Poem Sapce Kākahu Toenga Iti Rawa nā Bonan Li

Ko te hoahoa Poem Sapce Kākahu Toenga Iti Rawa nā Bonan Li he kaitoa whakahirahira o te 2025 A' Design Award Parahi i te Wāhanga Whakataetae Hoahoa Kākahu, Āhua me te Kākahu.

ParahiKākahu· 2025

Poem Sapce Kākahu Toenga Iti Rawa

nā Bonan Li

Kiritaki: Bonan Li Studio

Kaitoa o te A' Design Award Parahi i te Wāhanga Kākahu

75,622

Kaitoa Tohu Manatokohia

Manatokohia te Tūnga Tohu mō #169597

Torohia te Pae Tirohia i te A' Design Award Pānui Pāpāho Tohu Tohu

Ngā Tae

Te Hoahoa

Mō Poem Sapce Kākahu Toenga Iti Rawa

Ko Poem Sapce he kākahu toenga iti rawa e whakakotahi ana i tētahi tikanga whakakōpaki auaha me te kokoti kore toenga. I hangaia te kākahu mai i ngā kaka i whatua-ā-ringatia e ngā ringa toi ā-rohe i ētahi rohe maha, e pupuri ana i ngā tikanga whatu tuku iho. Ko te whakaiti ā-wāhi o te kaka e whakaahua ana i te kākahu, e hanga ana i ngā kōpakitanga toru- āhua taiao, kaua ko te kokoti i te kaka. Ko ia tūnga kōpaki e whakapūmautia ana ki te ringa, ā, ka whakamapatia ki runga i te kāri pepa mō te whakaputa iti. Ko ngā kōpakitanga whakairo e neke tahi ana me te tinana, e tuku ana i te whai tā me te hanganga.

Te Whakamihi

Mō te A' Design Award Parahi

Ko Poem Sapce Kākahu Toenga Iti Rawa te toa o te A' Design Award Parahi, he whakaaetanga tino whai mana e hoatu ana ki ngā hoahoa kōeke e tohua ana mā te auaha, te mahi mōhio me te whakaaro hōhonu. Ko ngā toa Parahi he mahi pukenga e rite ana, he auaha mīharo, e whakatūturu ana i te wheako nui, te whakaaro me te mōhio-ā-ringa o ā rātou kaihoahoa. E tūmanakohia ana ko Poem Sapce Kākahu Toenga Iti Rawa he taonga whakanuia, whakamīharotia, aroha nui, he ngaio, he auaha hoki. Ko tēnei hoahoa i toa i te Parahi e whakauru ana i ngā tikanga pai rawa i te toi, te pūtaiao, te hoahoa me te hangarau, ā, he tino mīharo ki ngā taipitopito. Ka whakatutuki a Poem Sapce Kākahu Toenga Iti Rawa i ngā hiahia, ka pā ki ngā hiahia, ka whakaoho i ngā kare-ā-roto, ā, ka kume i te pākiki.

I Muri i te Hoahoa

Kete Pāpāho

Ngā whakamihi, ngā mema o te rōpū me ngā taipitopito hangarau i whakaratohia e te kaihoahoa.

Āhuatanga Motuhake: The Shrink Pleat Minimal Waste Dress redefines sustainable fashion by integrating innovative pleating techniques with zero-waste cutting. Crafted from locally handwoven fabrics sourced globally, this design preserves traditional craftsmanship while reducing energy consumption. By harnessing localized fabric shrinkage, it forms organic, three-dimensional silhouettes with minimal material waste.
Inenga & Pēketanga: Length: 1500 mm x Width: 800 mm x Thickness: 50 mm
Tūtohu: sustainable fashion, zero-waste design, innovative pleating, fabric shrinkage technique, handwoven textiles, three-dimensional garment, traditional craftsmanship, small-batch production, sculptural fashion, eco-conscious design
Hangarau Whakanao: The design employs zero-waste cutting and an innovative pleating technique that utilizes localized fabric shrinkage to create organic, three-dimensional forms. Each pleat position is meticulously hand-fixed and mapped onto cardboard for small-batch production, ensuring precision and minimizing waste in the manufacturing process.
Wero Hoahoa: The most challenging aspect of this project was balancing sustainability with structural innovation. Achieving precise pleat placement through fabric shrinkage required extensive testing, as different textiles reacted unpredictably. Additionally, sourcing ethically handwoven fabrics while maintaining production feasibility posed logistical challenges. Overcoming these obstacles involved iterative experimentation, collaboration with artisans, and refining techniques to ensure both aesthetic integrity and minimal waste.
Rangahau: This research explores sustainable garment construction through fabric behavior analysis and zero-waste design. The objective was to develop an innovative pleating method that minimizes waste while enhancing three-dimensionality. Using an experimental approach, I tested localized fabric shrinkage and pleat fixation techniques, documenting results through draping, hand-marking, and pattern adjustments. Material tests were conducted to study fabric reactions, with findings informing a scalable, small-batch production model. The research promotes sustainability by reducing textile waste and preserving traditional weaving techniques.
Whakaaweawe: The intersection of traditional craftsmanship and contemporary sustainability inspired the Shrink Pleat Minimal Waste Dress. I sought to challenge conventional garment construction by exploring fabric behavior through pleating and shrinkage techniques. Drawing from research on localized textile manipulation, I developed a method to create dynamic, sculptural forms while minimizing waste. This project reflects my commitment to preserving heritage weaving techniques.
Roanga o te Kaupapa: This project was exhibited in Cave of the Day, Cave of the Night in Brooklyn, New York. It began in New York in 2013 and was completed in mid-2014 in New York.
Rerenga Mahi: The Shrink Pleat Minimal Waste Dress transforms through a unique pleating method that shapes the fabric organically using controlled shrinkage. Instead of traditional cutting, the fabric naturally adjusts, creating sculptural folds that move with the body. Each pleat is carefully placed to enhance form and flexibility, offering comfort and structure. This approach reduces fabric waste while achieving a dynamic, flowing silhouette that feels effortless yet meticulously crafted.
Whakamana Whakaahua: Photographer Hao Zeng