmachiotl ihuan huelis monextis ipan amatlacuilolli noso ipan tlaixnextiliztlanamacayotl, ipan calnextiliztli noso ipan chantli. In yolotlanequiliztli yehuatl in quinextiliz in Taoyotlamatiliztli itechpa yohyoltilistli ipampa nohuiyan cemanahuac tlacayotl.

Tēixīmachōtiliztli

Ītechcopa Mahuizolli A' Design Award Bronse

Qin Amatlacuilolli Sencentetl ca in quicuic in Mahuizolli A' Design Award Bronse, hueyi tlamahuizoliztli tlen momaca in cualli tlachihualli in motenehua ipampa yancuic tlamantli, tlamatiliztli ihuan ixtlamatiliztli. In quicuicah Bronse ca tlachihualli in quipia toltecayotl ihuan quinextia in cenca miac nemiliztli ihuan tlamatiliztli intlachihuanime. Ca quinequi in Qin Amatlacuilolli Sencentetl ca tlazohtli tlamantli, mahuiztic ihuan cualli. Ni dizayno in quicuic Bronse quipia cualli toltecayotl ihuan quitta in tlen tepiton. Qin Amatlacuilolli Sencentetl quipaquiltia in tlacah ihuan quitlamahuiztiltia in intlanequiliz.

Tlanēxtilistli Ītēixpan

Āmatl Tlanextīliztli

Tlapōhualli, tēquitqueh īwan tēchmachilīztli ōquinmaca in tlanēxtīlīlli.

Cē Zan Ītēchcopa: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Huēyiliztli īhuān Tlacualtepēhualli: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Tōcāitl: Art, poster, Taoism, culture, landscape, painting
Tlachīhualiztli Māchiyōtl: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Tlanāhuatīlli Nētēcahuilīztli: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Tlatēmōliztli: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Tēyōllālīliztli: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Tēquitl Cāhuitl: The project started in September 2019, finished in May 2020 in Los Angeles.
Tēquitl Ōhuitl: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.